당신은 주제를 찾고 있습니까 “the straight story quotes – Straight Story teaching scene“? 다음 카테고리의 웹사이트 https://ro.taphoamini.com 에서 귀하의 모든 질문에 답변해 드립니다: ro.taphoamini.com/wiki. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Fritz Engstrom 이(가) 작성한 기사에는 조회수 9,045회 및 좋아요 122개 개의 좋아요가 있습니다.
Table of Contents
the straight story quotes 주제에 대한 동영상 보기
여기에서 이 주제에 대한 비디오를 시청하십시오. 주의 깊게 살펴보고 읽고 있는 내용에 대한 피드백을 제공하세요!
d여기에서 Straight Story teaching scene – the straight story quotes 주제에 대한 세부정보를 참조하세요
the straight story quotes 주제에 대한 자세한 내용은 여기를 참조하세요.
Richard Farnsworth as Alvin – The Straight Story (1999) – IMDb
Alvin Straight : There’s no one knows your life better than a brother that’s near your age. He knows who you are and what you are better than anyone on earth.
Source: www.imdb.com
Date Published: 2/29/2021
View: 8774
Film / The Straight Story – TV Tropes
The Straight Story is a 1999 film from Walt Disney Pictures and directed by Dav Lynch, starring Richard Farnsworth in the eponymous role along with Sissy …
Source: tvtropes.org
Date Published: 10/15/2022
View: 6420
Famous quotes of The Straight Story
Famous The Straight Story Quotes · I’d give each one of ’em a stick and, one for each one of ’em, then I’d say, ‘You break that. · What’s the number for 911?
Source: www.merelyrics.com
Date Published: 3/8/2021
View: 8323
주제와 관련된 이미지 the straight story quotes
주제와 관련된 더 많은 사진을 참조하십시오 Straight Story teaching scene. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 the straight story quotes
- Author: Fritz Engstrom
- Views: 조회수 9,045회
- Likes: 좋아요 122개
- Date Published: 2018. 11. 19.
- Video Url link: https://www.youtube.com/watch?v=ytCT-6hCrKI
Is the straight story a true story?
“The Straight Story” is a G-rated Disney release based on a true story about a man riding his lawnmower from Iowa to Wisconsin to visit his sick brother. It was filmed in chronological order, following Alvin Straight’s actual route.
What is the theme of the straight story?
The themes of mortality, survival, and absence gain further weight in the face of the knowledge that this was the first film, with the exception of The Elephant Man, that Lynch was forced to make without Jack Nance, the unforgettable Henry Spence of Eraserhead (1977) – shots of the starry sky in this film are eerily …
How long is the straight story?
When was the straight story filmed?
The Straight Story was independently shot along the actual route taken by Alvin Straight, and all scenes were shot in chronological order in the autumn of 1998.
Is Richard Farnsworth still alive?
Was Alvin Straight a real person?
Alvin Boone Straight (October 17, 1920 – November 9, 1996) was an American man who became notable for traveling 240 miles (390 km) on a riding lawn mower from Laurens, Iowa to Blue River, Wisconsin to visit his ailing brother. He inspired the 1999 film The Straight Story.
Is The Straight Story on Netflix?
Rent The Straight Story (1999) on DVD and Blu-ray – DVD Netflix.
How far did Alvin Straight travel?
Alvin Straight, who is 73 and too blind to get a driver’s license, recently drove 240 miles on his lawn mower from northwestern Iowa to southwestern Wisconsin to visit his ailing 80-year-old brother, Henry.
Who wrote The Straight Story?
Why is The Straight Story rated G?
Parents need to know that this movie has no four-letter words or nudity, and there is nothing in the movie that is likely to cause offense or trauma. Still, it is not for most younger kids, who will be bored and restless.
Is The Straight Story worth watching?
May 7, 2020 | Rating: 9/10 | Full Review… It’s unlike anything else in Lynch’s filmography, and it’s genuinely brilliant. It’s hard to imagine a gentler film, yet Lynch fully exploits the stately pace to gaze fondly upon life’s rich pageant.
Is The Straight Story on Disney plus?
