당신은 주제를 찾고 있습니까 “raphael cendo percussion – Scratch Data – Raphaël Cendo | performed by Corentin Marillier [Official Music Video]“? 다음 카테고리의 웹사이트 https://ro.taphoamini.com 에서 귀하의 모든 질문에 답변해 드립니다: https://ro.taphoamini.com/wiki. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Maison ONA 이(가) 작성한 기사에는 조회수 502회 및 좋아요 14개 개의 좋아요가 있습니다.
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raphael cendo percussion 주제에 대한 동영상 보기
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d여기에서 Scratch Data – Raphaël Cendo | performed by Corentin Marillier [Official Music Video] – raphael cendo percussion 주제에 대한 세부정보를 참조하세요
Scratch data – for percussion \u0026 audio
Composed by Raphaël Cendo (2002)
• Recorded by Corentin Marillier at the HSLU (2021)
Audio \u0026 Video La Pataconera – Yesid Fonseca
“Scratch data” score is available at Maison ONA: https://www.maison-ona.com/catalog-0098ONA
25 pages
35*27 cm
© Maison ONA 2017
raphael cendo percussion 주제에 대한 자세한 내용은 여기를 참조하세요.
Raphaël Cendo, Scratch data – Maison ONA
Raphaël Cendo’s music tends towards excess and saturation. He sculpts from crude masses and extracts complex sounds. Energy from the performers themselves …
Source: www.maison-ona.com
Date Published: 11/15/2021
View: 1127
Raphaël Cendo – Wikipedia
Raphaël Cendo (born 26 February 1975) is a French composer of contemporary ical music. … Scratch data (2002) for percussion and electronics …
Source: en.wikipedia.org
Date Published: 6/30/2022
View: 4639
CENDO RAPHAEL – Refontes – Percussions de Strasbourg
Musique et conception : Raphaël Cendo … Program Note Refontes – Raphaël Cendo … for timbral fusion between the different percussion instruments, …
Source: www.percussionsdestrasbourg.com
Date Published: 8/15/2022
View: 7793
Raphael Cendo: Scratch Data | Aleksander Wnuk – Bandcamp
Multi-percussionist, performer, sound artist and PhD in Arts. He specializes in performing Contemporary Music, as a soloist and chamber musician.
Source: aleksanderwnuk.bandcamp.com
Date Published: 9/10/2021
View: 9246
Raphael Cendo – Aleksander Wnuk
GO HERE TO LISTEN at BANDCAMP There was a time, when I was making recordings of ical solo percussion works, without an intention of releasing any album …
Source: aleksanderwnuk.com
Date Published: 6/24/2022
View: 430
Raphaël Cendo | Compositions – AllMusic
Charge, for flute, bass clarinet, horn, piano, percussion, cello, bass & electronics. 15:33. Chamber Music. 2006. Décombres, for tubax & electronics.
Source: www.allmusic.com
Date Published: 2/16/2022
View: 2968
Maison ONA – — SCORE OF THE WEEK • Raphaël Cendo …
SCORE OF THE WEEK • Raphaël Cendo — SCRATCH DATA 2002 percussion & audio 11′ 25 pages 35*27 cm © 2017 / ONA 0098 / 978-2-37166-097-7 Preview…
Source: ne-np.facebook.com
Date Published: 4/1/2022
View: 5878
주제와 관련된 이미지 raphael cendo percussion
주제와 관련된 더 많은 사진을 참조하십시오 Scratch Data – Raphaël Cendo | performed by Corentin Marillier [Official Music Video]. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
![Scratch Data – Raphaël Cendo | performed by Corentin Marillier [Official Music Video]](https://i.ytimg.com/vi/mZ7rAcFnfyU/maxresdefault.jpg)
주제에 대한 기사 평가 raphael cendo percussion
- Author: Maison ONA
- Views: 조회수 502회
- Likes: 좋아요 14개
- Date Published: 2021. 11. 10.
