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ORIGINAL ROLES:\r
Storyteller 8 – Asaka\r
Storyteller 6 – Andrea\r
Storyteller 2 – Tonton\r
Storyteller 1 – Mama\r
Storyteller 10 – Erzulie\r
Storyteller 3 – Ti Moune\r
Storyteller 4 – Daniel
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Once On This Island lyrics | Song lyrics for musical
Once On This Island Lyrics · We Dance · One Small Girl · Waiting for Life · And the Gods Heard Her Prayer · Rain · Pray · Forever Yours · The Sad Tale …
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Once on This Island the Musical Songs Lyrics
Once on This Island is a one-act musical with a book and lyrics by Lynn Ahrens and music by Stephen Flaherty. Based on the 1985 novel My Love, My Love; or, …
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Once On This Island Script.pdf
ONCE ON THIS. ISLAND. BOOK AND LYRICS BY LYNN AHRENS. MUSIC BY STEPHEN FLAHERTY. BASED UPON THE NOVEL. “MY LOVE, MY LOVE” BY ROSA GUY. ACTOR’S SCRIPT.
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Once on This Island – Wikipedia
Once on This Island is a coming-of-age one-act stage musical with a book and lyrics by Lynn Ahrens and music by Stephen Flaherty. It is based on the 1985 …
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- Date Published: 2012. 12. 26.
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What is the message of Once on This Island?
“Once on This Island” challenges the audience to reevaluate how we all treat people differently within every race, he said. “The entire message is love no matter the complexion, period,” said actor Derrick Cobey, who plays Tonton Julian, Ti Moune’s adoptive father.
Who is the god of water in Once on This Island?
In this story, four gods (consisting of Asaka: Mother of the Earth, Agwé: god of Water, Erzulie: goddess of Love, and Papa Ge: demon of Death) rule an island known as the Jewel of the Antilles where poor peasants worship them (Prologue/”We Dance”).
Is Once on This Island Haitian?
“Once on This Island” is ambiguously set in the French Antilles, but director Pascale Florestal has recast the setting specifically to Haiti. The audience is welcomed to the show with a prologue partially in Haitian Creole and Haitian flags are utilized in the performance.
What island is Once on This Island based on?
Once on This Island is a Broadway musical about the land, the gods, and the people of an island in the French West Indies.
What is the conflict of Once On This Island?
The major conflict is between the two sides of the island, and an ‘Us versus Them’ mentality that runs so deep, there is no hope for resolution. Further, our main character Ti Moune (Courtnee Carter) fulfills the classic “daydreamer ingénue desiring freedom from her hometown” role, which you’ve certainly seen before.
Why did Once On This Island close?
The traveling production of “Once on This Island” has wrapped its scheduled run four months early, making it the first Broadway national tour to close prematurely because of the coronavirus.
Who is Erzulie in Once On This Island?
In 2003, Williams made her Broadway debut in the title role of Aida. She went on to appear in The Color Purple, the Broadway and West End productions of Chicago, and the national tour of Fela! Williams will play the role through Sunday, June 2, 2019. Michelle Williams is the new Erzulie of Once on This Island.
How does Once On This Island end?
Daniel gives a coin to Ti Moune but she is dying. Her life and untimely death leave a positive ending to the story – the power of love conquers the fear of death.
Who is the main character in Once On This Island?
What does Ti Moune mean?
Once the author’s wife affectionately calls her Ti-Moune, a Creole word derived from the French ‘petit-monde’, meaning ‘little one‘.
What is a revival production?
A revival is a restaging of a stage production after its original run has closed. New material may be added. A filmed version is said to be an adaptation and requires writing of a screenplay. Revivals are common in Broadway theatre.
Who is Andrea in Once On This Island?
Anna Uzele makes her Broadway debut as Andrea Devereaux (the well-bred and cunning young lady betrothed to Daniel) in the Tony-winning revival of Once On This Island. BroadwayBox caught up with Anna to discuss her crazy whirlwind casting process, her passion for crafting, and more. 1.
Once On This Island lyrics
Screenwriter is L. Ahrens, composer is S. Flaherty. The first production took place at the Playwrights Horizons’ stage in the mid of 1990. Broadway try-outs began in October 1990. Production took place from October 1990 to December 1991 with almost 20 preliminaries & over 450 regular exhibitions. The director & choreographer was G. Daniele. In the musical was such cast: LaChanze, J. Dixon, A. Frierson, M. C. Nealy, K. Lewis, E. Riley, S. Gibbs, E. E. Williams, N. Rene, G. McIntyre & A. McClendon. In 2002, the original Broadway musical was played with the participation of L. White for Broadway Cares program (Equity Fights AIDS) with help from fund of C. Fitzgerald.
The European premiere was held at Birmingham Repertory Theatre in July 1994. Then the play was moved to London’s Royalty Theatre, premiered in September 1994, directed by D. Toguri & G. Hughes. 145 performances have been shown. The musical had such cast: L. Brown, A. Corriette, P. P. Arnold, S. D. Clarke, T. M. Georges, M. Vincent & M. Mason. In June 2009, production took place in Birmingham Repertory Theatre. From June to July 2009 – in Nottingham Playhouse. The performance took place in London’s Hackney Empire Theatre from July to August 2009. In August 2010, the show was staged in the Marriott Theatre. The director & choreographer – D. H. Bell. The musical had such cast: C. Harmon, M. J. Leslie, J. Jones, B. Koller, J. Means, M. Betts, B. G. Willis, M. Kumangai, C. R. Gurreri, M. B. Logan, A. Deslorieux & D. Lynn. In 2012, the musical was in the Paper Mill Playhouse. Director – T. Kail. The production was awarded with number of awards & nominations.
Release date: 1990
Last Update:June, 25th 2016
‘Once on This Island’ discusses issues of race and class in communities of color
SALT LAKE CITY — As the nation observes Black History Month in February, Utah’s arts community will have its first opportunity to experience an award-winning performance of musical theater that delves into the complicated social issues of race, class and affairs of the heart.
“Once on This Island” opened for the first time in the Beehive State Thursday as it was originally produced when it made its stage debut in 1990 in New York City. A later production won the Tony Award for best revival of a musical in 2018.