Currently you are able to watch “The Straight Story” streaming on Disney Plus.
The Straight Story Quotes, Movie quotes – Movie Quotes .com
“The Straight Story” quotes (1999)
Plot – Alvin Straight is 73-years-old and lives with his daughter Rose in Laurens, a small town in Iowa. Alvin isn’t good but he refuses examinations and medicines. As he learns his brother Lyle has had a heart attack, Alvin wants to visit him as they haven’t seen for ten years. The old man doesn’t have a driving licence and chooses to drive an old lawn mower heading to Zion, in Wisconsin. After five weeks, the lawn mower stops due to mechanical problems and Alvin is helped by a local family. When finally he arrives to Zion, he reaches Lyle’s house. The two old men look at each other without saying a word. They just look at the sky and at the stars together.
Getting to the Heart of America in David Lynch’s The Straight Story
Somehow, and thank goodness, Straight’s interstate mower trip clicked with Lynch’s longtime producer and editor Mary Sweeney in the mid-’90s, who knew Lynch was right for the material. Sweeney was so committed to getting the movie made that even though the rights were spoken for, she waited four years for them to become available again. Sweeney then produced “The Straight Story” and co-wrote the script, thinking it would appeal to the emotional side that Lynch displayed in 1980’s “The Elephant Man.” “David’s films connect with audiences through his characters’ struggles with darkness and confusion,” Sweeney told The Telegraph in 2017. “A less obvious, but very powerful dimension of that struggle, is a hunger for love and dignity.”
These are the elements that align “The Straight Story” with the rest of Lynch’s artistic output. Like many of the director’s other films, the journey of Richard Farnsworth’s Alvin Straight, a 73-year-old World War II veteran, and those of the people he meets, address that same struggle of darkness and confusion, and the desire for dignity. It looks at the secrets and life details that define us, but aren’t often discussed. That deeply empathetic narrative approach in turn makes “The Straight Story” a great film for our current moment, as we try in the wake of great division to understand each other again.
In Lynch projects like “Blue Velvet,” “Wild at Heart,” “Twin Peaks” or “Twin Peaks: Fire Walk with Me,” the director’s close witness and interest in inner struggle reveals deep brokenness, usually in some form of trauma or evil (either human or supernatural). In a way, this also permeates “The Straight Story.” The brokenness here isn’t salacious or strange—much of what we learn is downright ordinary—but it is frequently sad. Lynch, Sweeney, and her co-writer John Roach use a familiar lens to make us think about how specific life experiences create the people we see every day.
The Straight Story – Senses of Cinema
The Straight Story (1999 USA/France/UK 111 mins)
Prod Co: Asymmetrical Productions/Canal +/Channel Four Films/CiBy 2000/Les Films Alain Sarde/The Picture Factory/The Straight Story Inc./Walt Disney Pictures Prod: Neil Edelstein, Mary Sweeney Dir, Sound Des: David Lynch Scr: John Roach, Mary Sweeney
Cast: Richard Farnsworth, Sissy Spacek, Jane Galloway Heitz, Joseph A. Carpenter, Donald Wiegert, Tracey Maloney
David Lynch has made a career of projecting the twisted and dark underbelly of the otherwise sugarcoated exterior of American life onto our movie screens. When released in 1999, The Straight Story was widely received as a film that departed from the director’s previous work. One should begin a discussion of the film by noting that The Straight Story refers to two things. First, this is the adaptation of a true story – much in the spirit of Lynch’s The Elephant Man (1980), but different. It is the story of Alvin Straight (Richard Farnsworth), a 73-year-old man who, upon receiving the news of his brother’s stroke, whom he has not spoken to in ten years, travels more than 300 miles on a ride-on lawnmower from Iowa to Wisconsin. Second, given that it comes after films like Blue Velvet (1986), Twin Peaks: Fire Walk With Me (1992), and Lost Highway (1997), the literal “straightness” of this story, both chronologically and thematically speaking, is remarkable – almost as remarkable as the fact that Lynch worked with Disney to produce this film. The script was co-written by Mary Sweeney, Lynch’s wife, who also acted as co-producer and editor of the film (Sweeney also edited and co-produced Lost Highway and Mulholland Dr. (2001)).
