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BoA’s 1st Mini Album \”ONE SHOT, TWO SHOT\” has been released.
Listen and download on iTunes \u0026 Apple Music, Spotify, and Google Play Music http://smarturl.it/ONESHOTTWOSHOT
[Tracklist]01 ONE SHOT, TWO SHOT
02 EVERYBODY KNOWS
03 내가 돌아 (NEGA DOLA)
04 YOUR SONG (feat. Junoflo)
05 RECOLLECTION
06 ALWAYS, ALL WAYS (feat. Chancellor)
07 CAMO
BoA Official
http://boa.smtown.com
http://www.youtube.com/boa
http://www.facebook.com/boa.smtown
BoA 보아 ‘ONE SHOT, TWO SHOT’ MV ℗ S.M.Entertainment
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BoA Hypnotizes in “One Shot Two Shot” – Seoulbeats
“One Shot Two Shot” is about a moment of intense infatuation: it is about how someone can experience such intense feelings at a single moment …
Source: seoulbeats.com
Date Published: 3/4/2022
View: 2462
BoA Commands Your Attention With “One Shot Two Shot”
Despite its groovy feel, the lyrics talking about a regretful past relationship make it much more melancholic. It’s almost as if the wound has …
Source: thekrazemag.com
Date Published: 1/15/2022
View: 2263
BoA Interview: K-pop Icon Discusses ‘One Shot, Two Shot’ EP …
The music veos for each of the songs similarly showcase different ses to BoA: “Camo” oozes sensual confence, “One Shot, Two Shot” is based …
Source: www.billboard.com
Date Published: 9/15/2021
View: 6801
Song Review: BoA – One Shot, Two Shot – The Bias List
BoA has an amazing pop voice (one of the most iconic in all of k-pop), but this chirpy — almost taunting — refrain does her no favors. One Shot …
Source: thebiaslist.com
Date Published: 4/25/2022
View: 2483
One Shot, Two Shot – Wikipedia
One Shot, Two Shot is the first Korean extended play by South Korean singer-songwriter BoA. Released digitally on February 20, 2018 by her native label SM …
Source: en.wikipedia.org
Date Published: 5/25/2021
View: 7751
[Review] BoA’s “One Shot, Two Shot” about as frustrating as it …
Just over two weeks ago, BoA pre-released single “Nega Dola“. I was a bit hesitant with the song, but it’s since grown on me quite a bit.
Source: www.asianjunkie.com
Date Published: 11/24/2021
View: 9284
[Album Review] One Shot, Two Shot (1st Mini Album) – BoA
The mini-album also features two recent tracks of BoA, which I have reviewed separately as they were released. boaoneshottwoshot-2 One Shot, Two …
Source: kpopreviewed.com
Date Published: 8/4/2021
View: 9907
‘One Shot, Two Shot’: BoA Still Hits the Mark, Nearly Twenty …
The cold, hard truth is that the music industry in South Korea isn’t what it once was when BoA first debuted in 2000.
Source: muumuse.com
Date Published: 2/27/2021
View: 6419
ONE SHOT, TWO SHOT – BoA Wiki – Fandom
One Shot, Two Shot is the 1st mini album by South Korean singer BoA. It was released digitally on February 20, 2018 and physically on February 21, …
Source: boa.fandom.com
Date Published: 3/8/2021
View: 9828
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주제에 대한 기사 평가 boa one shot two shot meaning
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- Date Published: 2018. 2. 20.
- Video Url link: https://www.youtube.com/watch?v=Xg_4tbLnIOc
BoA Hypnotizes in “One Shot Two Shot”
Boa has been killing 2018 with all of her new songs and music videos, and “One Shot Two Shot” is no exception. “One Shot Two Shot” is a catchy electro-swing song with smooth verses that connect well to the synth-laden chorus. While the music video for “Nega Dola” was felt more quirky and playful with punchy colors and upside-down shots of Boa, “One Shot Two Shot” feels more deliberate and thoughtful, and it’s visually compelling.
At first glance, the video doesn’t seem to be very involved, but that’s not the case. It works along side the song in a way that isn’t obvious, but is still compelling. Boa has her own signature style in terms of music and videos, and the “One Shot Two Shot” video breaks away from that style a little bit, in the best way possible.
