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painting 23 may 1953 주제에 대한 동영상 보기
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‘Painting, 23 May 1953’, Pierre Soulages, 1953 – Tate Modern
Artist: Pierre Soulages born 1919 ; Original title: Peinture, 23 mai 1953 ; Medium: Oil paint on canvas ; Dimensions: Support: 1949 × 1302 mm frame: 1986 × 1331 × …
Source: www.tate.org.uk
Date Published: 3/12/2022
View: 5152
‘Painting, 23 May 1953’, Pierre Soulages, 1953 | Tate – Pinterest
Jan 10, 2017 – Peinture, 23 mai 1953 MEDIUM Oil paint on canvas 1949 x 1302 mm Tate Soulages began experimenting with abstraction in 1947 heavy brushstrokes …
Source: www.pinterest.com
Date Published: 11/26/2022
View: 5253
Painting, 23 May 1953 – Pierre Soulages born 1919
Artwork Details Classification: painting. Medium: Oil paint on canvas. Dimensions: support: 1949 x 1302 mm. Provenance: Purchased 1953. Image ID #: N06199
Source: www.tate-images.com
Date Published: 5/21/2022
View: 1576
‘Painting, 23 May 1953’, Pierre Soulages, 1953 | Tate – Pinterest
Artwork page for ‘Painting, 23 May 1953’, Pierre Soulages, 1953 on display at Tate Modern. Soulages titled this painting with the date he finished it.
Source: www.pinterest.co.uk
Date Published: 3/29/2022
View: 2923
Painting, 23 May 1953 (Peinture, 23 mai 1953) – Art UK
Art UK Founder Partner ; Date. 1953 ; Medium. Oil on canvas ; Measurements. H 194.9 x W 130.2 cm ; Accession number. N06199 ; Acquisition method. Purchased 1953 …
Source: artuk.org
Date Published: 10/27/2021
View: 9656
Painting, 23 May 1953 – Wikidata
Painting, 23 May 1953 ; Spanish · cuadro de Pierre Soulages ; Traditional Chinese · No description defined ; Chinese · No description defined.
Source: www.wikidata.org
Date Published: 12/3/2021
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Painting, 23 May 1953, 1953 – Pierre Soulages – WikiArt.org
‘Painting, 23 May 1953’ was created in 1953 by Pierre Soulages in Tachisme . Find more prominent pieces of abstract at Wikiart.org …
Source: www.wikiart.org
Date Published: 4/12/2021
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Painting of the Day | Aesthetic Apperceptions – WordPress.com
Painting, 23 May 1953. by Pierre Soulages (born 1919). Oil on canvas, 1953. In the collection of the Tate, London. Notes from 1001 Paintings …
Source: aestheticapperceptions.wordpress.com
Date Published: 7/7/2021
View: 6202
Pierre Soulages – Painting 23 May 1953 – Soho-art.com
Painting 23 May 1953, Reproduction Oil Painting original hand painted by Pierre Soulages. Affordable art for anyone – Museum Quality – FREE Shipping.
Source: www.soho-art.com
Date Published: 3/22/2021
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주제와 관련된 이미지 painting 23 may 1953
주제와 관련된 더 많은 사진을 참조하십시오 Plein Air Painting: Two Small River Paintings (Bitterroot River, Montana). 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 painting 23 may 1953
- Author: Turner Vinson
- Views: 조회수 1,135회
- Likes: 좋아요 117개
- Date Published: 2022. 8. 20.
- Video Url link: https://www.youtube.com/watch?v=auhaJfXIH-4
‘Painting, 23 May 1953’, Pierre Soulages, 1953
Pierre Soulages born 1919
N06199 Peinture, 23 mai 1953 (Painting, 23 May 1953) 1953
Inscribed ‘Soulages’ b.r. and ‘Soulages | 23 mai 53’ on back of canvas (the latter inscription is repeated on the stretcher, together with the artist’s address in the rue Schoelcher, Paris)
Oil on canvas, 76 ¾ x 51 ¼ (195 x 130)
Purchased from the artist (Knapping Fund) 1953
Repr: R.H. Wilenski, The Modern Movement in Art (London 1957), pl.58; John Rothenstein, The Tate Gallery (London 1966), p.261
The artist wrote as follows about this work on 8 December 1953:
‘The “23 May 1953” (195cm/130cm) which the Tate Gallery has just bought was finished on 23 May 1953 and had been begun several weeks earlier.
‘This painting belongs to a series of works on a common theme. The first in date is a painting in turpentine on of 1951; followed by a small “15 December 1951” (46cm/38cm) acquired by the Galerie Louis Carré, Paris; then taken up again in 53: “16 May 1953” (46cm/33cm), collection P. Bloch, Paris.
‘These works were not done as a conscious series of studies for the large painting you own, but are variations which nevertheless prepare the way for the painting “23 May 1953”.
‘I choose to designate my paintings by the date of their completion; this is no more than a practical means of placing them in time and giving them a name.’