The Straight Story is perhaps the most melancholic of Lynch’s films. It is a narrative about ageing and facing the spectre of death: Alvin’s brother Lyle (Harry Dean Stanton) has had a stroke, and Alvin himself has been warned by his doctor of his deteriorating health. Moreover, due to his also deteriorating vision, he can no longer carry a driver’s license, hence the choice of the ride-on lawnmower as a mode of transport. Loss is etched everywhere on the landscape of the film. Alvin lives with his speech-impaired daughter Rose (Sissy Spacek) who tragically, and by Alvin’s account, unfairly, lost her children to Child Protective Services due to the erroneous assumption that she was also mentally ill (the ugly underbelly of American life is still tangibly felt in this film). One of the most haunting images in The Straight Story, cued by Rose staring out into the night from behind a kitchen window, is of a blue ball that rolls into frame out of the darkness of the screen, shortly followed by a boy, who picks it up only to disappear, again off-frame. It is as if everything one longs for in the past, be it youth, loved ones, or missed opportunities, exists just out of frame for the film’s characters, in a place that is unreachable, yet still palpable.
One of the film’s more touching scenes occurs when Alvin and a fellow World War II veteran swap combat stories. This is the first time that Alvin shares a secret we sense he has never shared before, of having once tragically shot one of his own buddies on the field of battle. A recovering alcoholic, Alvin exorcises this demon over a glass of milk – a subtle Lynchian touch. Alvin eloquently sums up the tragedy of getting old: “All my buddies’ faces are still young. And the thing is, the more years I have, the more they’ve lost.” Alvin is a man of many secrets and a dark past, something that remains interred throughout the duration of the film. The themes of mortality, survival, and absence gain further weight in the face of the knowledge that this was the first film, with the exception of The Elephant Man, that Lynch was forced to make without Jack Nance, the unforgettable Henry Spence of Eraserhead (1977) – shots of the starry sky in this film are eerily reminiscent of those in Eraserhead. Nance was found dead in his home on December 30, 1996, prior to the release of Lost Highway, the last film he ever made. Adding to this cloud of tragedy, Richard Farnsworth died shortly after the release of The Straight Story, taking his own life after a struggle with bone cancer.
This film, then, made at a time when the World War II generation had literally arrived at death’s doorstep, properly mourns pieces of American life that are about to be lost. The post-World War II era has seen the rise of America as a global power, and American culture now permeates the globe. But this film offers up an essence of America that is not global in nature, and thus becomes a quiet elegy for a particular brand of Americana that has always been a prototypically Lynchian subject. Thus, Lynch’s sometimes lingering, sometimes sweeping aerial shots over American farmlands can only be read as a mournful view, already calling this landscape forth into an Elysian elsewhere. The small, mid-Western town is where Lynch often locates his narratives as well as all those endearing American peculiarities that his idiosyncratic eye for detail excavates. Significantly, these are the spaces and ways of life being threatened by extinction – think of, as a connected example, the forests of Lumberton U.S.A., the setting for Blue Velvet.
True to his penchant for presenting us with worlds where the familiar is made new, or where the normal is defamiliarised, Lynch plunges us into a land where people know their mowers intimately; “My Edward loved his riding mower”, says an old lady on the senior tour-bus that rescues Alvin from his first failed attempt at hitting the road. Lynch has always offered his own peculiar twist to genres like film noir and melodrama. Here he perhaps does the same for the road movie – a genre permeated by the recklessness of youth, and the promise of unbound freedom. Alvin has the luxury of neither, nor does the actor who plays him. Among the pieces of Americana this film inscribes is Farnsworth himself, who began his career as a stuntman, predominantly in Westerns. For ten years of his early career, Farnsworth was the exclusive stunt double/stand-in for Roy Rogers (as well as for others). Thus, the shots of the feeble Alvin/Farnsworth, as he is forced to move around with the aid of two canes, once again call attention to the unforgiving onslaught of time.
