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Short Clip of Lily Christine dancing followed by a few photo’s.
The beautiful Lily Christine’s (Martha Theresa Pompender) moniker was \”The Cat Girl\” and ZAZA in the Burlesque world. Lily was one of the most publicized Burlesque dancer / Strippers of all time. Gained her Cat Girl moniker from her unique muscle control and suppleness of a cat. Famous for her scantily clad Voodoo dance.
… for more info on Lily and others see :
http://www.streetswing.com/histburl/a2lilychristine.htm
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http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100831.
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Pulp International
In any case, these photos are interesting not only for Christine’s outfit and gyrations, but because they show a bit of the crowd, and the presence of two female heads gives an indication of how co-ed burlesque shows were back in the day. Women wanted to see erotic spectacles too, and we can only imagine they left highly impressed. The guys, meanwhile, we’re sure left highly inspired. And when those two reactions meet! Sparks fly in the coital bed. That’s what burlesque is all about. Yes, it’s an art form, but it’s an art form designed to give you a boner. Don’t let anyone tell you differently. See plenty more burlesque imagery here
Yes, we know. We’ve mixed and matched Jimi Hendrix. The line about putting a spell on him is actually from “Purple Haze” not “Voodoo Chile.” Doesn’t matter. It fits. Above, returning for yet another engagement at Pulp Intl., is legendary burlesque dancer Lilly Christine, aka The Cat Girl. These shots were made, as were the last we shared, at the 500 Club in New Orleans, where she performed regularly. In the final one, in case it isn’t clear, she’s drinking or pretending to drink out of a gourd. After which… maybe she spit liquid all over herself to make her skin all slippery and gleaming. Not that something like that would turn us on. But it would some people.
Some people say Christmas. A few say X-mas. Many just say happy holidays. Whatever your preference, here’s burlesque legend Lilly Christine—or if you prefer, Lilly X-ine—looking festive in a candy striped outfit. She’s appeared on our website often , most notably in this series of photos frommagazine we were the first to scan and upload. If you have the time and inclination, click her keywords below. And enjoy this day.
Seems time we got back to legendary burlesque dancer Lilly Christine, so above you see her sporting claws and a tail in three poses that evoke her nickname—The Cat Girl. We’ve been on the Cat Girl bandwagon for a long while (remember when we were the first to upload these cool photos?), and we’ll continue to feature her.
What better way to complement the collection of paperback covers above than with photos of actual dancers doing what they do best—making their strenuous and often unglamorous work look easy and fun? We present assorted burlesque dancers, showgirls, and strippers from the 1950s, 1960s, and 1970s, both onstage and off, photographed in such hot spots as London, Paris, Tokyo, Rome, New Orleans, and of course New York City. Among the performers: La Savona, Lilly Christine, Lynne O’Neill, the gorgeous Misty Ayres, Patti Cross, Tina Marshall, Carol Doda, Nejla Ates, Barbara Köckritz (we know, we know) fully nude, Lili St. Cyr, Wildcat Frenchie, and more. If you like these, check out our previous set of dancers here .
This issue offrom this month in 1949 contains a rather amusing story about burlesque queen Lilly Christine being censored from University of Oklahoma campus newspaperby scandalized administrators. Seems members of the newspaper staff had been in New Orleans the previous year for the Sugar Bowl and had caught Christine in residency at the 500 Club. When later she toured through Oklahoma City the newspaper staff arranged a trip to see her, and that led to the quite logical idea of working up a story about her—which was when administrators stepped in to nix the plan. Christine saw a chance for free publicity and proceeded to appear at the campus health clinic seeking a chest x-ray. You couldn’t make this stuff up. After a bit of runaround she was refused. Meanwhile newspaper staff were seething over their unceremonious shackling—they saw it as a free speech issue, while the greyhairs saw it as a morals issue. The editor declared that there would be no more issues of, but that’s when one of OU’s frats quickly ran off a scab issue of the paper to prove the point thatstaffers were replaceable. Leave it to a bunch of entitled Greeks to side with the establishment, right? Checkmated, the editor and several loyalists quit. Meanwhile, Lilly Christine had long since minced on her merry way, no doubt accustomed to leaving a bit of chaos in her wake. See more Christine at this link (and elsewhere in the site if you search).
Often mistaken by casual observers for Lili St. Cyr because of their similar names and looks, Lilly Christine, née Martha Theresa Pompender, was known in burlesque as the Cat Girl. Where Lili St. Cyr projected a regal beauty, Lilly Christine fashioned herself as a feral animal, grimacing and stalking her way through famed routines such as “Harem Heat” and “The Voodoo Dance,” performing to the sound of tribal drums and showing off the bellydancer-like control she had over her six-pack abs. You can get a sense of all that from the photos below, which come from a series shot at Leon Prima’s 500 Club in New Orleans, where Christine enjoyed her greatest fame. Strangely, though she was quite a celebrity, today she has only a modest online presence, and no uploaded video at all. Hopefully, someone out there will one day digitize a film and put it online, because she probably needs to be seen in motion to be truly appreciated. Lilly Christine died in 1965 at age forty-one and was born today, ninety years ago.