Due to perceived demographic challenges, the Broadway revival tour which won the Tony chose to skip Utah because the producers believed the state lacked the appetite for a cast comprised completely with people of color in a performance with a racial message. But a local arts expert said getting productions to schedule visits to the Salt Lake City area is often more financially motivated than demographically motivated.
“For every Broadway producer, it’s about population and potential profitability. Salt Lake City’s African American community is barely over 2% and I have to think that played into their decision,” said Kirsten Park, marketing director for Pioneer Theatre Company. “As a nonprofit theater, however, we have a mission to bring stories to the stage that are important to tell, regardless of profitability and we are generously supported by donors who support that mission.
“Many of the ideas in the musical about race and color are not understood or experienced by the majority of the Utah population. (Artistic director) Karen Azenberg and (director) Gerry (McIntyre) understood that and felt that is exactly why this story needed to be told here.”
There is a version of this family-friendly production shown in local schools where class and income are the delineators rather than skin tone. Despite the challenges of getting the musical scheduled in the Beehive State, McIntyre is hopeful audiences will appreciate the artistic storytelling and the temporary escape from reality that the show provides.
“The fact that this was so well written, it’s 90 minutes. There’s no intermission. The ride, the journey is so lean and the music is fantastic,” McIntyre said. “You’re transported into this place and for 90 minutes, you’ll be happy until you get to the car. You may not get past the parking lot, but I know for that 90 minutes you’ll feel some warmth inside.”
Based on a novel titled “My Love, My Love” or “The Peasant Girl,” by Rosa Guy, the musical tells the story of a poor girl on a tropical island who employs the strength of love to bring people of different social classes together.
The story takes place in sea village in the Caribbean where Ti Moune, a young peasant girl, falls in love with Daniel Beauxhomme, a grand homme or rich boy. Their romance is guided by the gods who rule the island and direct Ti Moune on a journey to find with the man who captured her heart. Their quest for love transforms the lives of the people on the island.
“The message that I would love for everyone to take home is that love conquers all, even if it ends badly,” said McIntyre. “That’s what Ti Moune does in this musical. She’s honest and true and she’ll die for love.”
Beyond examining racism, the production also seeks to educate theatergoers about how colorism and classism have wreaked havoc in the African American community and other communities of color.
“In our race — most people don’t know — there is a thing about light skin and dark-skinned people and it’s still prevalent today,” said McIntyre, who is African American.
“To me, the funny part is when we segregate within our own race,” he continued. “It’s a thing that I can’t wrap my brain around.”
He lamented how colorism within the black community goes back to slavery when darker skinned slaves worked the fields while the lighter skinned slaves worked inside their owner’s homes. This separated classes even among the race and is an important part of history that plays out among Blacks and other people of color, including Native Americans and Latins, he added.
“Once on This Island” challenges the audience to reevaluate how we all treat people differently within every race, he said.
“The entire message is love no matter the complexion, period,” said actor Derrick Cobey, who plays Tonton Julian, Ti Moune’s adoptive father. “Beauty and love come in all different shapes, sizes, sexual orientations, statuses and colors. I want our audiences to know that.”
He said the musical tries to convey to people that there should be more depth to the way people see each other rather than just superficially, be it looks, race or social status.
“We’ve got to see what’s inside people. This skin we have doesn’t make us who we are as people, as human beings,” Cobey said. “We’re human beings, period, at the end of the whole thing.”
He said the main theme of the show is summed up in a song titled, “Part of the Human Heart,” that is sung by the god of love. He added that this is the kind of show that reminds him of why he wanted to become a stage performer years ago.
“The whole reason I’m an actor is because I want to open up people’s minds. I want to move them,” Cobey said. “I want them to think outside of their normal days and their normal activities. Those are the stories I think are important.”
“Once on This Island” runs through March 7 at Pioneer Theatre Company on the University of Utah campus.
Once on This Island
1990 musical by Lynn Ahrens and Stephen Flaherty
Once on This Island is a coming-of-age one-act stage musical with a book and lyrics by Lynn Ahrens and music by Stephen Flaherty. It is based on the 1985 novel My Love, My Love; or, The Peasant Girl by Rosa Guy, a Caribbean-set retelling of Hans Christian Andersen’s fairy tale The Little Mermaid.[1] It concerns a peasant girl in the French Antilles who falls in love with a rich boy and makes a deal with the gods to save his life.
The original Broadway production ran from 1990 to 1991, and the West End production opened in 1994, where it won the 1995 Laurence Olivier Award for Best New Musical. The musical was revived on Broadway in a production that opened on December 3, 2017 at the Circle in the Square Theatre. The revival was showered with critical acclaim, with New York Times critic Jesse Green describing it as “ravishing”[2] and The Huffington Post praising it for creating “an aesthetic experience unlike anything seen on Broadway.”[3] It won the 2018 Tony Award for Best Revival of a Musical.
A Disney film adaptation is currently in development for Disney+.
Production history [ edit ]
Once on This Island was originally staged at Off-Broadway’s Playwrights Horizons, running from May 6, 1990 through May 27, 1990. The Broadway production opened on October 18, 1990 at the Booth Theatre and closed on December 1, 1991, after 469 performances and 19 previews. With direction and choreography by Graciela Daniele, the musical featured LaChanze as Ti Moune, Jerry Dixon as Daniel, Andrea Frierson as Erzulie, Sheila Gibbs as Mama Euralie, Kecia Lewis as Asaka, Gerry McIntyre as Armand, Milton Craig Nealy as Agwe, Eric Riley as Papa Ge, Ellis E. Williams as Tonton Julian and Afi McClendon as Little Ti Moune.
Daniele returned as director/choreographer for a U.S. national tour, which opened at the CIBC Theatre in Chicago on March 31, 1992 and closed at the Heinz Hall for the Performing Arts in Pittsburgh on January 3, 1993. Gibbs reprised her role as Mama Euralie and Gerry McIntyre (the original Armand) played Papa Ge. James Stovall (who replaced Eric Riley on Broadway as Papa Ge) played Agwe. The rest of the cast included Vanita Harbour as Ti Moune, Darius de Haas as Daniel, Natalie Venetia Belcon as Erzulie, Carol Dennis as Asaka, Miles Watson as Tonton Julian, Monique Cintron as Andrea, Keith Tyrone as Armand, and Nilyne Fields as Little Ti Moune.