While there is no sort of story or plot, the video toggles between Boa dancing with her backup dancers in a white room and Boa with a man in a subway. From what plot is presented at first, a man in a suit and briefcase is getting off of a dark and color-less subway, looking beaten down and exhausted. The camera is out of focus and follows the blurred hunch of his shoulders as he walked on the platform. There’s a brief shot of the man’s feet sort of floating over the air, but just barely. It’s as though he can’t muster the energy to really move. But across on another platform, Boa is standing and milling around, dressed casually as she plays on her phone. She flashes him a knowing sort of smile, and the camera pans out to show the both of them on their separate platforms, physically separated but with an intangible sort of connection between them.
Boa starts dancing, and the camera tracks it in slow-motion, cutting to shots of her boots. The camera pans behind the man, and the audiences sees Boa through the same angle as the man, her stance feminine but also unabashedly confrontational. The man starts dancing as well and the subway lights start to explode, showering sparks down. The man jumps across the tracks to dance with Boa, and as the song ends, Boa makes a finger gun and presses it into the man’s abdomen. There’s a shooting noise, and the man collapses as Boa walks off. After Boa exits the frame, the man wakes up when he hears the subway announcement, and stumbles off, looking thoroughly dazed.
Between these shots subway shots, are shots of Boa with her backup dancers. She’s dressed in a sort of 80’s styleromper, from rich red velvet to a sparkling kaleidoscope of colors, with high heeled boots. It adds a layer of playfulness to the video. The dance is highly symmetrical and incorporates a lot of moves that are based around angular shapes and formation. It’s different from the style of dancing in the subway, which is much more fluid and amorphous: the contrast between the more intense colors of the dancing scenes and the relative monochromatic color scheme in the subway, along with the dancing styles is jarring in the best way.
The lack of plot is compensated by the style of which the video is shot in. The solo shots pan out to keep the audience in context of location and distance: asymmetric shots indicate loneliness and solitude, and distance implies a sort of omniscient point of view, where the objects of the scene are focused solely in a single moment. The man and Boa are constantly being shot from behind, so that the audience sees the other person through the perspective of the man or Boa. The subway scenes are shot in a way that allows the audience to “experience” the same sort of energy and dancing that Boa and the man are being exposed to.
The use of slow-motion, the sparks, and the camera being out of focus at times works in tandem with the song. “One Shot Two Shot” is about a moment of intense infatuation: it is about how someone can experience such intense feelings at a single moment for a single person. The moment is so brief, but time slows down and every detail is so vivid, yet so hard to recall.
The slow-motion dancing forces the audience to be present and to experience that moment with Boa and the man. The out-of-focus camera mirrors the experience of being unable to recall every single detail, but to cling onto the remaining snapshots that are important. The fierce brightness of the sparks is meant to symbolize the intensity of those feelings, an how fleeting they are, despite how intense they initially can be. Sometimes, you can fall in love for a minute with a beautiful stranger in the subway, and they leave you feeling like you’ve just been shot.
(Images via SM Entertainment, Video via YouTube)
BoA Commands Your Attention With “One Shot Two Shot” — The Kraze
“One Shot, Two Shot” is a deep house track with enough of a sprinkling of synths in the chorus to make it addictive. The 80s reminiscent melodies and rhythms are assisted by BoA’s unique tone of voice that almost acts as a beat of its own. The hypnotising hook, with the lines “One shot two shot, me and you” are sung in a higher, tantalising pitch as she describes two people falling in love, an emotion akin to fireworks. The song is a very subtle kind of hype, with a “less is more” kind of vibe quite different to her previous track, though just as alluring!
The music video is simplistic, with the main focus being on BoA dressed in bright colors, contrasting her muted surroundings. While the moves are significantly less strenuous than what we saw in “Nega Dola,” she still carries it off with finesse. “One Shot, Two Shot” shows a more mature BoA, simultaneously keeping the fresh, youthful aspect intact. Of course, the music video wouldn’t be complete without BoA’s signature dance breaks, enhanced by a dance off-like setting in an abandoned train station.
“Everybody Knows” has to be one of my favorite tracks on the album so far! With its smooth melodies and almost spellbinding synths, it can only best be compared to liquid velvet. In her airy, unique tone she sings about being in love with someone who is oblivious to her feelings. Out of all the tracks, this is one that truly matches the color of her voice, giving the song an almost haunting, magnetic sort of aura.
With its electronic pop sound, “Recollection” is very reminiscent of the 90s. Despite its groovy feel, the lyrics talking about a regretful past relationship make it much more melancholic. It’s almost as if the wound has healed and she’s looking back on it as an experience, while at the same time wishing to go back to that time.