Last year we posted the front and back covers of an issue of He magazine. As usual, it’s taken us longer than we intended, but today we’re back with more. The above cover appeared this month in 1953 and features a masked model shot at New York City’s annual Artists Equity Ball, which, according to He , pretty much turned into an orgy. We don’t know about that, but the photos do reveal a rather racy scene. You also get shots of (we think) Rocky Marciano knocking out someone or other and lightweight champ Jimmy Carter mashing some hapless opponent’s face, photos of Laurie Anders, Lili St. Cyr, Lilly Christine, Daniele Lamar, and other celebs of the day, an amazing still of Julie Newmar, aka Julie Newmeyer, dancing in Slaves of Babylon , plus a back cover featuring highly touted but ultimately underachieving actress Mara Corday. We don’t have to bother too much with a description today, because these digest-sized magazines have text that scans large enough to be read even on small computers. So read and enjoy.
The good folks at vintagegirliemags.com have posted the entirety of Adam vol. 1, issue 1, from 1956, with Lilly Christine on the cover and lots of interesting art, lit, and photography inside. Adam was one of many Playboy imitators, and one of the most fondly remembered. Since Lilly Christine was already quite famous by 1956, her appearance on the cover was a nice score for the fledgling imprint. She would appear at least one more time before her untimely death in 1965 at age forty-one. We’ve seen people try to sell this exact issue on Ebay for fifty bucks, so those with an interest in classic magazines should click over to vintagegirliemags and take advantage of this generous gift while the download link lasts. Some pages below. And if you’d like to see more of Lilly Christine, we uploaded some original scans a while back .
Intl. Notebook Feb 22 2012
Freak show on the dance floor.
At the end of last month we posted a few images of Bettie Page that hadn’t appeared online before. They came from an issue of Carnival we were too lazy too scan in its entirety at the time. Today we have the rest of that great issue, vol. 1, no. 2, published out of Chicago, U.S.A. by Hillman Periodicals, who were the same people behind the magazine Show. The cover star is burlesque queen Lilly Christine, aka The Cat Girl, and she reappears in all her wild-eyed glory in a photo set we’ve placed at the very bottom of this post. We’ve seen at least two of those photos before in other magazines, however Carnival claims it was an exclusive set, shot especially for them, and indeed, that could be true, since theirs appeared before the others we saw.
After a peek behind the scenes of the Miss Universe pageant, readers get a profile of Ernest Hemingway’s most recent trip to Spain. Hemingway was visiting the Festival of San Fermin in the Basque Country town of Pamplona in order to see how his favorite sport of bullfighting had fared in the years since he’d last visited. Since the text in these digest-sized magazines scans large enough to be legible, you can read what Carnival says about the famed festival yourself. We will note, however, that the writer’s description of Pamplona as dull when San Fermin isn’t happening is wrong. Spain in general, and the Basque Country in particular, are never dull. Trust us—we’ve spent a lot of time there. If you’re interested, you can read our firsthand observations of San Fermin here and here.
Carnival next presents readers with photos of dancer Nejla Ates, whose short set begins just below. We first saw one of these shots in an issue of Uncensored dating from June 1954, but once again Carnival seems to have gotten there first—their photos are from 1953. Ates, who for some reason often appears online unidentified, was Romanian born of Tatar descent, and danced her way through Cairo, Rome, Paris, and London, before finally gaining international fame in New York City. She appeared in three American films during the 1950s, and was the go-to cover model for Middle-Eastern and bellydancing themed album sleeves, but despite her successes suffered the usual slate of dead end affairs and romantic heartbreaks with such men as, among others, Billy Daniels, George Sanders, and Gary Crosby.
Following Ates is a photo feature on American actress and party girl Barbara Payton, who burned a swath through Hollywood during the 1950s, bedding co-stars, feuding with her studio, and generally raising a ruckus before eventually drifting into prostitution and dying at age thirty-nine of heart and liver failure. She’s described here as possessing the “assets of Hedy Lamarr, Jane Russell and Marilyn Monroe” all at once. Not sure about that, but we’ll be finding out more about her later, because we will be examining her very pulpish life story in detail.
Next you get a great close-up photo of Jersey Joe Walcott having a disagreement with Rocky Marciano’s fist. Does that shot also look familiar? Perhaps because it was the cover of a January 1953 National Police Gazette. We had no idea that the fight was considered controversial at the time. Apparently, many thought Walcott took a dive. Since this photo is of the actual the shot that sent Walcott to the canvas, we have to respectfully disagree. It’s lights out, and anyone can see that. In any case, you can take a gander at that Gazette cover and learn a bit about Marciano and Walcott here.