In 2002, the original Broadway cast was reunited with special guest Lillias White to perform the show for Broadway Cares/Equity Fights AIDS and the Cantor Fitzgerald Relief Fund.
The European premiere took place in 1994, hosted by the Birmingham Rep, and then transferred to the West End Royalty Theatre (now the Peacock Theatre) in September 1994. The production won the Olivier Award for Best New Musical.[4]
The musical was revived in the UK in 2009 at Birmingham Rep, Nottingham Playhouse, and the Hackney Empire Theatre in London. Susie McKenna directed, with Sharon D. Clarke reprising her 1994 role as Asaka.[4][5][6][7] The original West End Ti Moune, Lorna Brown, played Erzulie in this production. In June 2012, the Paper Mill Playhouse presented a production directed by Thomas Kail,[8] with Syesha Mercado as Ti Moune[9] and Darius de Haas as Agwe.[10]
The first Broadway revival of Once on This Island, produced by Ken Davenport, directed by Michael Arden and choreographed by Camille A. Brown, began previews on November 9, 2017 and officially opened on December 3 at the Circle in the Square Theatre. This production featured a stage covered in sand, with live animals onstage, and set and costume design intended to suggest a wrecked beach community recovering from a hurricane.[11] The opening night cast included Hailey Kilgore as Ti Moune, Isaac Powell as Daniel, Alysha Deslorieux as Andrea, Phillip Boykin as Tonton Julian, Kenita R. Miller as Mama Euralie, Alex Newell as Asaka, Merle Dandridge as Papa Ge, Quentin Earl Darrington as Agwe, Lea Salonga as Erzulie and David Jennings as Armand.[12] The revival closed on January 6, 2019, after 458 regular performances.[13]
The Broadway revival production tour in North America starting at The Carson Center, Paducah, Kentucky on October 12, 2019, with the official opening on October 15 at the Tennessee Performing Arts Center, Nashville, Tennessee. The tour is directed by Michael Arden with choreography by Camille A. Brown. The tour featured onstage seating, “creating a unique experience within the footprint of every theatre we play… Audiences will be invited to put their feet in the sand and surround our company, becoming part of the show.”[14] The tour ended early due to the COVID-19 pandemic at the Smith Center in Las Vegas, Nevada.[15]
Synopsis [ edit ]
One stormy night in the Antilles archipelago, thunder booms, making a small girl cry in fear. To comfort her, the village storytellers tell her the story of Ti Moune, a peasant girl who falls in love with a grand homme, Daniel Beauxhomme – a story of life, pain, love, grief, faith, and hope. In this story, four gods (consisting of Asaka: Mother of the Earth, Agwé: god of Water, Erzulie: goddess of Love, and Papa Ge: demon of Death) rule an island known as the Jewel of the Antilles where poor peasants worship them (Prologue/”We Dance”). The peasants, “black as night”, live on one side of the island, and the grands hommes, lighter-skinned descendants of the original French planters and their slaves, live on the other. One night, Agwe unleashes a terrible storm upon the island, which in turn causes a disastrous flood, wiping out many villages. However, the gods save the life of a little orphan named Ti Moune by placing her in a tree above the flood’s waves. She is found and subsequently adopted by the peasants Mama Euralie and Tonton Julian (“One Small Girl”).
Years afterwards, a grown-up Ti Moune prays to the gods to let her know her purpose, and to let her be like the fast-driving strangers on the roads near her village – the grands hommes (“Waiting for Life”). Hearing her plea, the gods laugh at her. However, Erzulie suggests that they give her love, because it is stronger than any of the other elements. Offended, Papa Ge proposes a bet to prove which is stronger: love or death. Agwe arranges for the car of Daniel Beauxhomme, a young grande homme, to crash during a storm so that Ti Moune may meet Daniel and restore him to health (“And the Gods Heard Her Prayer/Rain”). Despite the objections of the other peasants including her own parents, Ti Moune helps the intruder recover (“Pray”). Ti Moune falls in love with the stranger and as she cares for the unconscious boy, she imagines he loves her too. When Papa Ge comes to take Daniel’s life, Ti Moune offers her life in exchange for Daniel’s so that he will not die (“Forever Yours”). Papa Ge is angry but leaves, hinting he will return – sooner or later, as her life now belongs to him.
Tonton Julian travels to the other side of the Island to seek Daniel’s family at the Hotel Beauxhomme. When he returns, he brings with him some of Daniel’s people to take the boy back, as well as the story of Daniel’s family: Four generations ago, during the Napoleonic era, a French aristocrat named Armand colonised the island. Although Armand had a wife, he had affairs with several natives, one of which bore him a son, named Beauxhomme. When Beauxhomme grew up, war broke out between the peasant locals and the French. The peasants won the war with Beauxhomme’s help, after which he banished Armand back to France. Before leaving, however, Armand cursed Beauxhomme and his descendants saying their “black blood will keep them forever on the island, while their hearts yearn forever for France.” To this day the curse causes future Beauxhommes to alienate the peasants for reminding them of their homeland (“The Sad Tale of the Beauxhommes”). Ti Moune is tearfully separated from Daniel and tells her parents that she will go after Daniel to marry him, and though they are reluctant to let her go, they eventually give her their blessing (“Ti Moune”). The goddess Asaka tells Ti Moune not to fear, as the Earth will give her everything she needs on her journey to Daniel (“Mama Will Provide”).
Ti Moune travels across the island (“Waiting for Life (Reprise)”), and the storytellers relate the many versions of her difficult journey to the city (including being forced to wear too-tight shoes), through the hotel gates and finding Daniel’s room (“Some Say”). Daniel, still ill and unable to walk, does not remember her but believes her after she describes the scar on his chest. As they stay together, Erzulie gives them the gift of love (“Human Heart”). Daniel ignores the townspeople’s gossiping (“Pray (Reprise)”) over the unlikely relationship between a rich Beauxhomme and a poor peasant. Daniel delights in Ti Moune’s differences from the rich girls in his life, noting that “some girls you marry, some you love” (“Some Girls”).