- Video Url link: https://www.youtube.com/watch?v=mZ7rAcFnfyU
Raphaël Cendo, Scratch data
Raphaël Cendo
1975 – *
Raphaël Cendo’s music tends towards excess and saturation. He sculpts from crude masses and extracts complex sounds. Energy from the performers themselves puts this sound matter into a state of tension through a blending of timbres and a contrast of forms.
Find a selection of previously unpublished scores, as well as the complete works dating from 2016 onwards and future pieces, at Maison ONA.
1975 – *
La musicalité de Raphaël Cendo tend vers l’excès et la saturation. Il taille dans la masse brute, pour en extraire des sons complexes. Ces matériaux sont mis en tension par l’énergie des interprètes, à travers une écriture de l’alliage des timbres et du contraste formel.
Retrouvez chez Maison ONA une sélection de pièces jusqu’alors inédites, ainsi que l’intégralité de ses œuvres composées depuis 2016 et à venir.
Raphaël Cendo
French composer
Raphaël Cendo (born 26 February 1975) is a French composer of contemporary classical music.
Life [ edit ]
Born in Nice, after studying piano and composition at the École Normale de Musique de Paris, Cendo followed the composition curriculum of the Conservatoire de Paris (2000–2003), from which he graduated in composition, analysis and orchestration. He then entered the composition and computer music class of the IRCAM. (2003–2006). During his training, he will have received the lessons of Allain Gaussin, Marco Stroppa, Brian Ferneyhough, Fausto Romitelli and Philippe Manoury.
He has taught at the Conservatoire de Nanterre, the Escola Superior de Música de Catalunya of Barcelona (Catalonia College of Music), at the Darmstadt Summer School (2012–2014), at the “New Voices” composition sessions in Royaumont Abbey (2012–2016) and is regularly invited to give master classes and conferences in the United States, Russia and Europe. He is the director of the University of Altitude, a summer academy of composition that takes place every year in Saint-Martin-Vésubie.
From 2009 to 2011, he was a resident at the Villa Medici of the French Academy in Rome. In 2007, Cendo received the Prix Espoir, awarded by the Francis and Mica Salabert Foundation, from the Montreal Symphony Orchestra’s International Composition Competition. In 2009, he received the Pierre Cardin Prize from the Académie des Beaux-Arts and in 2011 and 2015 the Hervé Dugardin and Georges Enesco Prize from SACEM. Cendo currently lives and works in Berlin.
Work [ edit ]
Influenced by spectral music, current and popular music, composers such as Brian Ferneyhough and Fausto Romitelli, Cendo (like Franck Bedrossian [fr]) promotes the concept of ‘saturation’ or ‘saturated music’. Concept of excess, the important thing is to go beyond pure sound, absolute control of the note, interpretation by new complex sounds: “The saturated phenomenon in the field of acoustics is an excess of matter, energy, movement and timbre.”[1] His music thus pushes to the limits the notions of timbre, frequency space, intensity and instrumental gestures.
His works are performed by internationally renowned musicians and ensembles such as the Klangforum Wien, the Tana Quartet, Linea, Dal Niente, Alternance, Cairn, Ictus, Intercontemporain, Itinéraire, musikFabrik, the Nouvel Ensemble Moderne, Either/Or, Yarn/Wire, the Diotima Quartet, the Orchestre national d’Île-de-France, the Montreal Symphony Orchestra, the Bavarian Radio Symphony Orchestra, the Munich Radio Orchestra, Les Percussions de Strasbourg, etc.
He has participated in many events including Ars Musica in Brussels, Venice Biennale, Darmstädter Ferienkurse, Donaueschingen Festival, MITO SettembreMusica [it] in Milan, Musica in Strasbourg, Festival Présences [fr] of Radio France, the Tremplin Concerts of the Centre Pompidou, Voix Nouvelles in Royaumont, Why Note in Dijon, Archipel,[clarification needed] composer portraits series at the Miller Theatre, New York City.
