당신은 주제를 찾고 있습니까 “run on seo dan-ah lgbt – Seo Dan Ah ❤ Lee Young Hwa | Love Story | Run On“? 다음 카테고리의 웹사이트 https://ro.taphoamini.com 에서 귀하의 모든 질문에 답변해 드립니다: https://ro.taphoamini.com/wiki/. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Shemovesaway Videos 이(가) 작성한 기사에는 조회수 2,544,947회 및 좋아요 32,758개 개의 좋아요가 있습니다.
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run on seo dan-ah lgbt 주제에 대한 동영상 보기
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d여기에서 Seo Dan Ah ❤ Lee Young Hwa | Love Story | Run On – run on seo dan-ah lgbt 주제에 대한 세부정보를 참조하세요
DRAMA: Run On
PERSONAL COMMENT: Youtube eliminated some parts so… that is why it is kind of weird also.. I am not that good at making resumes haha. Hope you like it-
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Track list:
Into The Light Music by Oak Studios Creative Commons – Attribution ND 4.0 https://youtu.be/5nNVrUE4oDA
Track: Running Music composed and recorded by Oak Studios Creative Commons – Attribution ND 4.0 https://youtu.be/IAvZjuuLAIo
The Way – Broken Piano (No Copyright)
run on seo dan-ah lgbt 주제에 대한 자세한 내용은 여기를 참조하세요.
here and trying — dan-ah and sexuality in “run on” – beingjanee
An interesting comparative point is 2018′s”Be Melodramatic,” which featured a gay character and his boyfriend in a minor storyline of their own.
Source: beingjanee.tumblr.com
Date Published: 9/19/2021
View: 1180
I love Dan-A’s character but I would hate her in real life (Run On)
After Dan Ah sa that she’s lesbian, I wanted to see what direction the drama would take wrt having a 2nd fl who isn’t straight but instead …
Source: www.reddit.com
Date Published: 6/27/2021
View: 7318
dan-ah and sexuality in “run on” – junghaesin – Tumblr
An interesting comparative point is 2018′s”Be Melodramatic,” which featured a gay character and his boyfriend in a minor storyline of their own. I think the …
Source: junghaesin.tumblr.com
Date Published: 6/18/2022
View: 9665
“Run On” (런 온) – Jae-Ha Kim
Seo Dan-Ah (played by Choi Soo-Young) ↑Note: Korean names denote the surname followed by the given name. “Run On” showed so much promise …
Source: www.jaehakim.com
Date Published: 7/10/2022
View: 2861
kdrama diary on Twitter: “seo dan ah said fck gender …
drama name? … Run On! … Wait is she a lesbian? I’ve never seen an out gay person in a kdrama, well except that friend of Ji-hoon in Boys Over Flowers, the …
Source: twitter.com
Date Published: 8/30/2021
View: 9289
Translate: The reason why viewers have approved of “Run On”
Furthermore the heterosexual Dan-ah Seo demonstrates over and over again prejudice-free thoughts when it comes to sexual preferences.
Source: koreabridge.net
Date Published: 4/9/2021
View: 3010
Run On [2020-2021] – Page 4 – Joseon Jives – JangHaven
Otherwise, Seo Dan Ah is supposed to be a lesbian? Is that just something that she told her father to get him off her back about an arranged …
Source: janghaven.com
Date Published: 11/20/2021
View: 3881
주제와 관련된 이미지 run on seo dan-ah lgbt
주제와 관련된 더 많은 사진을 참조하십시오 Seo Dan Ah ❤ Lee Young Hwa | Love Story | Run On. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 run on seo dan-ah lgbt
- Author: Shemovesaway Videos
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- Date Published: 2021. 2. 5.
- Video Url link: https://www.youtube.com/watch?v=dlUfrEFqsmI
here and trying
I think I’m opening up a can of worms here, but I’m going to go ahead anyways because I had an interesting conversation with @cuddlybitch about Dan-ah’s arc in “Run On,” and how it’s the only part of the show that’s making me fairly apprehensive about its resolution. As a disclaimer, I’m not a queer theorist and can’t claim comprehensive knowledge of queer theory. Any analysis is just my own thoughts and my own knowledge of Korea as a Korean person.
As a show, I think “Run On” goes a step beyond some of its contemporaries by explicitly acknowledging the knowledge gap that exists between Koreans regarding queerness. Dan-ah’s declaration of “coming out” was startling, to say the least, especially when the story is so clearly geared towards her eventual love line with Young-hwa (which may turn out platonic! Who knows!). But so was Dan-ah’s outraged and almost disgusted reaction to her father and brother discussing her sexuality as something false. No one believes her, and there’s this sense that she takes both security and offense to this assumption that her queerness is too far outside the realm of truth to even be considered. So what is the truth? And can a truth exist that satisfies the story’s obligation to its characters while also toeing the line of mainstream Korean television?