At a ball held at the hotel (“The Ball”), Andrea Devereaux, a daughter of Daniel’s family friends, cajoles Ti Moune to dance for them (her ulterior motive being to make her look bad in front of the grande hommes). Ti Moune does dance and gains the admiration of the rich society members, inspiring both the peasant servants and the grande homme guests to join her (“Ti Moune’s Dance”). Afterwards, Ti Moune learns that Daniel is already engaged to be married to Andrea (“When We Are Wed”). Daniel, reminded of his responsibilities, must go through with the arranged marriage, although he insists they can be lovers forever, leaving Ti Moune crushed. Papa Ge reappears and reminds Ti Moune of her promise to exchange her life for Daniel’s – but says she can revoke the bargain if she kills Daniel (“Promises/Forever Yours (Reprise)”). Ti Moune enters Daniel’s room with a knife, but she still loves him too much to kill him, proving love is stronger than death. However, Daniel finds Ti Moune with the knife. Appalled at the attempted murder, the Beauxhommes throw her out of the hotel grounds.
Barred from the hotel, Ti Moune waits for two weeks to try and meet Daniel at the gate. As Daniel and Andrea are married, they follow an old tradition of throwing coins to the peasants outside the hotel gates. Ti Moune calls to Daniel who gently places a silver coin in Ti Moune’s hand, kisses her cheek, and leaves. The storytellers tell of how the gods were moved to tears by Ti Moune’s selflessness and love, and chose to bestow a final kindness on her; Erzulie took her by the hand and led her to the ocean, where Agwé allowed her to drown peacefully. Papa Ge received her gently and brought her back to shore where Asaka transformed her into a tree (“A Part of Us”).
The tree becomes a celebration of life and love that cracks open the gates of the hotel, allowing those of all social statuses to become one, including a peasant girl and a young grande homme, Daniel’s son, as they play in her branches. As the years go by, the story of Ti Moune is told again and again, passed down through generations as proof of the power of love and stories to bring people together. As the musical ends, the little girl who was frightened by the storm begins to retell the story herself (“Why We Tell the Story”).
Characters [ edit ]
Ti Moune – A peasant girl. Little Ti Moune – Ti Moune as a child.
– A peasant girl. Daniel Beauxhomme – A grand homme (French for “upper class”); Ti Moune’s love interest; Beauxhomme is French for “beautiful man”
– A (French for “upper class”); Ti Moune’s love interest; is French for “beautiful man” Papa Ge – The sly Demon of Death who is the main antagonist of the show. He tricks the main character into giving her life for another. He is seen as a skeleton and is very sneaky. The people on the island fear him because of what he represents: the unknown that is death.
– The sly Demon of Death who is the main antagonist of the show. He tricks the main character into giving her life for another. He is seen as a skeleton and is very sneaky. The people on the island fear him because of what he represents: the unknown that is death. Erzulie – Beautiful Goddess of Love; the foil to Papa Ge
– Beautiful Goddess of Love; the foil to Papa Ge Agwe – God of Water
– God of Water Asaka – Mother of the Earth
– Mother of the Earth Mama Euralie – Ti Moune’s adoptive mother
– Ti Moune’s adoptive mother Tonton Julian – Ti Moune’s adoptive father
– Ti Moune’s adoptive father Andrea Deveraux – Daniel’s promised wife; also “Madame Armand”
– Daniel’s promised wife; also “Madame Armand” Armand Beauxhomme – Daniel’s stern father.
– Daniel’s stern father. “Armand” – The ancestor of Armand Beauxhomme.
– The ancestor of Armand Beauxhomme. Gatekeeper – The Hotel Beauxhomme’s fierce guard (commonly played by Armand).
– The Hotel Beauxhomme’s fierce guard (commonly played by Armand). The Little Girl – A young girl who is told the story of Ti Moune.
– A young girl who is told the story of Ti Moune. Daniel’s Son – Daniel’s young son (commonly played by Daniel’s actor).
– Daniel’s young son (commonly played by Daniel’s actor). Storytellers/Gossips – Various Grands Hommes and peasants (in most productions, the storytellers are shown as also performing the parts of the Gods).
Note: The original cast was chosen along racial lines with darker-skinned actors portraying the peasants and lighter-skinned actors portraying the upper-class landowners. In the script, the writers provide small line changes that can be used to remove references to skin color to accommodate multi-ethnic productions, while preserving the storyline about differences between the upper and lower classes.[16]
Original casts [ edit ]
Notable replacements in the original Broadway cast
Lillias White as Asaka
James Stovall as Tonton Julian
Notable replacements in the 2017 Broadway revival cast
Musical numbers [ edit ]
Title Cast Recordings Broadway (1990)[27] London (1994)[a][28] Broadway revival (2017)[29] “We Dance” Storytellers “One Small Girl” Mama Euralie, Tonton Julian, Little Ti Moune, and Storytellers “Waiting for Life” Ti Moune and Storytellers “And the Gods Heard Her Prayer” Asaka, Agwe, Erzulie, and Papa Ge “Rain” Agwe and Storytellers “Discovering Daniel” Ti Moune and Storytellers “Pray” Ti Moune, Mama Euralie, Tonton Julian, Guard and Storytellers “Forever Yours” Ti Moune, Daniel and Papa Ge “The Sad Tale of the Beauxhommes” Armand and Storytellers “Ti Moune” Ti Moune, Mama Euralie, Tonton Julian “Mama Will Provide” Asaka and Storytellers “Waiting for Life” (Reprise)”[b] Ti Moune “Some Say” Storytellers “The Human Heart” Erzulie and Storytellers “Pray” (Reprise)[c] Storytellers “Gossip”[c][d] Storytellers “Some Girls” Daniel “The Ball” Andrea, Daniel, Ti Moune, and Storytellers “Ti Moune’s Dance” Erzulie, Asaka, Agwe, Papa Ge, and Storytellers “When We Are Wed” Andrea, Daniel and Ti Moune “Promises” Papa Ge, Ti Moune, and Storytellers “Forever Yours” (Reprise) Papa Ge, Ti Moune, Erzulie, and Storytellers “Wedding Sequence” Papa Ge, Ti Moune, and Storytellers “A Part of Us” Mama Euralie, Tonton Julian, Little Ti Moune, and Storytellers “Why We Tell the Story” Storytellers
Notes
^ Includes bonus remix track of “The Human Heart”, performed by P. P. Arnold (Erzulie). ^ Included in production, but not recordings. a b [30] “Gossip” replaces “Pray” (Reprise) for the Broadway revival (2017). ^ [31] Not included in the original Broadway production.