Confessing that he was a sniper in the Army, Alvin describes to a fellow World War II veteran over that same glass of milk, “I’d sit forever. It’s an amazing thing what you can see when you sit.” At many levels, the aesthetic choices Lynch has made for this film respond to this very logic. Alvin must ride a lawnmower to Wisconsin because his vision is not good – yet the entire visual apparatus of the film aligns itself with his journey. Lynch thus takes the opportunity to slow everything down. “Sitting” is in this case the film’s metaphor for becoming observant – of watching one’s experience of space change as the vector of speed is slowed down. And just as we begin to get lulled into the mower’s slow crawl, there are reminders of that faster world outside: at some point a huge group of cyclists buzz by Alvin, looking like creatures from outer space in that context. Alvin’s gaze (a panning point-of-view shot gives us access to it here) can barely make out the faces of the figures that zip by. A more tragic example of this aspect is that of the woman who runs over a deer in her car (“at least once a week”, she screams) as she speeds through her necessary 40-mile commute back-and-forth from home to work (is this a meditation on the violence required by everyday life?). The woman, exasperated, looks distraught into what appears to be a barren and empty landscape lamenting: “Where do they come from?” But she does not “sit” around long enough to figure it out, hops into her car and proceeds to yet again speed away.
The distance between two points is not variable, only the time it takes to traverse that distance. Our expectation that the character will reach his destination is the only thing that propels the narrative forward. So one cannot but take notice of things that have always been present in Lynch’s films, and which are the first casualties when one attempts a linear recounting of their stories: the small, character-driven vignettes (surreally ethnographic) that do little to advance the plot (the exchange between Rose and the woman at the grocery check-out counter, the jostle at the hardware store over the “grabber”, and so on). Lynch’s quirky style and sense of humour have always resided in his melancholic attention to idiosyncratic detail. Yet, for as much as he is able to lean toward an excess of expression, he can be phenomenally restrained. This is as much a slow film as it is a silent one. Although the film’s critics have often noted Alvin’s penchant for dishing out folksy advice, he nevertheless shares surprisingly little about himself. A key point of this film, therefore, is also about how imperfect words are in their capacity to connect people. Take, for example, the above-mentioned exchange between Rose and the clerk:
[Close-up of plastic wrapped sausages at the checkout counter]Clerk: Havin’ a Party?
Rose: Oh, geez, I love… parties.
Clerk: Oh, me too.
Rose: And so… where’s it at?
Clerk: Where’s what at?
Rose: Your party.
Clerk: [confused] I’m not having a party. I thought you were having a party?
Rose: I am?
Clerk: Well, yeah [back to the close-up shot of the sausages], look at all that braunschweiger…
The conversation continues briefly, with both characters continuing to just barely meet and miss each other’s meaning, before Rose finally mentions disliking braunschweigers and makes a face of disgust. The clerk agrees and returns the same look of disgust. This wordless moment is in fact the only point of meeting between the two.
As we are told, words are the source of the rift between Alvin and Lyle as well. After being on the road for weeks, Alvin finally arrives at Lyle’s. The ultimate exchange between the two is a study in understatement, played brilliantly by both actors. Lyle merely looks at the ride-on mower sitting outside his ramshackle house, and asks: “You ride that thing all the way to see me?” Alvin answers, “I did Lyle”. The 1966 John Deere mower has the final word – telling yet another story we do not hear, but we may assume has the power to heal. As the camera pans up, we are left with only a shot of the sky and the memory of Alvin’s boyhood reminiscence of staring up with Lyle into the star-filled sky: an image of both fullness and emptiness, depending on how one looks at it.
The Straight Story
1999 film
The Straight Story is a 1999 biographical road drama film directed by David Lynch. It was edited and produced by Mary Sweeney, Lynch’s longtime partner and collaborator, who also co-wrote the script with John E. Roach. It is based on the true story of Alvin Straight’s 1994 journey across Iowa and Wisconsin on a lawn mower. Alvin (Richard Farnsworth) is an elderly World War II veteran who lives with his daughter Rose (Sissy Spacek), a kind woman with an intellectual disability. When he hears that his estranged brother Lyle (Harry Dean Stanton) has suffered a stroke, Alvin makes up his mind to visit him and hopefully make amends before he dies. Because Alvin’s legs and eyes are too impaired for him to receive a driver’s license, he hitches a trailer to his recently purchased thirty-year-old John Deere 110 Lawn Tractor, having a maximum speed of about 5 miles per hour (8.0 km/h), and sets off on the 240 miles (390 km) journey from Laurens, Iowa, to Mount Zion, Wisconsin.
