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2020 North Dakota State Champion Maria Kalb, a senior at St. Mary’s Central High School in North Dakota, recites \”Snowflake\” by William Baer.
To learn more about Poetry Out Loud, go to https://www.poetryoutloud.org/
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Snowflake by William Baer – Poetry Foundation
into a perfect flake of miraculous snow. … for-all, appearing aimless, just like love,. but sensing, seeking out, its destiny. … itself about to ever-so-gently …
Source: www.poetryfoundation.org
Date Published: 6/15/2022
View: 1049
Snowflake | Poetry Out Loud
By William Baer. Timing’s everything. The vapor rises high in the sky, tossing to and fro, then freezes, suddenly, and crystalizes
Source: www.poetryoutloud.org
Date Published: 6/19/2021
View: 4078
Snowflake by William Baer – Poem Analysis
William Baer’s sonnet ‘Snowflake’ captures the movement of a flake of snow: starting from the gradual upward movement of the vapor to its landing on a girl’s …
Source: poemanalysis.com
Date Published: 12/25/2021
View: 6601
Snowflake by William Baer – Your Daily Poem
Snowflake · Timing’s everything. · high in the sky, tossing to and fro, · then freezes, suddenly, and crystalizes · into a perfect flake of miraculous snow. · For …
Source: www.yourdailypoem.com
Date Published: 12/8/2021
View: 6036
Snowflake by William Baer by Karilyn Martinez – Prezi
Snowflake by William Baer · Karilyn Martinez · Outline. 7 frames · Reader view · The poem describes a snowy day in where a park or a skating rink. It reveals an …
Source: prezi.com
Date Published: 4/4/2021
View: 9771
Snowflake by William Baer | The Writer’s Almanac with …
It’s the coming of age story of a boy named Stephen Dedalus, growing up in Ireland near the end of the 19th century, who over the course of the book turns his …
Source: writersalmanac.publicradio.org
Date Published: 2/6/2021
View: 3730
Analysis of William Baer’s “Snowflake” – DOKUMEN.TIPS
William Baer’s poem has underlying symbolism, the outward story involving a snowflake and. two young lovers appears incredibly one-dimensional.
Source: dokumen.tips
Date Published: 8/22/2022
View: 2758
Mr.Kozak 7th hour Poem Analysis SNOWFLAKE By
In the poem I chose Snowflake, by William Baer, I personally think the theme is timing’s everything, love is a miracle and should be taken for granted.
Source: tkozak.pbworks.com
Date Published: 6/10/2022
View: 6555
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주제와 관련된 더 많은 사진을 참조하십시오 Poetry Out Loud: Maria Kalb recites \”Snowflake\” by William Baer. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 snowflake by william baer
- Author: National Endowment for the Arts
- Views: 조회수 2,122회
- Likes: 좋아요 29개
- Date Published: 2020. 5. 7.
- Video Url link: https://www.youtube.com/watch?v=w17JeSC8Oq4
Snowflake by William Baer
Timing’s everything. The vapor rises
high in the sky, tossing to and fro,
then freezes, suddenly, and crystalizes
into a perfect flake of miraculous snow.
For countless miles, drifting east above
the world, whirling about in a swirling free-
for-all, appearing aimless, just like love,
but sensing, seeking out, its destiny.
Falling to where the two young skaters stand,
hand in hand, then flips and dips and whips
itself about to ever-so-gently land,
a miracle, across her unkissed lips:
as he blocks the wind raging from the south,
leaning forward to kiss her lovely mouth.
Poetry Out Loud
By William Baer
Timing’s everything. The vapor rises
high in the sky, tossing to and fro,
then freezes, suddenly, and crystalizes
into a perfect flake of miraculous snow.
For countless miles, drifting east above
the world, whirling about in a swirling free-
for-all, appearing aimless, just like love,
but sensing, seeking out, its destiny.
Falling to where the two young skaters stand,
hand in hand, then flips and dips and whips
itself about to ever-so-gently land,
a miracle, across her unkissed lips:
as he blocks the wind raging from the south,
leaning forward to kiss her lovely mouth.