Awards [ edit ]
2007: Prix Espoir, awarded by the Fondation Francis and Mica Salabert
2009: Prix Pierre Cardin of the Académie des Beaux-Arts [2]
2011: Prix Hervé Dugardin of the SACEM
Works [ edit ]
His works – unless otherwise stated – are published by Maison ONA.[3]
Scratch data (2002) for percussion and electronics
(2002) for percussion and electronics Rage in the heaven city (2004) for large orchestra
(2004) for large orchestra Masse-Métal (2005) for twenty-five musicians
(2005) for twenty-five musicians Action painting (2005) for fifteen musicians, Verlag Neue Musik
(2005) for fifteen musicians, Verlag Neue Musik Décombres (2006) for contrabass clarinet and electronics
(2006) for contrabass clarinet and electronics Action Directe (2007) for bass clarinet and thirteen musicians ensemble
(2007) for bass clarinet and thirteen musicians ensemble Tract (2007) for seven musicians
(2007) for seven musicians Octa 7 (2007) for harp and electronics, on a choreography by Olivia Grandville fr]
(2007) for harp and electronics, on a choreography by Olivia Grandville Refontes (2008) for six percussion and electronics, Gérard Billaudot Éditeur fr]
(2008) for six percussion and electronics, Gérard Billaudot Éditeur Charge (2009) for seven instruments and electronics on a video by Paolo Pacchini, Gérard Billaudot Éditeur
(2009) for seven instruments and electronics on a video by Paolo Pacchini, Gérard Billaudot Éditeur Introduction aux ténèbres (2009), for double bass, bass voice and electronics, Gérard Billaudot Éditeur
(2009), for double bass, bass voice and electronics, Gérard Billaudot Éditeur Furia (2009/2010) for cello and piano, Verlag Neue Musik
(2009/2010) for cello and piano, Verlag Neue Musik Faction pour piano (2011), percussion and electric guitar
(2011), percussion and electric guitar Shadow (2011) for six singers
(2011) for six singers In Vivo (2011) for string Quartet (No 1), Gérard Billaudot Éditeur
(2011) for string Quartet (No 1), Gérard Billaudot Éditeur Rokh (2011–2012) for flute, violin, cello and piano, Verlag Neue Musik
(2011–2012) for flute, violin, cello and piano, Verlag Neue Musik Foris (2012) for cello and electronics, Verlag Neue Musik
(2012) for cello and electronics, Verlag Neue Musik Carbone (2012) for double bass flute, trumpet, guitar and ensemble
(2012) for double bass flute, trumpet, guitar and ensemble Substance (2013) for string quartet (No 2), Verlag Neue Musik
(2013) for string quartet (No 2), Verlag Neue Musik Registre des Lumières (2013) for vocal ensemble, instrumental and electronic ensemble live, Verlag Neue Musik
(2013) for vocal ensemble, instrumental and electronic ensemble live, Verlag Neue Musik Graphein (2014) for nine musicians, Verlag Neue Musik
(2014) for nine musicians, Verlag Neue Musik Badlands (2014) for percussion
(2014) for percussion Corps (2015) Concerto for piano , Verlag Neue Musik
(2015) Concerto for piano , Verlag Neue Musik Radium (2016) for seven musicians
(2016) for seven musicians Denkklange (2016) for symphony orchestra
(2016) for symphony orchestra Delocazione (2017) Quartet (No 3) for string quartet and vocal quartet
(2017) Quartet (No 3) for string quartet and vocal quartet Oracles (2018) Opera
(2018) Opera Le jour juste avant l’océan (2018) for vocal, instrumental and jazz ensemble
(2018) for vocal, instrumental and jazz ensemble Individua (2018) for organ and augmented choir
(2018) for organ and augmented choir Ars satura (2019) for flute, saxophone, percussion and piano
Discography [ edit ]
Raphaël Cendo, Introduction Aux Ténèbres , ensemble Ictus, in “Donaueschinger Musiktage 2009”, 1 CD Neos, 2010.