The Straight Story was released by Buena Vista Pictures (under the Walt Disney Pictures banner[1]) in the United States,[2] and was a critical success, although the overall gross proved less than expected. Reviewers praised the intensity of the character performances, particularly the realistic dialogue which film critic Roger Ebert compared to the works of Ernest Hemingway.[4] It received a nomination for the Palme d’Or at the 1999 Cannes Film Festival and Farnsworth received a nomination for the Academy Award for Best Actor.
Plot [ edit ]
In Laurens, Iowa, Alvin Straight fails to show up to his regular bar meeting with friends and is eventually found lying on his kitchen floor. His daughter, Rose, takes her reluctant father to see a doctor, who sternly admonishes Alvin to give up tobacco and use a walking frame. Alvin refuses and instead opts to use two canes. Shortly after, Alvin learns that his brother, Lyle, has suffered a stroke. Longing to visit him, but unable to drive, Alvin develops a plan to travel 240 miles to Mount Zion, Wisconsin on his riding lawnmower, towing a small homemade travel-trailer along the way. This stirs doubt and worry in the minds of his family, friends, and neighbors.
Alvin’s first attempt fails: after experiencing difficulty starting the old mower’s motor, he does not get far before the machine breaks down. Alvin arranges for his mower to be transported back home on a flatbed truck, where he takes out his frustrations on the mower with a shotgun blast. At the John Deere dealership, he purchases a used lawn tractor whose transmission is still intact from 1966. The salesman offers Alvin kind words as his journey resumes.
On the side of the highway, Alvin passes a young female hitchhiker who later approaches his campfire and says that she could not get a ride. In conversation, Alvin deduces that she is pregnant and has run away from home. Alvin tells her about the importance of family by describing a bundle of sticks that is hard to break compared to a single stick. The next day, Alvin emerges from the trailer to find that she has left him a bundle of sticks tied together. Later, a huge group of RAGBRAI cyclists race past him. He arrives at the cyclists’ camp and is greeted with applause. That night, he speaks with a pair of friendly cyclists around the campfire about growing old.
The next day, Alvin is troubled by massive trucks passing him. He then interacts with a distraught woman who has hit a deer and is being driven insane by the fact she continually hits deer while commuting, no matter how hard she tries to avoid them. She drives away in a tearful huff, and Alvin, who has started to run short on food, cooks and eats the deer. He mounts the antlers on his trailer as a tribute to the deer and the sustenance it provided. Alvin’s brakes fail as he travels down a steep hill; he struggles to maintain control of the speeding tractor and finally manages to bring the vehicle to a complete stop. A man named Danny helps Alvin get his mower and trailer off the main road. They discover that the mower has transmission problems.
Now beginning to run low on cash, Alvin borrows a cordless phone from Danny – gently refusing an invitation to come indoors – and calls Rose to ask her to send him his Social Security check. He leaves money on the doorstep to pay for his telephone call. Danny offers Alvin a ride the rest of the way to Lyle’s, but Alvin declines, stating that he prefers to travel his own way. Verlyn, an elderly war veteran, takes Alvin into town for a drink. Though Alvin does not drink alcohol, he orders a glass of milk, and the two men exchange traumatic stories about their experiences in World War II fighting against the Germans.
Alvin’s tractor is fixed, and he is presented with an exorbitant bill by the mechanics, who are twins and are constantly bickering. Alvin successfully negotiates the price down and explains his mission to help his brother. The twins seem to relate to Alvin’s struggle. Alvin crosses the Mississippi River and makes camp in a cemetery. He chats with a Catholic priest who recognizes Lyle’s name and is aware of his stroke. The priest says that Lyle did not mention he had a brother. Alvin responds that all he wants is to make peace with Lyle after their falling out ten years prior.