William Baer, “Snowflake” from Borges and Other Sonnets. Copyright © 2003 by William Baer. Reprinted by permission of Truman State University Press. Source: Borges and Other Sonnets (Truman State University Press, 2003)
Poet Bio William Baer was born in Geneva, New York. As a writer, editor, translator and professor, Baer has authored and edited fifteen books. He is the founding editor of The Formalist, a literary journal dedicated to Formalist poetry, and serves as a contributing editor of Measure. Baer is a former poetry editor and film critic of Crisis Magazine. He teaches creative writing, cinema and world cultures at the University of Evansville, in Evansville, Indiana, where he lives with his wife and children. See More By This Poet
More Poems about Activities
More Poems about Love
More Poems about Nature
Snowflake by William Baer
‘Snowflake’ is written by William Baer, a contemporary American poet, and writer, that utilizes the Shakespearean sonnet form. This imagist piece evokes a number of senses including the sense of touch, vision, and sound. Most importantly, this piece presents the theme of timing, which according to Baer, is “everything.” The moment is the essence of everything. Those who can capture it can truly appreciate the beauty of ever-slipping scenes of nature.
Summary
‘Snowflake’ by Wiliam Baer depicts a snowflake’s journey from nonentity to meaningfulness.
Each moment has its own significance. Be it the first kiss of lovers or the tiny little flake’s coincidental landing on the lover’s lips. Everything depends on chance. Baer’s poem is all about chances and timings. In this poem, timing or the moment is an important element from the very beginning. Baer depicts how a snowflake is formed, carried away by the turbulent winter wind, and its gentle landing on a girl’s lips. Somehow the flake becomes meaningful in someone’s life. Else it would be lost in the great snow cover stretching beneath the lovers’ feet.
You can read the full poem here.
Detailed Analysis
Lines 1-4
Timing’s everything. The vapor rises high in the sky, tossing to and fro, then freezes, suddenly, and crystalizes into a perfect flake of miraculous snow.
The speaker makes everything very clear at the beginning: “Timing’s everything.” That’s all readers have to know before diving into the text. They need to understand how the right timing makes some moments special. There are several possibilities that one might fail to make the most of the moment. Of all the possibilities, there are only a few when they can.
This poem is all about timing and chances. In the first quatrain, the omniscient speaker vividly describes the rising vapor in the air. Then it gets tossed to and fro in the wind. When it gets higher and higher, condensation starts. It freezes.
The poet remarkably uses caesura in the second and third lines. Each pause marks a shift and a new movement takes place. First, the vapor rises, then it gets tossed, and lastly, gets condensed. It crystallizes into a perfect snowflake. The speaker describes it as part of the “miraculous snow.”
Lines 5-8
For countless miles, drifting east above (…) but sensing, seeking out, its destiny.
In the second quatrain, there is another movement. Baer uses kinesthetic imagery in order to depict how the flake is carried away in the wind. It travels for “countless miles” (a hyperbolic expression). Then the wind makes it drift to the east. It whirls in a specific fashion: “in a swirling free-/ for-all”.
The speaker describes how the snowflake appears to be aimless. He personifies it and depicts it as an aimless wanderer. Further using a simile, he presents a comparison between the flake and love. When in love, two individuals do not need to know where they are heading or what is going to happen in the future. They just float along.
In the last line of this quatrain, the speaker makes the flake more lifelike. It seems to him as if the flake can sense. It is somehow seeking out its destiny.
Lines 9-14
Falling to where the two young skaters stand, (…) leaning forward to kiss her lovely mouth.
In the third quatrain, the narrator presents another scene. The snowflake has managed to find its destiny. It has come to the place where two young skaters are standing holding their hands. To depict the incredible movement of the flake, Baer uses the verbs “flips,” “dips,” and “whips”. It seems to be a bird performing various tricks in the sky and suddenly perching to its destination.
As the flake comes down, its pace becomes gentler. It softly lands on the lips of one of the young skaters. The speaker describes the scene as a “miracle.” This image makes it clear why the speaker has said, “Timing’s everything” at the very beginning. It’s all about timing. Else who would have known that the flake traveling for so long, would land exactly on the lover’s lips at the moment of kissing?
In the concluding couplet, the speaker describes how the other skater blocks the wind heading from the south by leaning forward to kiss his partner. In this way, the snowflake, according to Baer, finds its “destiny.”
Structure and Form
‘Snowflake’ is written in the Shakespearean sonnet form. It means the fourteen lines of this sonnet are divided into four sections: three quatrains and a concluding couplet. Like any other Shakespeare sonnets, it contains the rhyme scheme of ABAB CDCD EFEF GG. The first and third; second and fourth lines end with identical rhymes. The overall poem is in iambic pentameter with a few variations. It is written from the perspective of a third-person speaker.