We can’t say for sure until we see how the rest of the drama plays out, but I think do the writer is trying to push some significant boundaries. Having Dan-ah point out that there is a knowledge gap regarding sexuality (even if it is to be condescending and rude to her father/brother) is a clear step up from 2007, when Gong Yoo’s character in “Coffee Prince” visited a psychiatric clinic and had his entire therapy session played like a joke.
An interesting comparative point is 2018′s”Be Melodramatic,” which featured a gay character and his boyfriend in a minor storyline of their own. I think the director/writer of “Be Melodramatic” was probably trying to push the same boundaries, and his way of doing it was portraying the characters and their sexuality as something mundane. There’s power to portraying this identity in the everyday, because it gives it space to be human and to exist outside of societally-induced narratives. In a similar vein, I think it’s significant that “Run On” names and talks about queer identity as something that exists and is legitimate, but what it fails to do is create a similar kind of mundanity and breathing space. The declarations of “coming out” are bolded, because Dan-ah is using it as a weapon against her family. I think the writer could justify this from a narrative standpoint, especially since we know Dan-ah’s history with her father and brother (arguably incredibly poor examples of the heterosexual lifestyle), but it still creates this problem where sexuality is being used as a story trope instead of given actual consideration as an identity. In a way, while I don’t think this is a great way for the story to proceed, it does feel accurate to how sexuality is being reflected in Korean society. In “Be Melodramatic,” the gay character is left to the everyday because his storyline was not the main one. In “Run On,” the only way for a main character to even approach this possibility of identifying as anything but straight is to have the identity weaponized and serving some other purpose.
Korea is still incredibly conservative, and the inclusion of these discussions are still radical in of themselves. I want to take a moment here to point out that it is important to address the inclusion of Protestantism in this story in relation to its ideas about sexuality. The alt-right/conservative movement in Korea is very similar to the U.S. in that it is most closely tied to the evangelical Protestant churches. Mega-church pastors are often the same people leading protests in front of Gwanghwamun Square every week demanding Moon Jae-in’s impeachment. (Catholicism has its own political ties, largely liberal.) So having Seon-gyum’s father be a notable and devoted Christian is significant, especially if he’s demanding his son to marry a woman who’s already “come out” as lesbian. Obviously, I don’t think Dan-ah’s made her sexuality public knowledge, and I’m not sure if the writer will even pursue this thread, but the implications are already there. The father is the most outright villain in this story, and having him be Christian holds a lot of narrative implications, but it also holds some political ones as well. I can imagine that viewer complaints regarding the portrayal of sexuality in this show would come from members of evangelical churches, the same churches that participate in anti-LGBTQ+ rallies and promote hate speech.
It’s also notable that both “Be Melodramatic” and “Run On” are JTBC dramas, a network that is regarded the most leftist of the significant broadcast stations. There are, of course, other dramas that have dealt with sexuality and/or portrayed queer characters, but I can’t think of many that have had characters use explicit language to declare themselves as gay or lesbian or asexual (as May does to Seon-gyum). So even as I remain apprehensive about where the story is going to go with Dan-ah’s character, if it’ll have the guts to follow through, I think it’s important to have her say the words “lesbian” and “coming out” to her family and to make it clear to them that these identities are not only nothing to be ashamed about, but that it is, in fact, shameful to be so uneducated and prejudiced.
Language is important because it makes it that much harder to deny an identity, which is the boundary this drama is pushing.
that’s disappointing — dan-ah and sexuality in “run on”
I think I’m opening up a can of worms here, but I’m going to go ahead anyways because I had an interesting conversation with @cuddlybitch about Dan-ah’s arc in “Run On,” and how it’s the only part of the show that’s making me fairly apprehensive about its resolution. As a disclaimer, I’m not a queer theorist and can’t claim comprehensive knowledge of queer theory. Any analysis is just my own thoughts and my own knowledge of Korea as a Korean person.
As a show, I think “Run On” goes a step beyond some of its contemporaries by explicitly acknowledging the knowledge gap that exists between Koreans regarding queerness. Dan-ah’s declaration of “coming out” was startling, to say the least, especially when the story is so clearly geared towards her eventual love line with Young-hwa (which may turn out platonic! Who knows!). But so was Dan-ah’s outraged and almost disgusted reaction to her father and brother discussing her sexuality as something false. No one believes her, and there’s this sense that she takes both security and offense to this assumption that her queerness is too far outside the realm of truth to even be considered. So what is the truth? And can a truth exist that satisfies the story’s obligation to its characters while also toeing the line of mainstream Korean television?
