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BOOKS about Gerrit van Honthorst:
[1] GERRIT VAN HONTHORST : A DISCUSSION OF HIS POSITION IN DUTCH ART by Jay Richard Judson — https://bit.ly/2P9q8I7
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Gerrit van Honthorst: A collection of 131 paintings (HD)
Description: \”Gerrit van Honthorst trained first by his father, and then by Abraham Bloemaert and having completed his education, Honthorst went to Italy in 1616. In Rome, he lived in the palace of Vincenzo Giustiniani and painted Christ Before the High Priest. Giustiniani had an important art collection including works by the contemporary artists, Caravaggio, Bartolomeo Manfredi and the Annibale Carracci, and Honthorst having easy access to these works studied them and was influenced by them. He became especially noted for his depiction of candle-lit scenes, receiving the nickname \”Gherardo Della Notti\” (Gerard of the night).
Gerrit van Honthorst returned to Utrecht in 1620, and using what he had learned in Italy, he gained a big reputation for his style of oil painting both at home and abroad. He was so in demand that Sir Dudley Carleton, the English envoy at The Hague, recommended his works to Queen Elizabeth of Bohemia, then in exile in the Netherlands, and the sister of Charles I of England, she commissioned Honthorst as a painter and as a drawing teacher for her children. She was so impressed with his works that she recommended him to Charles I, he invited him to come to England in 1628. In London, he painted several portraits and a vast allegory of paintings.
After his return to Utrecht, Honthorst retained the patronage of the English ruler. Because of these contacts, his popularity in the Netherlands was such that he opened a second art studio in the Hague, where he painted portraits of members of the court.
Gerrit van Honthorst was a prolific artist and his most attractive paintings are those in which he uses Caravaggio’ style of light and dark, often tavern scenes with musicians, gamblers, and people eating. A majority of his portraits of ordinary people painted playing music or in a tavern scenes have an infectious smile to warm up any one’s day. He had great skill at chiaroscuro, often painting scenes illuminated by a single candle. Gerrit van Honthorst’s oil painting The Concert painted in 1623 was bought by the National Gallery of Art in Washington, D.C., in 2013. His brother Willem van Honthorst was also a portrait painter. Many of Willem’s paintings were thought to be Gerrit’s due to their similar signatures on their canvases.\”
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Supper Party by HONTHORST, Gerrit van – Web Gallery of Art
He made such pictures while he was still in Italy. His Supper Party, painted during his last months in Italy, set a precedent for similar scenes done in the …
Source: www.wga.hu
Date Published: 2/18/2022
View: 8411
File:Gerard van Honthorst – Supper Party – WGA11652.jpg
File:Gerard van Honthorst – Supper Party – WGA11652.jpg … Gerard Honthorst, Gerard Hermansz. van Honthorst, Gerardus Honthorst, Gerrit van …
Source: commons.wikimedia.org
Date Published: 6/9/2022
View: 5484
Supper Party – Gerrit van Honthorst – Pictorem.com
Get a Modern piece of art with this vibrant Acrylic Print. Fine Art made from a Premium polished, best-in-, 99.9% optically pure acrylic and the latest …
Source: www.pictorem.com
Date Published: 5/20/2022
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Supper Party Detail by Gerrit Van Honthorst – 16″ x 16 …
Supper Party Detail by Gerrit Van Honthorst – 16″ x 16″ Premium Canvas Print : Home & Kitchen.
Source: www.amazon.com
Date Published: 11/1/2022
View: 1656
Gerrit Van Honthorst | Supper Party (1619) – MutualArt
View Supper Party (1619) By Van Honthorst Gerrit; . Access more artwork lots and estimated & realized auction prices on MutualArt.
Source: www.mutualart.com
Date Published: 2/30/2021
View: 7454
Supper Party by Brett Bohnert – Prezi
Supper Party (Gerrit Van Honthorst). Tone of Painting. Realism. Other Honthorst paintings. Renaissance Influences. -Characters are portrayed as …
Source: prezi.com
Date Published: 9/25/2022
View: 5605
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- Author: LearnFromMasters
- Views: 조회수 17,335회
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- Date Published: 2018. 12. 29.
- Video Url link: https://www.youtube.com/watch?v=E4ruJ5EB11w
Supper Party by HONTHORST, Gerrit van
Honthorst’s genre pictures of light-hearted gatherings had a great impact in Utrecht. He made such pictures while he was still in Italy. His Supper Party, painted during his last months in Italy, set a precedent for similar scenes done in the 1620s at Utrecht where artists favoured the erotic as well as the ascetic side of Baroque art. This is already evident in Honthorst’s Supper Party where the person who covers the light has the effect of ‘repoussoir’: the large dark figure in the foreground causes, by contrast, the merrymakers behind him to recede in space, and thus enhances the illusion of depth. The second advantage is the vivid reflection of light thrown on the figures and, in particular, on their faces, which are painted in reddish-yellow colours. This helps Honthorst to overcome the harshness found in the work of other Caravaggio followers.
File:Gerard van Honthorst
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author’s life plus 100 years or fewer. You must also include a United States public domain tag to indicate why this work is in the public domain in the United States. https://creativecommons.org/publicdomain/mark/1.0/ PDM Creative Commons Public Domain Mark 1.0 false false faithful reproductions of two-dimensional public domain works of art are public domain”.
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. The official position taken by the Wikimedia Foundation is that “”.In other jurisdictions, re-use of this content may be restricted;
Gerrit van Honthorst
Gerard van Honthorst (Gerrit van Honthorst) (4 November 1592 – 27 April 1656) was a Dutch Golden Age painter who became especially noted for his depiction of artificially lit scenes, eventually receiving the nickname Gherardo delle Notti (“Gerard of the nights”). Early in his career he visited Rome, where he had great success painting in a style influenced by Caravaggio. Following his return to the Netherlands he became a leading portrait painter. Van Honthorst was born in Utrecht, the son of a decorative painter, and trained under his father, and then under Abraham Bloemaert. Having completed his education, Honthorst went to Italy, where he is first recorded in 1616. He was one the artists from Utrecht who went to Rome at around this time, all of whom were to be deeply influenced by the recent art they encountered there. They were named the Utrecht caravaggisti. The other three were Dirk van Baburen, Hendrick ter Bruggen and Jan van Bijlert. In Rome he lodged at the palace of Vincenzo Giustiniani, where he painted Christ Before the High Priest, now in the National Gallery, London. Giustiniani had an important art collection, and Honthorst was especially influenced by the contemporary artists, notably Caravaggio, Bartolomeo Manfredi and the Carracci. He was especially noted for his depiction of artificially lit scenes. Cardinal Scipione Borghese became another important patron, securing important commissions for him at San Silvestro Della Mariro, Montecompatri, and at Santa Maria della Vittoria in Rome. He also worked for Cosimo II de Medici, the Grand Duke of Tuscany.
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