Cut songs include “Come Down From the Tree” and “When Daniel Marries”.[32][33] “Come Down From the Tree”, was a song for Mama Euralie; it is included in several recordings, including its first recording on Bruce Kimmel’s Lost in Boston CD, where it was sung by Lillias White – it was also included on Audra McDonald’s How Glory Goes.[34]
Awards and nominations [ edit ]
Original Broadway production [ edit ]
Original London production [ edit ]
2017 Broadway revival [ edit ]
Film adaptation [ edit ]
On July 30, 2020, it was announced that Walt Disney Pictures and producer Marc Platt bought the film rights to adapt Once on This Island into a feature film for the Disney+ streaming service. Playwright Jocelyn Bioh will pen the script and Wanuri Kahiu will direct.[38]
Powerful musical ‘Once on This Island’ comes to Speakeasy Stage
This week Speakeasy Stage opens “Once on This Island,” a powerful musical of love, loss and purpose. Running March 11 through April 16, the show follows the journey of Ti Moune, a girl guided by island gods on a fearless journey that changes the course of history.
Peli Naomi Woods, who plays Ti Moune, has been entranced with “Once on This Island” since high school.
“It was one of the first shows I had seen where it was a predominantly Black cast and the lead of the show looked like me and got to have a hero’s journey,” says Woods. “I found that to be very unique given the makeup of the theater world.”
“Once on This Island” is ambiguously set in the French Antilles, but director Pascale Florestal has recast the setting specifically to Haiti. The audience is welcomed to the show with a prologue partially in Haitian Creole and Haitian flags are utilized in the performance. The Afro-Caribbean Calypso beat in the score is accented with choreography influenced by traditional Haitian movements. Rooting the story in a specific Caribbean culture illustrates that island experiences are not monolithic but diverse and unique.
The plot of “Once on This Island” does include a love story, but Woods says it’s bigger than just traditional romantic love. When Ti Moune prays to the gods to know her purpose, they debate what path to give her. In an effort to see what quality is more powerful, love or death, they infuse Ti Moune’s path with both. She falls in with a man in a different social position and must choose between her life and his. During the journey, the story examines what love truly means and looks like, as well as how classism and colorism guide the characters’ choices.
“This show really helps people understand that yes, love is a beautiful thing and it’s a beautiful thing to share,” says Woods. “But love also comes with many things, grief, sacrifice, confusion and that’s what we tend to forget.”
Love is the most powerful force in this production. It goes far beyond a girl-meets-boy narrative and ultimately changes the segregated social systems of the island. Love is Ti Moune’s superpower and “Once on This Island” legitimizes that strength where many other narratives trivialize love, particularly when wielded by young women.
For Woods, the performance is rooted in familial love as well. She dedicates this performance to her late grandmother who was the first person Woods felt safe enough to sing for. That trust and that love are what fuel this performance.
Woods hopes that this production causes audience members to reflect on the many faces and forces of love, as well as on the historic representation of Caribbean island nations.
“The audience should feel as though it’s safe for them to acknowledge any of these quote ‘negative’ emotions and to accept them as part of what they feel as love,” says Woods. “Loss is okay. Grief is okay.”
“Once on This Island” is Haitian-Inspired Broadway
Once on This Island is a Broadway musical about the land, the gods, and the people of an island in the French West Indies. It’s one of the stories of us with characters who will be familiar to anyone with an African, Caribbean or Afro-Latin heritage. Anyway, it’s a universal story.
Once on This Island tells the story of Ti Moune, a fearless peasant girl in search of her place in the world, who is ready to risk everything for love. Guided by the gods, she sets out on a journey to reunite with the man who has captured her heart.
I don’t know about you, but I have found that almost everything I do with honest love, multiplies and grows in the most unexpected ways.
Once on This Island
This is a one-act musical with a book and lyrics by Lynn Ahrens and music by Stephen Flaherty.
The story is based on Rosa Guy’s 1985 novel My Love, My Love; Or, The Peasant Girl. It’s basically a Caribbean version of Shakespeare’s Romeo and Juliet or Hans Christian Andersen’s The Little Mermaid.
Production History
The musical premiered Off-Broadway at Playwrights Horizons in the 1989-1990 season.
The original Broadway production ran on Broadway in the 1990-1991 season.
A 1994 West End production won the Olivier Award for Best New Musical.
Once on This Island 2017
The 2017 revival is directed by Tony-nominated director Michael Arden with choreography by Camille A. Brown.
Ken Davenport and Hunter Arnold are the lead producers.
The main characters in the story are a light-skinned landowner and a dark-skinned peasant, but skin-color doesn’t matter in this telling of the story. Hallelujah! True to our times and the natural power of divinity, some of the gods are gender-fluid.
The story is beautifully staged. It’s very award-worthy. It’s rewarding to see one of our stories presented in a good light on a Broadway stage. There is something very powerful about that.
Once on This Island 2017 started previews on November 9, 2017. It opened on December 3, 2017, and is on sale through December 30, 2018.