We can’t say for sure until we see how the rest of the drama plays out, but I think do the writer is trying to push some significant boundaries. Having Dan-ah point out that there is a knowledge gap regarding sexuality (even if it is to be condescending and rude to her father/brother) is a clear step up from 2007, when Gong Yoo’s character in “Coffee Prince” visited a psychiatric clinic and had his entire therapy session played like a joke.
An interesting comparative point is 2018′s”Be Melodramatic,” which featured a gay character and his boyfriend in a minor storyline of their own. I think the director/writer of “Be Melodramatic” was probably trying to push the same boundaries, and his way of doing it was portraying the characters and their sexuality as something mundane. There’s power to portraying this identity in the everyday, because it gives it space to be human and to exist outside of societally-induced narratives. In a similar vein, I think it’s significant that “Run On” names and talks about queer identity as something that exists and is legitimate, but what it fails to do is create a similar kind of mundanity and breathing space. The declarations of “coming out” are bolded, because Dan-ah is using it as a weapon against her family. I think the writer could justify this from a narrative standpoint, especially since we know Dan-ah’s history with her father and brother (arguably incredibly poor examples of the heterosexual lifestyle), but it still creates this problem where sexuality is being used as a story trope instead of given actual consideration as an identity. In a way, while I don’t think this is a great way for the story to proceed, it does feel accurate to how sexuality is being reflected in Korean society. In “Be Melodramatic,” the gay character is left to the everyday because his storyline was not the main one. In “Run On,” the only way for a main character to even approach this possibility of identifying as anything but straight is to have the identity weaponized and serving some other purpose.
Korea is still incredibly conservative, and the inclusion of these discussions are still radical in of themselves. I want to take a moment here to point out that it is important to address the inclusion of Protestantism in this story in relation to its ideas about sexuality. The alt-right/conservative movement in Korea is very similar to the U.S. in that it is most closely tied to the evangelical Protestant churches. Mega-church pastors are often the same people leading protests in front of Gwanghwamun Square every week demanding Moon Jae-in’s impeachment. (Catholicism has its own political ties, largely liberal.) So having Seon-gyum’s father be a notable and devoted Christian is significant, especially if he’s demanding his son to marry a woman who’s already “come out” as lesbian. Obviously, I don’t think Dan-ah’s made her sexuality public knowledge, and I’m not sure if the writer will even pursue this thread, but the implications are already there. The father is the most outright villain in this story, and having him be Christian holds a lot of narrative implications, but it also holds some political ones as well. I can imagine that viewer complaints regarding the portrayal of sexuality in this show would come from members of evangelical churches, the same churches that participate in anti-LGBTQ+ rallies and promote hate speech.
It’s also notable that both “Be Melodramatic” and “Run On” are JTBC dramas, a network that is regarded the most leftist of the significant broadcast stations. There are, of course, other dramas that have dealt with sexuality and/or portrayed queer characters, but I can’t think of many that have had characters use explicit language to declare themselves as gay or lesbian or asexual (as May does to Seon-gyum). So even as I remain apprehensive about where the story is going to go with Dan-ah’s character, if it’ll have the guts to follow through, I think it’s important to have her say the words “lesbian” and “coming out” to her family and to make it clear to them that these identities are not only nothing to be ashamed about, but that it is, in fact, shameful to be so uneducated and prejudiced.
Language is important because it makes it that much harder to deny an identity, which is the boundary this drama is pushing.
“Run On” (런 온) – Jae-Ha Kim
By Jae-Ha Kim
jaehakim.com
March 1, 2021
Ki Seon-Gyeom (played by Im Si-Wan)
Oh Mi-Joo (played by Shin Se-Kyung)
Seo Dan-Ah (played by Choi Soo-Young)
↑Note: Korean names denote the surname followed by the given name.
“Run On” showed so much promise early on. But as the plot fizzled out, with the later episodes dragging on. They were more like a soothing lullaby to fall asleep to than a must-see series.
Seon-Gyeom is an elite runner for South Korea’s national track and field team. His father is a prominent politician, his mother is an A-list movie star and his older sister is the world’s top female golfer. He’s good looking, too, and various characters point this out throughout the K-drama, which I found amusing since we can all see that he is drop-dead gorgeous. No reminder needed.
Mi-Joo has no parents and scrapes by on what she earns as a film translator. When the two meet, sparks don’t initially fly. But they have something that is worth exploring. So, of course, this means that one of his well-heeled parents will try to do everything in their power to break them up.
There are several subplots percolating, like a rich agent who’s pursued by a handsome college artist. But the most interesting was the bullying that Seon-Gyeom witnessed on his team and how little was done to protect the victim. In light of all the bullying scandals in South Korea right now — with netizens alleging that idols and actors had tormented them during their school years — “Run On” offers a perspective that is all too true. Those with wealthy and powerful parents won’t be punished. Those who are poor and powerless will suffer.