Literary Devices
In ‘Snowflake,’ Baer uses the following literary devices:
Enjambment: Each quatrain of this piece forms a unit. Baer uses enjambment in order to connect the lines of each quatrain internally. The lines are cut short making readers step down quickly to the next lines and then to the next one in order to grasp the idea: “The vapor rises/ high in the sky, tossing to and fro,/ then freezes, suddenly, and crystalizes/ into a perfect flake of miraculous snow.”
Each quatrain of this piece forms a unit. Baer uses enjambment in order to connect the lines of each quatrain internally. The lines are cut short making readers step down quickly to the next lines and then to the next one in order to grasp the idea: “The vapor rises/ high in the sky, tossing to and fro,/ then freezes, suddenly, and crystalizes/ into a perfect flake of miraculous snow.” Imagery: Baer uses visual imagery along with kinesthetic imagery in order to depict the movement of the snowflake quite cinematically. He also uses tactile imagery in these lines, “itself about to ever-so-gently land,/ a miracle, across her unkissed lips”.
Baer uses visual imagery along with kinesthetic imagery in order to depict the movement of the snowflake quite cinematically. He also uses tactile imagery in these lines, “itself about to ever-so-gently land,/ a miracle, across her unkissed lips”. Alliteration: It occurs in “ t ossing t o,” “ f ro,/ then f reezes,” “ f ree-/ f or,” “ l ike l ove,” “ s ensing, s eeking,” etc.
It occurs in “ ossing o,” “ ro,/ then reezes,” “ ree-/ or,” “ ike ove,” “ ensing, eeking,” etc. Personification: The snowflake is personified in the following lines: “but sensing, seeking out, its destiny.”
The snowflake is personified in the following lines: “but sensing, seeking out, its destiny.” Simile: It occurs in “appearing aimless, just like love”. In this phrase, Baer compares the snowflake to love as both are “aimless.”
FAQs
What is the poem ‘Snowflake’ by William Baer about? William Baer’s sonnet ‘Snowflake’ captures the movement of a flake of snow: starting from the gradual upward movement of the vapor to its landing on a girl’s lips just a moment before she kisses her lover. This piece depicts one of the million possibilities when a miracle takes place. How is the snowflake described in the poem? The “snowflake” is personified in this poem. Baer depicts it as a living being. Like any other human being, it can sense and seek out its destiny. Its movement in the wind is described as if it is a bird performing various tricks in the sky. What is the theme of ‘Snowflake’ by William Baer? One of the most important themes of this poem is timing and chances. This piece revolves around a particular occurrence that can only happen once in a lifetime. It is about a snowflake gliding down and landing on a girl’s lips a few seconds before she kisses her partner. When was the poem ‘Snowflake’ published? The poem was first published in William Baer’s poetry collection, Borges and Other Sonnets in 2003. It is one of the six books of poetry Baer has written.
Similar Poetry
Here’s a list of a few poems that tap on the themes present in William Baer’s ‘Snowflake.’
You can also explore these chilling winter poems.
Cite This Page
Snowflake by William Baer
Timing’s everything. The vapor rises high in the sky, tossing to and fro, then freezes, suddenly, and crystalizes into a perfect flake of miraculous snow. For countless miles, drifting east above the world, whirling about in a swirling free- for-all, appearing aimless, just like love, but sensing, seeking out, its destiny. Falling to where the two young skaters stand, hand in hand, then flips and dips and whips itself about to ever-so-gently land, a miracle, across her unkissed lips: as he blocks the wind raging from the south,
leaning forward to kiss her lovely mouth.
From Borges and Other Sonnets (Truman State University Press,2003)
Used with the author’s permission
William Baer is a writer, editor, translator, and professor. Born in Geneva, New York, and raised in The Bronx and New Jersey, he credits Poe, Borges, Nemerov, and Dickey as being his greatest influences. William was editor of The Formalist, a small journal of metrical poetry, from 1990-2004, is the author of fifteen books, and was recently named a Guggenheim fellow. When he isn’t working with words, he enjoys sports (especially boxing) and cinema (he’s a critic for Crisis magazine). William currently lives with his family in Indiana, where he teaches at the University of Evansville and is having a lot of fun writing musicals.
Post New Comment:
cork:
Oh, the rhyme, the rhyme, the rhyme!