The main cast is:
Phillip Boykin is Tonton Julian
Quentin Earl Darrington is Agwe, the spirit of the seas
Emerson Davis is the Little Girl
Alysha Deslorieux is Andrea
Tamyra Gray is Papa Ge, the spirit of death and fertility
Hailey Kilgore stars as Ti Moune
Kenita R. Miller is Mama Euralie
Alex Newell is Asaka, the spirit of agriculture and the harvest
Isaac Powell is Daniel, the boy Ti Moune loves
Lea Salonga is Erzulie, the spirit of love
Mia Williamson is the Little Girl
Storytellers fill out the cast:
Darlesia Cearcy
Rodrick Covington
Tyler Hardwick
Cassondra James
David Jennings
Grasan Kingsberry
Loren Lott
T. Oliver Reid
Ximone Rose
Anthony Wayne
Aurelia Williams
The creative team includes:
Music Supervisor Chris Fenwick
Scenic Design by Dane Laffrey
Costume Design by Clint Ramos
Lighting Design by Jules Fisher & Peggy Eisenhauer
Sound Design by Peter Hylenski
Drama Desk Award Nominations
Outstanding Revival of a Musical Outstanding Featured Actress in a Musical – Kenita R. Miller The LaDuca Award for Outstanding Choreography – Camille A. Brown Outstanding Orchestrations – Annmarie Milazzo and Michael Starobin (John Bertles and Bash the Trash, found instrument design) Outstanding Set Design for a Musical – Dane Laffrey Outstanding Costume Design for a Musical – Clint Ramos Outstanding Lighting Design for a Musical – Jules Fisher, Peggy Eisenhauer
Outer Critics Circle Award Nominations
Outstanding Revival of a Musical Outstanding Director of a Musical – Michael Arden Outstanding Choreographer – Camille A. Brown Outstanding Costume Design – Clint Ramos Outstanding Orchestrations – Ann Marie Milazzo & Michael Starobin Outstanding Actress in a Musical – Hailey Kilgore
Once on This Island Tickets
Tickets are $79.50 – $189.50
The show is usually dark on Thursdays.
Children under 4 are not allowed in the theatre.
Box Office
Monday – Tuesday: 10 am – 8 pm
Wednesday – Thursday: 10 am – 6 pm
Friday – Saturday: 10 am – 8 pm
Sunday: 12 noon – 7:30 pm
Phone
(800) 447-7400
Online
www.onceonthisisland.com
Visiting the Circle in the Square Theatre
235 West 50th St, New York, NY 10019
(between Broadway and Eighth Ave)
Times Square Theater District
Subway
Once on This Island the Musical Songs Lyrics
Once on This Island is a one-act musical with a book and lyrics by Lynn Ahrens and music by Stephen Flaherty. Based on the 1985 novel My Love, My Love; or, The Peasant Girl by Rosa Guy, it is set in the French Antilles archipelago in the Caribbean Sea. The show includes elements of the Romeo and Juliet story and elements of the Hans Christian Andersen fairy tale The Little Mermaid. It concerns a peasant girl on a tropical island, who uses the power of love to bring together people of different social classes.
Broadway production (1990)
Once on This Island: the Musical Songs with Lyrics
Once on This Island
1990 musical by Lynn Ahrens and Stephen Flaherty
Once on This Island is a coming-of-age one-act stage musical with a book and lyrics by Lynn Ahrens and music by Stephen Flaherty. It is based on the 1985 novel My Love, My Love; or, The Peasant Girl by Rosa Guy, a Caribbean-set retelling of Hans Christian Andersen’s fairy tale The Little Mermaid.[1] It concerns a peasant girl in the French Antilles who falls in love with a rich boy and makes a deal with the gods to save his life.
The original Broadway production ran from 1990 to 1991, and the West End production opened in 1994, where it won the 1995 Laurence Olivier Award for Best New Musical. The musical was revived on Broadway in a production that opened on December 3, 2017 at the Circle in the Square Theatre. The revival was showered with critical acclaim, with New York Times critic Jesse Green describing it as “ravishing”[2] and The Huffington Post praising it for creating “an aesthetic experience unlike anything seen on Broadway.”[3] It won the 2018 Tony Award for Best Revival of a Musical.
A Disney film adaptation is currently in development for Disney+.
Production history [ edit ]
Once on This Island was originally staged at Off-Broadway’s Playwrights Horizons, running from May 6, 1990 through May 27, 1990. The Broadway production opened on October 18, 1990 at the Booth Theatre and closed on December 1, 1991, after 469 performances and 19 previews. With direction and choreography by Graciela Daniele, the musical featured LaChanze as Ti Moune, Jerry Dixon as Daniel, Andrea Frierson as Erzulie, Sheila Gibbs as Mama Euralie, Kecia Lewis as Asaka, Gerry McIntyre as Armand, Milton Craig Nealy as Agwe, Eric Riley as Papa Ge, Ellis E. Williams as Tonton Julian and Afi McClendon as Little Ti Moune.
Daniele returned as director/choreographer for a U.S. national tour, which opened at the CIBC Theatre in Chicago on March 31, 1992 and closed at the Heinz Hall for the Performing Arts in Pittsburgh on January 3, 1993. Gibbs reprised her role as Mama Euralie and Gerry McIntyre (the original Armand) played Papa Ge. James Stovall (who replaced Eric Riley on Broadway as Papa Ge) played Agwe. The rest of the cast included Vanita Harbour as Ti Moune, Darius de Haas as Daniel, Natalie Venetia Belcon as Erzulie, Carol Dennis as Asaka, Miles Watson as Tonton Julian, Monique Cintron as Andrea, Keith Tyrone as Armand, and Nilyne Fields as Little Ti Moune.
In 2002, the original Broadway cast was reunited with special guest Lillias White to perform the show for Broadway Cares/Equity Fights AIDS and the Cantor Fitzgerald Relief Fund.