Finally arriving in Mount Zion, Alvin stops at a bar to have a single beer: his first drink in years. He asks the bartender for directions to Lyle’s house. Alvin experiences engine trouble just a few miles from Lyle’s house and stops in the middle of the road. A large farm tractor driving by stops to help, then leads the way to make sure Alvin gets to his destination. When he arrives, Alvin finds the house dilapidated. He calls for his brother, who appears using a zimmer frame. Using two canes, Alvin makes his way to the door. Lyle invites Alvin to sit down on the porch. Lyle tearfully looks at Alvin’s mower-tractor contraption and asks if Alvin had ridden it just to see him. Alvin simply responds, “I did, Lyle.” The two men sit together silently and gaze up at the stars.
Cast [ edit ]
Production [ edit ]
The Straight Story was independently shot along the actual route taken by Alvin Straight, and all scenes were shot in chronological order in the autumn of 1998.[6] Lynch would later call the film “my most experimental movie”.[7]
The Straight Story was acquired by Walt Disney Pictures in the United States after a successful debut at Cannes and was given a G-rating by the MPAA (the only Lynch film to receive such a rating).[2] It is also the only Lynch film for which Lynch himself did not contribute to the screenplay (although it was co-written by his recurring associate, Mary Sweeney). As with many of Lynch’s films, there are no chapter markers on the original North American DVD release, because Lynch wants the film to be watched as a whole.[citation needed]
During production, Richard Farnsworth was terminally ill with metastatic prostate cancer which had spread to his bones. The paralysis of his legs as shown in the film was real.[8] He took the role out of admiration for Alvin Straight, and astonished his co-workers with his tenacity during production. Farnsworth died by suicide the following year, at the age of 80.[9]
Music [ edit ]
The musical score for The Straight Story was composed by Angelo Badalamenti, continuing a 13-plus year collaboration with Lynch that began with Blue Velvet.[10] A soundtrack album was released on October 12, 1999, by Windham Hill Records.[11]
Professional ratings Review scores Source Rating AllMusic [12] Q [13] Uncut [14]
All music composed and conducted by Angelo Badalamenti.
“Laurens, Iowa” “Rose’s Theme” “Laurens Walking” “Sprinkler” “Alvin’s Theme” “Final Miles” “Country Waltz” “Rose’s Theme (Variation)” “Country Theme” “Crystal” “Nostalgia” “Farmland Tour” “Montage”
Reception [ edit ]
The Straight Story was critically acclaimed upon its release, with critics lauding Lynch’s uncharacteristic subject matter. Entertainment Weekly described it as a “celestial piece of Americana”.[15] The Chicago Tribune wrote of the film, “we see something American studio movies usually don’t give us: the simple, unsentimentalized beauty of the rural American Midwestern landscape.”[16]
On review aggregator Rotten Tomatoes, the film has an approval rating of 95% based on 105 reviews, with an average rating of 8.2/10. The website’s critical consensus reads, “With strong performances and director David Lynch at the helm, The Straight Story steers past sentimental byways on its ambling journey across the American heartland.”[17] On Metacritic, the film has a score of 86 out of 100, based on 32 critics, indicating “universal acclaim”.[18] AllMovie wrote, “David Lynch offers an uncharacteristically straightforward and warmly sentimental approach to his material in this film”, calling it “one of his best films”.[19][20]
Roger Ebert gave the film four out of four stars, the first positive review he had ever given for a film by Lynch. He wrote, “The movie isn’t just about the old Alvin Straight’s odyssey through the sleepy towns and rural districts of the Midwest, but about the people he finds to listen and care for him.”[4]
Awards and honors [ edit ]
The Straight Story was the recipient of twelve awards and twenty-nine nominations.[citation needed]
The film was nominated for the Palme d’Or at the 1999 Cannes Film Festival.[21] Cinematographer Freddie Francis was nominated for the Golden Frog.[22] Richard Farnsworth earned an Academy Award nomination for Best Actor for his portrayal of Alvin Straight. [23][24] For 20 years he held the record for the oldest person (at 79) to be nominated for a Best Actor Oscar until 2021 when Anthony Hopkins was nominated at age 83. Farnsworth also won the 1999 New York Film Critics Circle Award for Best Actor for his performance in the film.