The track “Your Song” defies all preconceptions. Almost in the form of an anthem and featuring Junoflo, the hip-hop track showcases BoA’s ability to take something new and effectively make it hers. Using this new style to sing about an addictive kind of love, the transition between her gritty and airy voice aims to create that same kind of atmosphere within the song.
Though not heard as much on this album, her deeper register is much more present and resonant in “Always, All Ways.” Considering the song expresses the idea of consuming a person emotionally, her deep, almost enticing tone of voice definitely brings about that feeling.
K-pop Icon BoA Discusses ‘One Shot, Two Shot’ EP, Aging & K-Pop’s Global Appeal: Exclusive
How do you measure success when you’ve spearheaded one of the biggest music phenomena your country has ever seen? Just keep dancing, says BoA.
At 31 years old, BoA (Kwon Bo-ah) was only a teenager when she released her first album ID; Peace B in 2000. A favorite at home and in Japan, and one of the first artists to release an English-language album — which charted on the Billboard 200 back in 2009 — the K-pop icon is known as a dynamic star who has grown up in the spotlight. Last month’s EP One Shot, Two Shot is the first such release of her career, after well over a dozen full-length albums, and explores the artist’s sound through the inclusion of new music styles and featured artists she’s rarely worked with in the past, as a way to challenge listener expectations.
“You just can’t stop repeating ‘One Shot, Two Shot,’ right?” BoA asks over the phone from Seoul, switching between English and Korean as she discusses the titular single. Describing the deep house track as “sort of EDM but not really EDM-EDM. It’s pop-ish EDM,” the Korean icon explains how the single’s varying pitch and addictive refrain gave her the ability to express a fuller range of sounds. “I want people to hear my lower vocals, my middle range and low range. I thought that I can play around with my vocals on that track.”
Her charming, distinct vocal tone is key to BoA’s popularity, but so too are her powerful dance performances, and her dedication to incorporating stylized choreography was something that shaped One Shot, Two Shot’s diverse sound palette.
“First of all, I’m a performer, so people really want to see my performance in different styles and genres,” she explains. “We tried to do hip-hop and EDM, and very energetic performances through ‘Camo,’ ‘Nega Dola,’ and ‘One Shot, Two Shot.’”
Each of the singles featured on the EP — including “Camo,” released last year — explored alternate perspectives and approaches to matured romance, reflective of the stage of life BoA is in. She wrote the lyrics for the romantic “One Shot, Two Shot,” and co-wrote the assured, empowering “Nega Dola.” “I think it’s really important to show new styles of song and music,” she offers. “I think that’s what people want to see and hear from me.”
The music videos for each of the songs similarly showcase different sides to BoA: “Camo” oozes sensual confidence, “One Shot, Two Shot” is based entirely around its dance elements, and “Nega Dola” is a vibrant ode to her independence, featuring several scenes that depicts the singer as a sharpshooter. “The music video director really wanted to incorporate the imagery of guns into “Nega Dola” because the lyrics are very aggressive,” says BoA, referring to the song’s warding off of unwanted attention from a man she has no interest in. “It kind of portrayed a very strong image. So that’s how we connected weapons and the imagery of a dangerous atmosphere.”
In contrast, the music video for “One Shot, Two Shot” features BoA as a dancer on a subway platform pairing off with a stranger for a dance duet — before a final shoot-out, returning to the gun motif — and it also predominantly focuses on her performance, as she’s backed by a team of dancers. The different sets each feature diverse fashion takes for the star: the paired dance showcases her in a comfy leather and jeans look, while the group setting has her wearing sleek bodysuits, in what BoA describes as a way of taking ownership of her femininity.
“For ‘One Shot, Two Shot,’ the important aspect of the music video was really to emphasize my body line through the choreography, so that’s why I was wearing tight-fitting outfits. I’ve never really done [that] feminine style before. I didn’t hate it, though it was too tight, so I couldn’t eat much,” she explains with a laugh. “I was pretty worried about my stomach. I had to go on a diet.”
One Shot, Two Shot features four other tracks aside from those released as singles, including “Always, All Ways,” featuring the smooth-crooning Chancellor, and “Your Song,” with Korean-American rapper Junoflo. Though BoA is one of the most prominent artists at SM Entertainment, a powerhouse of K-pop talent, the star opted out of the the obvious featured artists from her label for this album to breathe some freshness into into her music.