The European premiere took place in 1994, hosted by the Birmingham Rep, and then transferred to the West End Royalty Theatre (now the Peacock Theatre) in September 1994. The production won the Olivier Award for Best New Musical.[4]
The musical was revived in the UK in 2009 at Birmingham Rep, Nottingham Playhouse, and the Hackney Empire Theatre in London. Susie McKenna directed, with Sharon D. Clarke reprising her 1994 role as Asaka.[4][5][6][7] The original West End Ti Moune, Lorna Brown, played Erzulie in this production. In June 2012, the Paper Mill Playhouse presented a production directed by Thomas Kail,[8] with Syesha Mercado as Ti Moune[9] and Darius de Haas as Agwe.[10]
The first Broadway revival of Once on This Island, produced by Ken Davenport, directed by Michael Arden and choreographed by Camille A. Brown, began previews on November 9, 2017 and officially opened on December 3 at the Circle in the Square Theatre. This production featured a stage covered in sand, with live animals onstage, and set and costume design intended to suggest a wrecked beach community recovering from a hurricane.[11] The opening night cast included Hailey Kilgore as Ti Moune, Isaac Powell as Daniel, Alysha Deslorieux as Andrea, Phillip Boykin as Tonton Julian, Kenita R. Miller as Mama Euralie, Alex Newell as Asaka, Merle Dandridge as Papa Ge, Quentin Earl Darrington as Agwe, Lea Salonga as Erzulie and David Jennings as Armand.[12] The revival closed on January 6, 2019, after 458 regular performances.[13]
The Broadway revival production tour in North America starting at The Carson Center, Paducah, Kentucky on October 12, 2019, with the official opening on October 15 at the Tennessee Performing Arts Center, Nashville, Tennessee. The tour is directed by Michael Arden with choreography by Camille A. Brown. The tour featured onstage seating, “creating a unique experience within the footprint of every theatre we play… Audiences will be invited to put their feet in the sand and surround our company, becoming part of the show.”[14] The tour ended early due to the COVID-19 pandemic at the Smith Center in Las Vegas, Nevada.[15]
Synopsis [ edit ]
One stormy night in the Antilles archipelago, thunder booms, making a small girl cry in fear. To comfort her, the village storytellers tell her the story of Ti Moune, a peasant girl who falls in love with a grand homme, Daniel Beauxhomme – a story of life, pain, love, grief, faith, and hope. In this story, four gods (consisting of Asaka: Mother of the Earth, Agwé: god of Water, Erzulie: goddess of Love, and Papa Ge: demon of Death) rule an island known as the Jewel of the Antilles where poor peasants worship them (Prologue/”We Dance”). The peasants, “black as night”, live on one side of the island, and the grands hommes, lighter-skinned descendants of the original French planters and their slaves, live on the other. One night, Agwe unleashes a terrible storm upon the island, which in turn causes a disastrous flood, wiping out many villages. However, the gods save the life of a little orphan named Ti Moune by placing her in a tree above the flood’s waves. She is found and subsequently adopted by the peasants Mama Euralie and Tonton Julian (“One Small Girl”).
Years afterwards, a grown-up Ti Moune prays to the gods to let her know her purpose, and to let her be like the fast-driving strangers on the roads near her village – the grands hommes (“Waiting for Life”). Hearing her plea, the gods laugh at her. However, Erzulie suggests that they give her love, because it is stronger than any of the other elements. Offended, Papa Ge proposes a bet to prove which is stronger: love or death. Agwe arranges for the car of Daniel Beauxhomme, a young grande homme, to crash during a storm so that Ti Moune may meet Daniel and restore him to health (“And the Gods Heard Her Prayer/Rain”). Despite the objections of the other peasants including her own parents, Ti Moune helps the intruder recover (“Pray”). Ti Moune falls in love with the stranger and as she cares for the unconscious boy, she imagines he loves her too. When Papa Ge comes to take Daniel’s life, Ti Moune offers her life in exchange for Daniel’s so that he will not die (“Forever Yours”). Papa Ge is angry but leaves, hinting he will return – sooner or later, as her life now belongs to him.
Tonton Julian travels to the other side of the Island to seek Daniel’s family at the Hotel Beauxhomme. When he returns, he brings with him some of Daniel’s people to take the boy back, as well as the story of Daniel’s family: Four generations ago, during the Napoleonic era, a French aristocrat named Armand colonised the island. Although Armand had a wife, he had affairs with several natives, one of which bore him a son, named Beauxhomme. When Beauxhomme grew up, war broke out between the peasant locals and the French. The peasants won the war with Beauxhomme’s help, after which he banished Armand back to France. Before leaving, however, Armand cursed Beauxhomme and his descendants saying their “black blood will keep them forever on the island, while their hearts yearn forever for France.” To this day the curse causes future Beauxhommes to alienate the peasants for reminding them of their homeland (“The Sad Tale of the Beauxhommes”). Ti Moune is tearfully separated from Daniel and tells her parents that she will go after Daniel to marry him, and though they are reluctant to let her go, they eventually give her their blessing (“Ti Moune”). The goddess Asaka tells Ti Moune not to fear, as the Earth will give her everything she needs on her journey to Daniel (“Mama Will Provide”).
Ti Moune travels across the island (“Waiting for Life (Reprise)”), and the storytellers relate the many versions of her difficult journey to the city (including being forced to wear too-tight shoes), through the hotel gates and finding Daniel’s room (“Some Say”). Daniel, still ill and unable to walk, does not remember her but believes her after she describes the scar on his chest. As they stay together, Erzulie gives them the gift of love (“Human Heart”). Daniel ignores the townspeople’s gossiping (“Pray (Reprise)”) over the unlikely relationship between a rich Beauxhomme and a poor peasant. Daniel delights in Ti Moune’s differences from the rich girls in his life, noting that “some girls you marry, some you love” (“Some Girls”).
At a ball held at the hotel (“The Ball”), Andrea Devereaux, a daughter of Daniel’s family friends, cajoles Ti Moune to dance for them (her ulterior motive being to make her look bad in front of the grande hommes). Ti Moune does dance and gains the admiration of the rich society members, inspiring both the peasant servants and the grande homme guests to join her (“Ti Moune’s Dance”). Afterwards, Ti Moune learns that Daniel is already engaged to be married to Andrea (“When We Are Wed”). Daniel, reminded of his responsibilities, must go through with the arranged marriage, although he insists they can be lovers forever, leaving Ti Moune crushed. Papa Ge reappears and reminds Ti Moune of her promise to exchange her life for Daniel’s – but says she can revoke the bargain if she kills Daniel (“Promises/Forever Yours (Reprise)”). Ti Moune enters Daniel’s room with a knife, but she still loves him too much to kill him, proving love is stronger than death. However, Daniel finds Ti Moune with the knife. Appalled at the attempted murder, the Beauxhommes throw her out of the hotel grounds.