Posted 01/15/2015 12:05 PM pwax:
Lovely sonnet, with unforced rhymes and it’s hinted-at ending. Yes, timing is everything!
Posted 01/15/2015 11:24 AM jack lane:
Not a bad life, being a snowflake, especially if you could end it on the lovely mouth of an about-to-be-kissed woman.
Posted 01/15/2015 11:14 AM Gilbert Allen:
I love the dance between the poem’s lively, distinctive phrasing and its iambic pentameter partner.
Posted 01/15/2015 10:01 AM mimi:
and it just now started snowing those big thick flakes here…perfect! lovely poem…
Posted 01/15/2015 08:08 AM Janet Leahy:
Poem travels nicely to an unexpected end. Thanks William.
Posted 01/15/2015 08:01 AM
The Writer’s Almanac with Garrison Keillor
Snowflake by William Baer
WEDNESDAY, 29 DECEMBER, 2004
Listen (RealAudio) | How to listen
Poem: “Snowflake” by William Baer, from Borges and Other Sonnets. © Truman State University Press. Reprinted with permission.
Snowflake
Timing’s everything. The vapor rises
high in the sky, tossing to and fro,
then freezes, suddenly, and crystallizes
into a perfect flake of miraculous snow.
For countless miles, drifting east above
the world, whirling about in a swirling free-
for-all, appearing aimless, just like love,
but sensing, seeking out, its destiny.
Falling to where the two young skaters stand,
hand in hand, then flips and dips and whips
itself about to ever-so-gently land,
a miracle, across her unkissed lips:
as he blocks the wind raging from the south,
leaning forward to kiss her lovely mouth.
Literary and Historical Notes:
It’s the birthday of journalist and novelist Robert Ruark, born in Wilmington, North Carolina (1915). He started out as a newspaper columnist who wrote about his travels around the world. He claimed to be able to write a column in eleven minutes. He once finished sixteen columns in a single day.
He said, “There was a time, when I would go anywhere, eat airline food…chase elephants on horseback, slug athletes, enjoy being jailed, and wrestle with leopards, all for love of the newspaper business.”
He went on to write several novels, including Something of Value (1955) and The Old Man and the Boy (1957).
It’s the birthday of novelist and short story writer Jim Shepard, born in Bridgeport, Connecticut (1956). He’s the author of several novels, including Lights out in the Reptile House (1990) and Kiss of the Wolf (1994). He published his first short story in the Atlantic magazine when he was just nineteen years old.
His novel Project X came out this year.
It’s the birthday of novelist William Gaddis, born in Manhattan (1922). He went to Harvard University, where he was the editor of the Lampoon magazine until he got expelled after a run-in with the campus police. So he got a job as a fact checker for the New Yorker magazine. He said, “It was terribly good training, a kind of post-graduate school for a writer.”
He became friends with some of the beat writers of the era, including Jack Kerouac and Allen Ginsberg, and decided to go on the road like they had. He traveled to Panama, where he worked as a crane operator on the Panama Canal. Then he went to Costa Rica, which was in the midst of a civil war. A young captain recruited him for the fight, but his rifle was stolen by the end of day.
He finally made his way back to New York City on a Honduran banana boat, and when he arrived in the city he wore a white Panama suit and his arm was in a sling, even though there was nothing wrong with it. He later said, “I was preparing my arm to write explosively when it was released from its bandage like a bird from a cage.”
The book he eventually wrote was The Recognitions (1955), about an aspiring painter who sells out his talent to become a forger of Dutch masterpieces. The book was almost a thousand pages long, and it made references to art history, theology, mythology, and literature. Gaddis said, “I saw myself as a prophet…I spent seven years writing that novel. When I finished it, I thought well, I guess this will change the world. It didn’t… I thought I would win the Nobel Prize… Nothing happened.”
Gaddis was devastated at the reception of his book. He had to take jobs writing speeches for corporate executives to support himself. He took twenty years to write his next novel J.R. (1975) about an eleven-year-old boy who builds a financial empire that he manages from his grade school’s public phone booth. It won the National Book Award. Critics went back and reread his first novel and began to call it a masterpiece.
Gaddis went on to write several more novels, including A Frolic of His Own (1994), which also won the National Book Award. But even though he’s been called one of the most important writers of the 20th century, his books have never sold very well. He once received a royalty check for four dollars and thirty-five cents.
He died in 1998. His last novel Agape Agape was published after his death in 2002.