“Your Song,” like the title single, was a song that stood out to BoA as being a bit off-kilter from her usual fare, and perhaps something that her audiences would be wary of. “I thought that ‘Your Song’ may be too hard for listeners, but some people really love that track,” she says. “The song is a little bit intricate. We have a breakdown dance part for the bridge and the melody line, and the topline is not normal I think, especially [the] pre-chorus.”
BoA’s music is often created by outside, often international, producers; each of the three singles featured on One Shot, Two Shot is composed by songwriting teams from North America or Europe. When crafting the album, or any of her music, BoA says she’s always thinking about her audience and — due to the widespread popularity of K-pop — thinks in terms of sounds and styles that can resonate with global audiences.
“Because the Internet made us borderless, I think we need to focus, not just on Korea but the world,” she offers. “Even if I did [focus on making music for Korean audiences], it’s not going to happen. Everyone’s going to hear it through YouTube, iTunes… Our job is just to keep making great sounding music and great performances.” She hopes that more soulful, R&B-tinged songs become popular in the future, and would like to see, and sing, more songs that have deeper meanings behind the lyrics.
Despite K-pop’s emphasis on youth and only a handful of female soloists with any sort of longevity, BoA is poised to keep going for years to come. “I mean, I am young,” she says, citing Madonna and Britney Spears as inspirations for artists who have been able to mature with their careers, while still singing and dancing on stage. “I never thought that I would be a dancer this long term, you know? It’s really blessed that I can still go on stage as a performer, and I will keep making great sounds and performances as much as you guys expect of my music.”
The Bias List // K-Pop Reviews & Discussion
Just over two weeks ago, BoA pre-released single Nega Dola. I was a bit hesitant with the song, but it’s since grown on me quite a bit. That’s one of the frustrating things about end-of-the-month releases. I never really get to reflect their growth in my “top 3 k-pop songs of the month” round-ups. One Shot, Two Shot — the mini album’s official title track — may end up following a similar course. But for now, it’s nearly as frustrating as it is addictive.
Anyone who has been keeping up with BoA’s vlive documentary will already have a good idea of what One Shot sounds like. Maybe hearing the song’s hook played over and over again during dance rehearsals has colored my opinion, but the titular refrain that drives the chorus tends to grate after awhile. I wish the song didn’t lean so heavily on it, as the surrounding moments are much more effective. BoA has an amazing pop voice (one of the most iconic in all of k-pop), but this chirpy — almost taunting — refrain does her no favors.
One Shot opens with a languid verse before the tempo kicks into gear. What follows is an off-kilter electro track, borrowing liberally from deep house but blending this sub-genre with more modern dance elements to create a trendier hybrid. A slightly sinister atmosphere colors the song’s otherwise catchy melody, highlighted by a soundscape of creeping synths and electronic bass. Tying it all together is BoA’s unflagging charisma, which elevates even the song’s less hypnotic moments. There’s a sleek coolness to the track, but it’s missing the kind of dynamic showmanship that highlighted last year’s superior Camo, or the killer energy that made Japanese b-side Mannish Chocolat such a surprising standout.
Hooks 7 Production 8 Longevity 7 Bias 8 RATING 7.5
~
One Shot, Two Shot
2018 EP by BoA
One Shot, Two Shot is the first Korean extended play by South Korean singer-songwriter BoA. Released digitally on February 20, 2018 by her native label SM Entertainment with Iriver as the distributor, the extended play is the singer’s first major Korean release in nearly three years since her eighth Korean studio album Kiss My Lips (2015), and subsequently her second major release in 2018 just one week after releasing Watashi Kono Mama de li no Kana, her first Japanese album in over four years also.
Composition [ edit ]
Featuring seven new tracks that center around the singer’s “alternate perspectives and approaches to matured romance”, the extended play incorporates “heavy-bass” deep house and EDM genres, while seeing BoA exploring herself in new genres, such as trap and hip-hop. Wanting to “breathe some freshness” into her discography, the singer went on to collaborate with rapper Junoflo and producer Chancellor, whom also contributed lyrically and musically to the extended play along with several other producers, such as Yoo Young-jin, Devine Channel, Josh Cumbee, Tayla Parx, Micah Powell, Mike Daley, Mitchell Owens, Harvey Mason Jr., The Stereotypes, and more.[1]
Reception [ edit ]
Upon its release, One Shot, Two Shot received positive reviews from critics, whom regarded the extended play as one of her best releases, further praising its mature sound comparing to her previous release. It was, however, a moderate commercial success in her native country, becoming her fifth top-ten entry on the Gaon Album Chart, as well as her second top-ten entry on the Billboard World Albums chart. To further promote the extended play, three singles were released in between 2017 and 2018; namely “Camo”, “Nega Dola”, and the titular “One Shot, Two Shot”.