, ensemble Ictus, in “Donaueschinger Musiktage 2009”, 1 CD Neos, 2010. Raphaël Cendo, Furia , includes: Charge ; Furia ; Décombres ; In Vivo and Tract , Ensemble Cairn, direction: Guillaume Bourgogne, 1 CD Aeon Records, 2012.
, includes: ; ; ; and , Ensemble Cairn, direction: Guillaume Bourgogne, 1 CD Aeon Records, 2012. Raphaël Cendo, Rokh, ensemble Alternance, 1 CD Stradivarius, 2012.
Bibliography [ edit ]
Gallet, Bastien (2008). “Dérives : entretien avec Franck Bedrossian et Raphaël Cendo”. L’Étincelle (in French). No. 4. pp. 22–24.
Vilarem, Laurent (12 November 2009). “Fureur et mystère de Raphaël Cendo”. Altamusica.com (interview) (in French).
Percussions de Strasbourg
Creation : 08 April 2008 at Arsenal de Metz
Musique et conception : Raphaël Cendo
On stage : 6 percussionnists and electronic
Duration : 10′
Edition : Billaudot
Program Note Refontes – Raphaël Cendo
Essentially based on metallic sounds, Refontes (“Recastings”) continuously develops a mate¬rial, dense and saturated. The primary rhythms governing the principal axes of the form gradually diminish, giving way to colliding masses of different sonorities in which a complex sonorous volume surges, in close relation to the electronic processing.
In effect, rhythm is here envisaged as an ultimate consequence of the developments of saturated sounds invading the sonorous space. The primary task of composition consisted in discovering solutions for timbral fusion between the different percussion instruments, and in defining the complex electronic sonorities that exist in permanent relation to the instruments. Gestures and dynamics—closely linked in this score—proceed by conjunct movement to the interior of a musical discourse that never ceases intensifying. Refontes attempts to affirm a form of direct composition in which the instrumental gesture and its physical implication become the principal parameters of musical execution. Refontes is dedicated to Les Percussions de Strasbourg.
Raphaël Cendo (trans. Rebekah Ahrendt)
Raphael Cendo: Scratch Data
Aleksander Wnuk Kraków, Poland
Multi-percussionist, performer, sound artist and PhD in Arts.
He specializes in performing Contemporary Music, as a soloist and chamber musician. His interests mostly revolve around multi-percussion and intermedia genres. His activity includes free impro, composing and performing music for theatre, film and own sound projects. … more
Raphael Cendo – Aleksander Wnuk
GO HERE TO LISTEN at BANDCAMP There was a time, when I was making recordings of classical solo percussion works, without an intention of releasing any album with them included. These were not only pieces I was studying while being a student at the Royal Danish Academy of Music. Some of them were of course … Continue reading SOLOS COMPILATION 2012-2014 →
키워드에 대한 정보 raphael cendo percussion
다음은 Bing에서 raphael cendo percussion 주제에 대한 검색 결과입니다. 필요한 경우 더 읽을 수 있습니다.
이 기사는 인터넷의 다양한 출처에서 편집되었습니다. 이 기사가 유용했기를 바랍니다. 이 기사가 유용하다고 생각되면 공유하십시오. 매우 감사합니다!
사람들이 주제에 대해 자주 검색하는 키워드 Scratch Data – Raphaël Cendo | performed by Corentin Marillier [Official Music Video]
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YouTube에서 raphael cendo percussion 주제의 다른 동영상 보기
주제에 대한 기사를 시청해 주셔서 감사합니다 Scratch Data – Raphaël Cendo | performed by Corentin Marillier [Official Music Video] | raphael cendo percussion, 이 기사가 유용하다고 생각되면 공유하십시오, 매우 감사합니다.