When Seon-Gyeom tries to get justice for Woo-Shik (Lee Jung-Ha) — who is physically abused by his older teammates — no one cares, because his guardian is his grandmother, who works as a cleaning lady.
There’s a song from 1970 called “In the Summertime” that became a hit for Mungo Jerry. The lyrics are gross, but also showcase the value people put in wealth: “If her daddy’s rich, take her out for a meal / If her daddy’s poor, just do what you feel.” And those lyrics reflect how Seon-Gyeom’s parent feels about Mi-Joo: they can date (just do what you feel), but never marry.
Homosexuality is also touched on. One woman pretends to be gay to get her family off her back, but that wasn’t a plot twist so much as a hackneyed given. I wish the writers would’ve delved more into the story of the closeted young man, who is secretly in love with his best friend. The pain he conveys was so bittersweet.
By the time the finale rolled around, there wasn’t much to tie up. It was a fine series, but with little oomph or any elements of surprise.
Airdates: Sixteen hour-long episodes aired on JTBC from December 16, 2020 to February 4, 2021.
Spoiler Alert:
Dan-Ah has a dysfunctional family. She has two younger brothers, who each were born to different mothers than her own. The baby is a burgeoning idol who craves attention, but receives none from either sibling — though he tries to endear himself to Dan-Ah. The other brother is technically her junior, but her father changed documents to make him legally older than Dan-Ah. Why? To make him the heir to the company.
The relationship between Mi-Joo and Seon-Gyeom was really pretty bland. They spoke to each other in honorifics throughout most of the series –which was just weird. She is also obsessed with his good looks, to the point where she makes it known that he’s not to wear glasses. In Episode 12, he starts to wear contact lenses to please her. When he can’t get the lens in by himself, he asks his roommate for help and … neither washed their hands first and all I could think of was, OMG PINKEYE!!!
© 2021 JAE-HA KIM | All Rights Reserved
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Translate: The reason why viewers have approved of “Run On”
JTBC’s new television program “Run On” is apparently very LGBTQ+ positive. This Newsen article has put Run On on my list of potential Netflix shows … even though the article was rather difficult to translate! Nice to see that Run On is a member of the growing number of K dramas with queer content.
Painting a picture of love that falls outside of the ‘normal method’ has left viewers with a deep impression.
On February 3rd, the 15th episode of JTBC’s Wednesday/Thursday drama “Run On” (script by Park Shi-hyeon / directed by Lee Jae-hun) had a scene that stretched hetero contents.
“Are you dating someone? Ah, there is a question that should come first, right? Do you include men as targets of your affection?”
This is the line chief secretary Ji-hyeon Jeong (male, played by Yeon Jae-uk) who falls in love with Mae-i Park (female, played by Bong-ryeon Lee) at first sight while handing his business card to her. In this way, “Run On” shows a prejudice free sort of love, showing not only the feelings of those who have heterosexual attractions.
Similarly, Yeong-hwa Lee’s (male, played by Tae-u Kang) friend Ye-jun Go (male, played by Dong-yeong Kim) is a gay man. When he tries to justify his sexuality to his mother Dong-gyeon (played by Jae-hee Seo), the show presents an image of how difficult it can be to live as LGBTQ+. Unlike his mother whose heart breaks when he comes out, his younger brother Ye-chan Go (played by Shi-eun Kim) has a very mild reaction.
Furthermore the heterosexual Dan-ah Seo demonstrates over and over again prejudice-free thoughts when it comes to sexual preferences. With her quick senses, she realized that Ye-jun Go was gay. However, she was considerate, without discrimination or prejudice toward someone who had note yet come out. She solely looked at him as a person.
“Run On” paints a picture of characters who have cast off their ‘typical’ lives, surprising viewers. Including scenes that would normally be rare in a Korean drama, which generally portray solely heterosexual life, has resulted in an explosive response. In this way, “Run On” encourages people to think about gender identity by discussing several concepts that relate to LGBTQ+ people. This has stunned people who naturally assume everyone is straight.
“Run On” depicts LGBTQ+ people several times in a gentle manner, giving support and courage to LGBTQ+ people. Finally, it demonstrates ways heterosexuals who have wariness or prejudices toward homosexuals need to grow intellectually and presents a new perspective.
Love without discrimination viewed as ‘regular love’ within “Run On” is the dream of LGTBTQ+ individuals: the right to not be discriminated against based on their sexual preferences. “Run On” courageously presented the problems that our society should address by showing social change as a result of shedding the current dichotomy. The sophisticated directing and the theme of young people’s sympathy are attracting audiences.
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