William Gaddis said, “There have never in history been so many opportunities to do so many things that aren’t worth doing.”
It was on this day in 1916 that James Joyce published his first novel Portrait of the Artist as a Young Man. It’s the coming of age story of a boy named Stephen Dedalus, growing up in Ireland near the end of the 19th century, who over the course of the book turns his back on his family, his church, and eventually his country, resolving by the end of the book to leave Ireland and become a writer.
Joyce had tried to leave Ireland himself after he finished school, but he was forced to return for his mother’s funeral. He started writing for various Irish journals, and in 1904 he wrote an essay called “Portrait of an Artist”, about his own development as a writer. He sent it out for publication, and when it came back rejected, he sat down at the table and sketched out a framework for a long autobiographical novel called Stephen Hero. He estimated that the book would have fifty chapters and be about 1,000 pages long.
He began writing after he had left Ireland for the second time and moved to Trieste. He had written about 900 pages of Stephen Hero before he decided that it was too conventional, too Victorian. In a fit of disgust he destroyed most of the manuscript. Only a short fragment was ever found. He started over again, and in the new version of the novel, he concentrated less on the events of the main character’s life and more on his developing consciousness.
Portrait of the Artist as a Young Man begins when Stephen Dedalus is a baby, listening to his father tell a story: “Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo.” As Stephen Dedalus grows older, the language of the novel grows more and more sophisticated. It ends with Stephen Dedalus as a young man, vowing to leave Ireland and to “forge in the smithy of my soul the uncreated conscience of my race.”
Joyce spent ten years writing the novel, while also struggling to support his family teaching English. Two years before he finished the novel, he took a trip back to Ireland, where he was so disgusted by the prudery and censorship of the publishing industry that he resolved never to return to his home country again. And he never did.
In 1914, he learned than an American named Ezra Pound had developed an interest in his work, and wanted to publish something by him in a new magazine called The Egoist. Joyce sent Pound the just finished manuscript for A Portrait of the Artist as a Young Man, and it was serialized there. When he published the complete novel on this day in 1916, he was celebrated as one of the most promising new writers in the English language.
Be well, do good work, and keep in touch.®
Analysis of William Baer’s “Snowflake”
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An analysis of William Baer’s poem “Snowflake”
Connor Marshman 1
Analysis of William Baers SnowflakeWilliam Baers Snowflake has paradoxical simplicity and complexity. Although William Baers poem has underlying symbolism, the outward story involving a snowflake and two young lovers appears incredibly one-dimensional. However, with some analysis, symbols in the poem give the story richer meaning as evidenced by details such as the sudden crystallization and apparent aimlessness of the snowflake as well as the obstruction of wind by the young man. Being the poems namesake and central subject matter, the snowflake acts as more than just an appealing visual. Baers poem emphasizes how the rapid crystallization of a snowflake forms a unique, beautiful product (Line 4). This sudden formation parallels the momentary first kiss of two young individuals whose romantic encounter becomes a sudden catalyst to a newly forming, beautiful relationship (Line 14). The beauty of both developments is also paralleled with the described perfection of the crystal snowflake in line 4 and the beautiful mouth of the young woman in line 14. The text uses these parallels as an extended metaphor to emphasize the immediate beauty and perfection spawned by the kiss between these young adults. Just as snowflake crystallization parallels the development of love for these individuals, symbolism can also be seen through the apparent haphazard path of the snowflake. Although the flake swirls chaotically for many miles, the text stresses that it is seeking out its destiny (Line 5-7). The wild and unruly path of this snowflake on the way to its destination evokes how lovers, through a swirling and lengthy path of circumstances, are brought together by fate. It is appropriate then that the seemingly random path of the snowflake ends at the first kiss for the girl and boy (Line 14). Beyond the snowflake in the poem, the winter wind in the poem is also an effective tool used to shed light on an otherwise simplistic story. Although the winter wind had tossed about the snowflake on an uncertain path, the young mans blocking of the wind prevents this tumultuous journey from continuing (Line 13). This obstruction of the violent wind reflects how the couples newly established relationship has put a stop to uncertainty in both of their lives. Furthermore, being that the male figure blocks the wind, he acts a protective figure over her. Using analytical tools, a seemingly simplistic poem is revealed to be thought provoking through key symbols such as the formation and chaotic path of the snowflake along with the suppressed winter wind. Understanding this poems symbolic undercurrent can give the reader a stronger appreciation for the text.
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