The Straight Story (1999) quotes
Alvin Straight: There’s no-one knows your life better than a brother that’s near your age. He knows who you are and what you are better than anyone on earth. My brother and I said some unforgivable things the last time we met, but, I’m trying to put that behind me… and this trip is a hard swallow of my pride. I just hope I’m not too late… a brother’s a brother.
The Straight Story
Based on a true-life journey, The Straight Story chronicles 73-year-old Alvin Straight and his travels from Laurens, Iowa, to Mount Zion, Wisconsin, on a 1966 John Deere riding lawnmower. His trip takes him across hundreds of picturesque miles of America’s Heartland, into a variety of people’s lives, and all the while he shares his simple but poignant insights. Despite crippling arthritis and poor vision, Straight is resolved to travel by his own means to make peace with his ailing brother. His trek and the incidents that he experiences on the road provides a triumphant and inspirational representation of the course of a lifetime as it nears its end.
The Straight Story
http://tvtropes.org/pmwiki/pmwiki.php/Film/TheStraightStory
Advertisement:
The Straight Story is a 1999 film from Walt Disney Pictures and directed by David Lynch, starring Richard Farnsworth in the eponymous role along with Sissy Spacek and Harry Dean Stanton.
The film is based on the true story of a man named Alvin Straight. Straight, an elderly World War II and Korean War veteran living with his brain-damaged daughter Rose, hears that his estranged brother Lyle has had a stroke. Disappointed that he’s never made up for the incident that (he was drunk at the time) led to their split, he decides to reconcile with Lyle before one of them dies.
Unfortunately, Straight is almost blind and half paralyzed, which leaves him unable to walk long distances or get a legal driver’s license. Unwilling to let life end this way, he hitches a trailer to his riding lawnmower and proceeds to tackle the 240 mile journey from Laurens, Iowa to Mount Zion, Wisconsin so that he may make amends with his sick brother.
Advertisement:
David Lynch directs the sweetest, gentlest movie you could imagine.
Not to be confused with Straight Story, a Greek movie about straight couples in a gay world.
This film provides examples of:
Famous quotes of The Straight Story
I’d give each one of ’em a stick and, one for each one of ’em, then I’d say, ‘You break that.’ Course they could real easy. Then I’d say, ‘Tie them sticks in a bundle and try to break that.’ Course they couldn’t. Then I’d say, “That bundle… that’s family.” Actor: Richard Farnsworth
What’s the number for 911? Actor: Jane Galloway
There’s no one knows your life better than a brother that’s near your age. He knows who you are and what you are better than anyone on earth. My brother and I said some unforgivable things the last time we met, but, I’m trying to put that behind me… and this trip is a hard swallow of my pride. I just hope I’m not too late… a brother’s a brother. Actor: Richard Farnsworth
Anger, vanity, you mix that together with liquor, you’ve got two brothers that haven’t spoken in ten years. Ah, whatever it was that made me and Lyle so mad… don’t matter anymore. I want to make peace, I want to sit with him, look up at the stars… like we used to do, so long ago. Actor: Richard Farnsworth
키워드에 대한 정보 the straight story quotes
다음은 Bing에서 the straight story quotes 주제에 대한 검색 결과입니다. 필요한 경우 더 읽을 수 있습니다.
이 기사는 인터넷의 다양한 출처에서 편집되었습니다. 이 기사가 유용했기를 바랍니다. 이 기사가 유용하다고 생각되면 공유하십시오. 매우 감사합니다!
사람들이 주제에 대해 자주 검색하는 키워드 Straight Story teaching scene
- 동영상
- 공유
- 카메라폰
- 동영상폰
- 무료
- 올리기
Straight #Story #teaching #scene
YouTube에서 the straight story quotes 주제의 다른 동영상 보기
주제에 대한 기사를 시청해 주셔서 감사합니다 Straight Story teaching scene | the straight story quotes, 이 기사가 유용하다고 생각되면 공유하십시오, 매우 감사합니다.