Track listing [ edit ]
No. Title Lyrics Music Arrangement Length 1. “One Shot, Two Shot” BoA Grades
Caroline Ailin
Sophia Pae Grades 3:31 2. “Everybody Knows” Yoo Young-jin Yoo Young-jin
Devine Channel
Ryan Henderson
Richard Beynon
Aurora Pfeiffer
Lena Leon Yoo Young-jin
Devine Channel
Ryan Henderson
Richard Beynon 3:36 3. “Nega Dola (내가 돌아)” JQ
Kang Eun-yoo
On-gyul
Hyun Ji-won
BoA Afshin Salmani
Josh Cumbee
Sara Forsberg
Yoo Young-jin AFSHeeN
Josh Cumbee 2:56 4. “Your Song” (featuring Junoflo) JQ
Seolim (Makeumine Works) Micah Powell
Tayla Parx
TK
Devine Channel
Junoflo Micah Powell 3:32 5. “Recollection” BoA BoA
Mike Daley
Rodnae ‘Chikk’ Bell
Mitchell Owens Mike Daley
Mitchell Owens 3:38 6. “Always, All Ways” (featuring Chancellor) Jam Factory The Stereotypes
Kam Parker
Rose The Stereotypes 3:42 7. “Camo” Cho Yoon-kyung Harvey Mason Jr.
Britt Burton
Kevin Randolph Harvey Mason Jr.
Kevin Randolph 3:19 8. “One Shot, Two Shot” (instrumental) Grades
Caroline Ailin
Sophia Pae Grades 3:31 Total length: 27:45
Charts [ edit ]
Chart (2018) Peak
position South Korean Albums (Gaon)[2] 6 US World Albums (Billboard)[3] 7
Sales [ edit ]
Region Sales South Korea (Gaon)[4] 9,628
Release history [ edit ]
Region Date Format Label Worldwide February 20, 2018 Digital download SM Entertainment South Korea SM Entertainment, iRiver February 21, 2018 CD
[Review] BoA’s “One Shot, Two Shot” about as frustrating as it is addictive – Asian Junkie
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Just over two weeks ago, BoA pre-released single “Nega Dola“. I was a bit hesitant with the song, but it’s since grown on me quite a bit. That’s one of the frustrating things about end-of-the-month releases. I never really get to reflect their growth in my Top 3 K-Pop Songs Of The Month round-ups. “One Shot, Two Shot” — the mini album’s official title track — may end up following a similar course. But for now, it’s nearly as frustrating as it is addictive.
Anyone who has been keeping up with BoA’s V Live documentary will already have a good idea of what “One Shot, Two Shot” sounds like. Maybe hearing the song’s hook played over and over again during dance rehearsals has colored my opinion, but the titular refrain that drives the chorus tends to grate after awhile. I wish the song didn’t lean so heavily on it, as the surrounding moments are much more effective. BoA has an amazing pop voice (one of the most iconic in all of K-pop), but this chirpy — almost taunting — refrain does her no favors.
“One Shot, Two Shot” opens with a languid verse before the tempo kicks into gear. What follows is an off-kilter electro track, borrowing liberally from deep house but blending this sub-genre with more modern dance elements to create a trendier hybrid. A slightly sinister atmosphere colors the song’s otherwise catchy melody, highlighted by a soundscape of creeping synths and electronic bass. Tying it all together is BoA’s unflagging charisma, which elevates even the song’s less hypnotic moments. There’s a sleek coolness to the track, but it’s missing the kind of dynamic showmanship that highlighted last year’s superior “Camo“, or the killer energy that made Japanese B-side “Mannish Chocolat“ such a surprising standout.
[Album Review] One Shot, Two Shot (1st Mini Album) – BoA
BoA, for her first time in her career, released her first mini-album. It is something you just don’t really notice until someone tells you but once you are aware of it, you are amazed. Her solo comeback in South Korea also coincided with her solo comeback in Japan, where is also quite famous. The title of her mini-album, One Shot, Two Shot, is also the name of her title track. The mini-album also features two recent tracks of BoA, which I have reviewed separately as they were released.