A few more treats: panel 24, just below, contains a hot shot of Marilyn Monroe at a charity baseball game; panel 26 features actress Sheree North, who doesn’t look very impressive, which means you should click over to our lovely femme fatale post on her here and get a sense of what a knockout she really was; and lastly, in panel 28, above, you get a killer shot of Zsa Zsa Gabor, who, believe it or not, was already nearly forty at the time and had been married three times on the way to her final tally of nine.
Looking at all these pages and visiting the accompanying links, you perhaps get a sense of how the mid-century tabloid industry was fueled by handout photos, with all the publications using the same shots but concocting editorial angles to create the illusion that the images were exclusive. But in Carnival’s case, it does seem to have published many of these images first. It billed itself as “a magazine of excitement”, and we have to agree. It’s also a magazine that, because of its tightly bound construction, we had to destroy in order to scan. But even though this particular issue of Carnival is now only loose leaves scattered across the room, there are other issues out there, and we’ll have some of them later, hopefully.
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Lilly Christine “The Cat Girl”
• Dunkirk, NY, USA – 17 Dec 1923 • Broward County, FL, USA – . 9 Jan 1965
Grew up in the home where her father was a physical education instructor and instilled a proper diet and exercise regiment and later would become a vegetarian. Her body was fit as a fiddle and had Blonde hair, but occasionally went red.
Beautiful Lily Christine’s moniker was “The Cat Girl” and ZAZA in the Burlesque world. Lily was one of the most publicized Burlesque dancer / Strippers of all time. Gained her Cat Girl moniker from her unique muscle control and suppleness of a cat. Famous for her scantily clad Voodoo dance.
Lily started her career in legitimate films such as Irish Eyes are Smiling, but these films took her nowhere fast. Lily also did a few Broadway plays but her main gigs were on Bourbon Street as a dancer and namely the 500 Club.
… click the image to view bigger
Lily got into Burlesque around 1948 by dancing in various clubs in New Orleans and later was by Bert Lahr, whom he cast in the stage play Burlesque in 1950. By this time she was making a name for herself and started to put together her Nightclub act which had her moving on stage as a stalking feline cat, exuberating male dominance with every move of her Pelvis and Hips with the highlight being her beautiful stomach movements that were akin to a Belly Dancer. Lily Christine is said to have never performed on-stage nude but considered herself “an interpretive dancer, not a stripper. ”
Lily passed away in Broward County, Florida, USA. of peritonitis (a stomach line inflammation).
• Dance Types and “Routines”
African Dance – Ballet – Danse du ventre (Dance of the stomach)
Exotic – Hawaiian – Javanese – Oriental Dance – Strip Tease
“Voodoo Love Potion Dance” – “Getting Gertie’s Garter” – “Harem Heat” • Martha Theresa Pompender aka Lilly Christine, burlesque dancer performer• Dunkirk, NY, USA – 17 Dec 1923 • Broward County, FL, USA -9 Jan 1965Grew up in the home where her father was a physical education instructor and instilled a proper diet and exercise regiment and later would become a vegetarian. Her body was fit as a fiddle and had Blonde hair, but occasionally went red.Beautiful Lily Christine’s moniker was “” andin the Burlesque world. Lily was one of the most publicized Burlesque dancer / Strippers of all time. Gained her Cat Girl moniker from her unique muscle control and suppleness of a cat. Famous for her scantily clad Voodoo dance.Lily started her career in legitimate films such as Irish Eyes are Smiling, but these films took her nowhere fast. Lily also did a few Broadway plays but her main gigs were on Bourbon Street as a dancer and namely the 500 Club…. click the image to view biggerLily got into Burlesque around 1948 by dancing in various clubs in New Orleans and later was by Bert Lahr, whom he cast in the stage play Burlesque in 1950. By this time she was making a name for herself and started to put together her Nightclub act which had her moving on stage as a stalking feline cat, exuberating male dominance with every move of her Pelvis and Hips with the highlight being her beautiful stomach movements that were akin to a Belly Dancer. Lily Christine is said to have never performed on-stage nude but considered herself “an interpretive dancer, not a stripper. “Lily passed away in Broward County, Florida, USA. of peritonitis (a stomach line inflammation).• Dance Types and “Routines”African Dance – Ballet – Danse du ventre (Dance of the stomach)Exotic – Hawaiian – Javanese – Oriental Dance – Strip Tease”Voodoo Love Potion Dance” – “Getting Gertie’s Garter” – “Harem Heat”
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Burlesque Lilly Christine
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