For a later variant of the same theme, see ‘Painting, 16 June 1953’ (canvas, 41 x 33cm) reproduced in colour in James Johnson Sweeney, Soulages (London 1972), pl.26.
Published in:
Ronald Alley, Catalogue of the Tate Gallery’s Collection of Modern Art other than Works by British Artists, Tate Gallery and Sotheby Parke-Bernet, London 1981, p.699, reproduced p.699
Painting, 23 May 1953, Pierre Soulages, 1953
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Painting, 23 May 1953 (Peinture, 23 mai 1953)
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Painting, 23 May 1953, 1953
The title of this painting refers to the date of its completion. Soulages began experimenting with abstraction in 1947, using heavy brushstrokes of black paint against a light background. This calligraphic style was to become increasingly vigorous and gestural throughout the 1950s. Soulages has said that for him abstraction is a means of exploring his imagination and inner experience. In 1950 he explained: ‘I work, guided by inner impulse, a longing for certain forms, colours and materials, and it is not until they are on the canvas that they tell me what I want’.
from Tate Gallery label
Painting of the Day
Painting, 23 May 1953. by Pierre Soulages (born 1919). Oil on canvas, 1953. In the collection of the Tate, London.
Notes from 1001 Paintings You Must See Before You Die:
Pierre Soulages was a member of a group of artists practicing Tachisme. This style concerned mark-making and was influenced by the calligraphic art of the East. Their work was spontaneous and dynamic, expressing the physical procedure of painting as much as the resulting image. Soulages began to experiment with abstraction in 1947, using long, strong brushstrokes of black paint against light backgrounds. In the 1950s, his work became more energetic and forceful. He said that abstraction, for him, is a means of exploring his imagination and own perceptions: as he works, he is guided by inner impulses to produce certain forms, colors, and materials. It is not until they are on the canvas that he can see instinctively what he ultimately wants to create–an intuitive approach resulting in balanced, rhythmic works. The title of this painting refers to the date it was completed. Smooth, almost slick slabs and swathes of rich dark paint overlay each other, creating a latticelike network of flat bands that dominate the image. The sweeping brushstrokes are reminiscent of oriental scripts with their gestural and energetic calligraphic shapes and the strong marks emphasize the process of painting. Despite the small size of the canvas, the shiny black paint commands attention, intensified by the small gleams of white or occasional light colors glinting through the darkness. Soulages stated that he includes no references to the visual world and any resemblance is accidental–his paintings are meant to be powerful entities on their own.
Additional notes from tate.org.uk:
The title of this painting refers to the date of its completion. Soulages began experimenting with abstraction in 1947, using heavy brushstrokes of black paint against a light background. This calligraphic style was to become increasingly vigorous and gestural throughout the 1950s. Soulages has said that for him abstraction is a means of exploring his imagination and inner experience. In 1950 he explained: ‘I work, guided by inner impulse, a longing for certain forms, colours and materials, and it is not until they are on the canvas that they tell me what I want’.
My comments:
I had never heard of this artist nor the style that he works in until I happened to come across this painting in 1001 Paintings You Must See Before You Die. It seems like a rather obscure artist and style, but it’s quite beautiful and the process that Soulages uses to make these paintings raises some interesting questions. First of all, it appears that Soulage relies heavily on his instincts and the subconscious to create his style of artwork. This makes me wonder if anyone would actually be able to learn how to paint the way that Soulages did. People make replicas of classic artists like Vermeer and Rembrandt, because their work is not as based on the workings of the mind as the work of Soulages apparently is. So it seems like it would be quite difficult to make a powerful replica of Soulages’ work. Perhaps a skilled reproduction painter could mimic every brushstroke and create something that looks the same on a superficial level, but I wonder if the lack of spontaneity that would be there in that reproduction, a deficit that is integral to the process of making the original painting, would be evident in the reproduction just by looking at it. I wonder if it would look similar, like a wax model is similar in appearance to the real person it is based off of, but ultimately look lifeless and devoid of spirit?
Painting 23 May 1953
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키워드에 대한 정보 painting 23 may 1953
다음은 Bing에서 painting 23 may 1953 주제에 대한 검색 결과입니다. 필요한 경우 더 읽을 수 있습니다.
이 기사는 인터넷의 다양한 출처에서 편집되었습니다. 이 기사가 유용했기를 바랍니다. 이 기사가 유용하다고 생각되면 공유하십시오. 매우 감사합니다!
사람들이 주제에 대해 자주 검색하는 키워드 Plein Air Painting: Two Small River Paintings (Bitterroot River, Montana)
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YouTube에서 painting 23 may 1953 주제의 다른 동영상 보기
주제에 대한 기사를 시청해 주셔서 감사합니다 Plein Air Painting: Two Small River Paintings (Bitterroot River, Montana) | painting 23 may 1953, 이 기사가 유용하다고 생각되면 공유하십시오, 매우 감사합니다.