1..One Shot, Two Shot (Title Track) – Click here to read the full review of One Shot, Two Shot. (8.5/10)
2. Everybody Knows – This track has a very chilled vibe. Interestingly, the song doesn’t peak, which gives it a unique and distinct charm. It started off with some ear-catching synths, which also featured in the chorus. For the most part, the song was quite soft with its instrumental, which is why I thought the intro synths were cool. Also fitting in with the soft instrumental are the soft vocals that BoA presents us. I think the piano during the bridge was the strongest moment of the entire track, with it also going well with the soft instrumental but at the same time contrasting nicely with the synths and chill vibes. (8/10)
3. NEGA DOLA (내가 돌아) (Pre-release Track) – Click here to read the full review of NEGA DOLA. (7.6/10)
4. Your Song (ft. Junflo) – Your Song features strong hip-hop influences, which isn’t anything that new. However, the reason why I think this is another strong track from the list is due to the how the vocals of both BoA and Junoflo compliment with each other. BoA brings that softness mentioned previously to the track, while Junflo brings a certain degree of harshness through his rap. The ‘That’s My Jam, That’s My Song’ and the ‘I Hate You Girl’ repetition is quite addictive. The changeup in the bridge allows the song to feature an awesome dance performance and while it does seem unexpected, it works wells with the song. (9/10)
5. Recollection – Recollection manages to give off an epic feel, despite it being easy-going. Once again, BoA’s vocals are on full display throughout this song. You can’t really say that the beat dropped in this song, as there is more of an inclination in the beat when the drop should have been present. That being said, the instrumental did not have much going on besides a very appreciating funky beat during the chorus. Besides that, I don’t have much else to say regarding this song. (8/10)
6. Always Always (ft. Chancellor) – I personally did not notice the constant thumping in the instrumental until it reaches Chancellor’s part. I mean it was always there from the very start but it felt more prominent during Chancellor’s part, so I really didn’t notice it during BoA’s verse. I bought BoA shined (yeah, a common theme in this album) but Chancellor was very close to having his part being overshadowed by the instrumental. The chorus was also very flowy and the ending of the song had a minor difference to the rest of the song, which was interesting, (7.5/10)
7. Camo – Click here to read the full review for Camo. (9.5/10)
Overall Album Rating – 8.3/10
‘One Shot, Two Shot’: BoA Still Hits the Mark, Nearly Twenty Years Into Her Career
The cold, hard truth is that the music industry in South Korea isn’t what it once was when BoA first debuted in 2000.
Despite being hailed as the Queen of K-Pop™ for nearly two decades, the now 31-year-old superstar is vying for attention in a crowded arena that consists primarily of girl groups and boy bands armed with feverishly passionate fanbases, with new troupes being spat out from the conveyer belt at hyper-speed.
Solo stars are still getting their respective shine – see Sunmi, IU, HyunA, Lee Hyori, Taeyeon and Chung-ha, for example. It’s just…a little different these days.
In spite of the slow decline in public interest she’s faced (please, show me one pop star whose career hasn’t shown signs of fatigue two decades in), BoA’s continued to wear the crown among solo stars for good reason: not only have her powerful performances and impressive moves carried her through the years, but her sound has consistently evolved with the times.
After slowing things down with “Kiss My Lips” in 2015, and only one week after releasing her ninth studio album in Japan, Watashi Kono Mama de Ii no Kana (I Wonder If I’m Fine As I Am), BoA’s doubled-down on her more mature sound with her first-ever Korean mini-album One Shot, Two Shot; a record that finds her going insane, internally combusting, then slipping into something more urban in the form of electro-R&B/hip-hop vibes – and yes, even some trap. (“That’s my jam…“)
The mini collection’s lead single and title track is a sleek and stylish combination of bright pop melodies and shuffling electronic beats, toeing the line between artsy and accessible. (More on that move, which was certainly intentional, in a bit.)
The song was co-penned and produced by English producer and songwriter GRADES, responsible for co-writing Cheryl‘s “Screw You” and Tiffany‘s “Talk” alongside Nicola Roberts, tracks for Tom Aspaul, Dua Lipa – basically all of the faves, so it was only a matter of time until he landed in South Korea with the Queen herself.
The accompanying music video finds BoA doing what BoA does best: busting a move. And looking gorgeous in several outfit changes. (Those hot back-up dancers don’t hurt much to look at either, honestly.)