Barred from the hotel, Ti Moune waits for two weeks to try and meet Daniel at the gate. As Daniel and Andrea are married, they follow an old tradition of throwing coins to the peasants outside the hotel gates. Ti Moune calls to Daniel who gently places a silver coin in Ti Moune’s hand, kisses her cheek, and leaves. The storytellers tell of how the gods were moved to tears by Ti Moune’s selflessness and love, and chose to bestow a final kindness on her; Erzulie took her by the hand and led her to the ocean, where Agwé allowed her to drown peacefully. Papa Ge received her gently and brought her back to shore where Asaka transformed her into a tree (“A Part of Us”).
The tree becomes a celebration of life and love that cracks open the gates of the hotel, allowing those of all social statuses to become one, including a peasant girl and a young grande homme, Daniel’s son, as they play in her branches. As the years go by, the story of Ti Moune is told again and again, passed down through generations as proof of the power of love and stories to bring people together. As the musical ends, the little girl who was frightened by the storm begins to retell the story herself (“Why We Tell the Story”).
Characters [ edit ]
Ti Moune – A peasant girl. Little Ti Moune – Ti Moune as a child.
– A peasant girl. Daniel Beauxhomme – A grand homme (French for “upper class”); Ti Moune’s love interest; Beauxhomme is French for “beautiful man”
– A (French for “upper class”); Ti Moune’s love interest; is French for “beautiful man” Papa Ge – The sly Demon of Death who is the main antagonist of the show. He tricks the main character into giving her life for another. He is seen as a skeleton and is very sneaky. The people on the island fear him because of what he represents: the unknown that is death.
– The sly Demon of Death who is the main antagonist of the show. He tricks the main character into giving her life for another. He is seen as a skeleton and is very sneaky. The people on the island fear him because of what he represents: the unknown that is death. Erzulie – Beautiful Goddess of Love; the foil to Papa Ge
– Beautiful Goddess of Love; the foil to Papa Ge Agwe – God of Water
– God of Water Asaka – Mother of the Earth
– Mother of the Earth Mama Euralie – Ti Moune’s adoptive mother
– Ti Moune’s adoptive mother Tonton Julian – Ti Moune’s adoptive father
– Ti Moune’s adoptive father Andrea Deveraux – Daniel’s promised wife; also “Madame Armand”
– Daniel’s promised wife; also “Madame Armand” Armand Beauxhomme – Daniel’s stern father.
– Daniel’s stern father. “Armand” – The ancestor of Armand Beauxhomme.
– The ancestor of Armand Beauxhomme. Gatekeeper – The Hotel Beauxhomme’s fierce guard (commonly played by Armand).
– The Hotel Beauxhomme’s fierce guard (commonly played by Armand). The Little Girl – A young girl who is told the story of Ti Moune.
– A young girl who is told the story of Ti Moune. Daniel’s Son – Daniel’s young son (commonly played by Daniel’s actor).
– Daniel’s young son (commonly played by Daniel’s actor). Storytellers/Gossips – Various Grands Hommes and peasants (in most productions, the storytellers are shown as also performing the parts of the Gods).
Note: The original cast was chosen along racial lines with darker-skinned actors portraying the peasants and lighter-skinned actors portraying the upper-class landowners. In the script, the writers provide small line changes that can be used to remove references to skin color to accommodate multi-ethnic productions, while preserving the storyline about differences between the upper and lower classes.[16]
Original casts [ edit ]
Notable replacements in the original Broadway cast
Lillias White as Asaka
James Stovall as Tonton Julian
Notable replacements in the 2017 Broadway revival cast
Musical numbers [ edit ]
Title Cast Recordings Broadway (1990)[27] London (1994)[a][28] Broadway revival (2017)[29] “We Dance” Storytellers “One Small Girl” Mama Euralie, Tonton Julian, Little Ti Moune, and Storytellers “Waiting for Life” Ti Moune and Storytellers “And the Gods Heard Her Prayer” Asaka, Agwe, Erzulie, and Papa Ge “Rain” Agwe and Storytellers “Discovering Daniel” Ti Moune and Storytellers “Pray” Ti Moune, Mama Euralie, Tonton Julian, Guard and Storytellers “Forever Yours” Ti Moune, Daniel and Papa Ge “The Sad Tale of the Beauxhommes” Armand and Storytellers “Ti Moune” Ti Moune, Mama Euralie, Tonton Julian “Mama Will Provide” Asaka and Storytellers “Waiting for Life” (Reprise)”[b] Ti Moune “Some Say” Storytellers “The Human Heart” Erzulie and Storytellers “Pray” (Reprise)[c] Storytellers “Gossip”[c][d] Storytellers “Some Girls” Daniel “The Ball” Andrea, Daniel, Ti Moune, and Storytellers “Ti Moune’s Dance” Erzulie, Asaka, Agwe, Papa Ge, and Storytellers “When We Are Wed” Andrea, Daniel and Ti Moune “Promises” Papa Ge, Ti Moune, and Storytellers “Forever Yours” (Reprise) Papa Ge, Ti Moune, Erzulie, and Storytellers “Wedding Sequence” Papa Ge, Ti Moune, and Storytellers “A Part of Us” Mama Euralie, Tonton Julian, Little Ti Moune, and Storytellers “Why We Tell the Story” Storytellers
Notes
^ Includes bonus remix track of “The Human Heart”, performed by P. P. Arnold (Erzulie). ^ Included in production, but not recordings. a b [30] “Gossip” replaces “Pray” (Reprise) for the Broadway revival (2017). ^ [31] Not included in the original Broadway production.
Cut songs include “Come Down From the Tree” and “When Daniel Marries”.[32][33] “Come Down From the Tree”, was a song for Mama Euralie; it is included in several recordings, including its first recording on Bruce Kimmel’s Lost in Boston CD, where it was sung by Lillias White – it was also included on Audra McDonald’s How Glory Goes.[34]
Awards and nominations [ edit ]
Original Broadway production [ edit ]
Original London production [ edit ]
2017 Broadway revival [ edit ]
Film adaptation [ edit ]
On July 30, 2020, it was announced that Walt Disney Pictures and producer Marc Platt bought the film rights to adapt Once on This Island into a feature film for the Disney+ streaming service. Playwright Jocelyn Bioh will pen the script and Wanuri Kahiu will direct.[38]
키워드에 대한 정보 once on this island lyrics
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