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Using reharmonizations in your solos can be tricky since you need to find the right place and the right type of reharm if you want it to sound natural and still surprising. This video will go over some Reharmonization techniques and how you place them in the form of a song. The place where you use stuff like this has a huge impact on how it works, and I will discuss this in the video.
How do you apply reharmonizations to your solo?
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Content:
0:00 Intro – Musical approach to Reharmonization
0:13 Applying Reharmonizations to a musical context – A Song
0:41 The Form and the Song
1:19 A surprising way to use Tri-Tone substitution
1:41 Take The A-Train – The form, key and harmony
2:04 The pull towards the tonic and reharmonizing that
2:28 The Tri-tone reharmonization
2:47 A progression that makes sense
3:04 Soloing on A-train with the reharmonization
3:15 How Jim Hall uses Tri-Tone substitution on Autumn Leaves
3:48 Making a m7(b5) is m7(9) to get a brighter sound
4:22 Blue Bossa Chord Progression
5:05 Comping through it with the reharmonization
5:17 Soloing using the reharmonization
5:30 Same idea in Stella on the beginning
5:52 This idea applied to a #IVm7(b5) like Days of Wine and Roses
6:35 Parallel harmony reharmonization turning a dim chord into a m7(9)
6:42 Someday My Prince Will come – harmony
7:13 Using this as a melodic idea as well
7:42 It’s Parallel so the sounds are the same
8:12 Example of a solo using the parallel minor chords
8:30 Other songs where this might work and people who does this
9:04 Relating this to the Parker Blues
9:28 A Musical way to use reharmonization
10:07 Do you have favourite reharmonizations?
10:43 Like the video? Check out my Patreon Page?
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Reharmonization Techniques by Randy Felts – PDF Drive
The second in a two-volume series based on over 40 years of music theory instruction at Berklee College of Music. This v .
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Randy Felts – Reharmonization Techniques.pdf
Reharmonization Techniques. REHARMONIZATION TECHNIQUES FOR DIATONIC STANDARDS, BOSSAS AND BALLADS Reharmonization of jazz Standards has been a popul.
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Descrição: Reharmonization, Reharmonizacion, Piano, Technique, Keyboard, Jazz. Reharmonization techniques. Reharmonization, Reharmonizacion, Piano …
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Reharmonization Techniques – Add new life to old songs and …
Learn reharmonization techniques such as: … “Randy Felts takes the mystery out of reharmonization. … Basic Piano Voicing Techniques (PDF lesson)
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- Author: Jens Larsen
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- Date Published: 2018. 3. 12.
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Reharmonization Techniques by Randy Felts
A Modern Method for Guitar – Volumes 1, 2, 3 Complete (Berklee Methods)
127 Pages · 1999 · 5.42 MB · 33,910 Downloads · New!
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Add new life to old songs and create new arrangements
Reharmonization Techniques by Randy Felts
available from Amazon.com
Reharmonization is the musical equivalent of a new paint job on an old car. When you reharmonize a tune, you give the melody new color by changing its underlying harmonics. Whether you write film scores, direct a band or choir, or play solo piano or guitar, you will find simple and innovative techniques to update songs and develop exciting new arrangements. Learn reharmonization techniques such as: Simple Substitution: substitute chords with others in the same harmonic family to vary tunes while maintaining their original color
Diatonic Approach: reharmonize with chords from a single key to create a harmonic change for most standard jazz and pop contexts
Adding Dominant and Subdominant Chords: use these chords, or their tritone substitutions, to create sophisticated harmonic sounds
Harmonic Displacement: relocate important cadential points in a phrase to create open space to fill with new chords
Modal Interchange: borrow chords from common minor keys to darken the harmonic color of phrases
Working with Bass Lines, Turnarounds, Extended Endings and Modulatory Interludes, Diminished Seventh Chords, Hybrid Chord Voidings, and other advanced patterns to give your music a unique sound Read a Sample Chapter Reharmonization Techniques sample chapter About the Author Randy Felts Randy Felts has been a professor of jazz harmony at Berklee College of Music for over twenty-five years. He performs regularly on saxophone, flute, and Synthophone in contexts ranging from classic 1960s rock to original jazz and pop music. He is the U.S. representative for Softwind Instruments. BUZZ “Randy Felts takes the mystery out of reharmonization. From basic concepts to advanced techniques, Randy’s clear explanations and logical approach to an often mystifying subject can help composers and improvisers introduce new colors and rejuvenating energy to their music.” – Bruce Ronkin, Chair, Department of Music, Northeastern University “Felts calls this his ‘musical tool box’ and he certainly nails it. Beginners or pros will wrench ideas from every page, as Randy hammers home his points with a clarity that doesn’t screw up your brain. The well conceived drills will clamp these harmonic techniques firmly to every student, and the many musical examples put together the musical jigsaw.” – Richard Niles, Arranger/Producer (Paul McCartney, Cher, James Brown, Joe Cocker, Pat Metheny) Sample Lessons on Berklee Shares Samples from this title are available on Berkleeshares.com, where you can download free music lessons and share them with your friends. Simple Substitutions (PDF lesson)
Basic Piano Voicing Techniques (PDF lesson)
Line Cliches (PDF lesson)
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