Is it the most expensive looking production compared to her contemporaries? Not really – but when you’re gifted enough to move like BoA, you don’t need much else than a dance floor – or, in this case, a train station.
True to the track’s lyrics – the song’s about the exhilarating explosion of fireworks inside upon the very sight of her beloved – BoA plays the part of dance-y desire for an entranced commuter. He gets lost in the fantasy, leaping his way across the tracks in a dreamlike trance just to twirl with her for a bit, until she abruptly awakens him with a bang…literally. And just like that, it’s back to reality. (Not to be a Debbie Downer, but the twist ending, while perfect in shock value, was still a bit jarring given current events stateside.)
“One Shot, Two Shot” works as a package. But the better question is: does it live up to BoA’s own standards?
https://youtu.be/RnAqwQNnU5s
As documented on her Keyword #BoA reality show that’s aired in South Korea since the beginning of 2018, the pop icon was heavily involved in crafting this comeback – especially when it came down to catchiness.
“There’s when people say ‘That dance looks good.’ Then there’s ‘That dance looks fun, I want to try.’ For our company, it ends at ‘That dance looks good’ – especially in my case,” she bluntly observes in a meeting with SM Entertainment.
“For about the past 3 years, I can’t remember the lyrics or the dance. And I think that’s the biggest problem. I think there needs to be at least one catchphrase that sticks to people’s memory.”
And so, BoA’s hunting for a hook – or at least, something slightly more memorable.
https://youtu.be/_pgsJUKkhhQ
In another moment of Boss Mode BoA on the show, the singer gets frustrated by the difficulty of the moves and switches up the song’s intricate choreography to make it more accessible. In a time of chart-dominating earworms with simple moves like Twice‘s “TT,” who could blame her for comparing notes?
Regardless of her concerns about being easily digestible, BoA sounds as assured as ever while settling into a more seductive vibe on this mini-record, including the intoxicating “Everybody Knows,” which finds the superstar purring her way across alluring, almost mystical-sounding beats.
In a continuation from her 2015 release, BoA teamed up once again with Danity Kane hit-making songwriting team The Stereotypes – who did “Kiss My Lips,” as well as Red Velvet‘s recent ’90s R&B-leaning groove “Bad Boy” – on the lush and sexy “Always, All Ways,” complete with a silky-smooth contribution from singer-songwriter Chancellor.
As a result of all this moody goodness, the blaring, Latin-tinged pre-release track “Nega Dola” is the most out-of-place, as BoA finds herself indulging in her goofier side, canceling her man and, ultimately, going crazy – not thematically unlike Sunmi’s “Gashina.” (Boy Problems, as Carly Rae Jepselegend once proclaimed.)
She keeps the attitude coming strong with “Your Song” featuring K-rapper Junoflo, which is among one of BoA’s most cocky moments to date, as she rides atop a finger-snapping, hi-hat-filled trap beat and does her best good-girl-gone-bad impression. (Bitch better have BoA’s money.) And with that speaker-busting dance break, the song will be a complete waste if it’s not brought to life on stage at least once.
The mini concludes with the militant electro-strut of “Camo,” released as a one-off single last year. And despite being old news, the still under-appreciated track makes a fierce welcome, channeling Janet Jackson circa “Feedback” and “Make Me” – no surprise there, given her everlasting love for all things Jackson.
Speaking of: the standout of the deep cuts, for me, is “Recollection,” a warm throwback full of throbbing beats, electric guitar rhythms and sweet crooning recalling Janet’s more nostalgic escapes. (It may also just be that BoA’s got a touch of that Jackson spark in her sound, always.)
One Shot, Two Shot is start-to-finish fresh, and yet another stellar example of BoA’s ability to dominate in basically any genre. She’s a musical shape-shifter, and a pop star who clearly has plenty left to offer. But she’s now grappling with the same question presented to any pop star who’s stayed in the game as long as she has managed to do.
“Why now, at this point in time, should people listen to BoA’s music?” one SM exec pondered in the meeting.
As time goes on, relevance is almost always an uphill battle. But if the way she’s presented herself on the show – and in this music – proves anything, it’s that BoA’s always been one to listen to her heart and speak her mind, which is why she remains a girl on top after all these years.
She’s just given it her best shot (or two) once again, and still has yet to miss her mark.
One Shot, Two Shot was released on February 20. (iTunes)
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Photo credit: SM Entertainment
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