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The Rollei 35s is still one of my favorite cameras. Here is an update on what it’s been like shooting with it. Scale focussing can still be a limitation, but that will largely depend on what kind of shooting you do. For street photography, it’s a gem.
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Kodak SUPRA 400 Film Print Film user reviews : 4.7 out of 5
Everything. Extremely fine grain for a 400-speed film. Sharp. Great shadow detail (and shadows are far less grainy than on most films). Good highlight detail ( …
Source: www.photographyreview.com
Date Published: 4/15/2021
View: 2979
Everything covering Kodak Supra 400 on EMULSIVE
To mark the occasion, I brought my Leica M3, the awesome 50mm f/2 Dual-Range Summicron, and an expired roll of Kodak Supra 400 to their meetup …
Source: emulsive.org
Date Published: 2/30/2022
View: 9460
Kodak – Supra 400 – BuyMoreFilm
Kodak – Supra 400. Specifications. Brand: Kodak. Film Format: 35mm. Film type: Color Negative. ISO: 400. If this is an expired film, it is untested and no …
Source: buymorefilm.com
Date Published: 8/30/2021
View: 4515
주제와 관련된 이미지 kodak supra 400
주제와 관련된 더 많은 사진을 참조하십시오 수프라 400과 롤라이 35s. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 kodak supra 400
- Author: Mik Milman
- Views: 조회수 1,547회
- Likes: 좋아요 25개
- Date Published: 2018. 8. 14.
- Video Url link: https://www.youtube.com/watch?v=2U0nwx3XQV4
Kodak Professional Supra 400 (36 Exposure Roll) Color Negative Film — F Stop Cameras
sold out
12.00
Here we have a 36 exposure roll of Kodak Pro Supra 400 35mm film. This film is for all 35mm cameras and will provide gorgeous color photos that can be processed by any lab or at-home C41 processing kit.
A review of Supra film can be seen on our site here.
Kodak Pro Supra 400 is a daylight-balanced color negative film offering wide exposure latitude for greater versatility, as well as a strong contrast.
Optimized skin tone reproduction makes this film suitable for portraiture while a vibrant overall color palette benefits general and outdoor photography.
It has a nominal sensitivity of ISO 400/24° and is well-suited to both scanning and print enlarging.
This film expired in 2004 and has been stored in refrigerated condition since. Test roll revealed beautiful results, though individual results are not guaranteed.
It will be carefully packaged and shipped immediately.
Kodak Professional Supra 400 Color Neg Film 36 Exp PLEASE NOTE PRICE IS PER ROLL
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include seller’s handling time, origin ZIP Code, destination ZIP Code and time of acceptance and will depend on shipping service selected and receipt of
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. Delivery times may vary, especially during peak periods.
Expired: Kodak Supra 400 35mm 12
The Kodak Royal Supra 400 is an discontinued film that had the particularity of a fine grain and vibrants colors. This is a 12 exposures film.
Being expired will give it different colors/saturations from the fresh one.
We hunt for you Vintage films to give you a chance to shoot disappeared films.
We don’t know how these films were stored so we can’t give you any guarantee.
Shooting a Twenty-Year-Old Roll of Kodak Supra 100 Film
Pandemic, day zero plus sixty. I am more mask now, than man; twisted and evil. Yesterday was the last day of a pitiless spring. Today I’m pierced by a blistering sun, a dagger of feverish heat on the first day of Summer. I sit in the dark, a lone torpid creature grey and haggard peering through blinds at a crippled society, eyes sunken into a wretched sku- “Dada can we go swimming today?!”
I snap out of it. “Eh? What’s that? Oh yeah, of course we can go swimming, honey.”
That first paragraph was a laugh. Things ain’t so bad. It’s been a challenging year so far, sure. My kids are struggling with the isolation, they lost half a year of pre-school. My businesses have suffered pretty badly. The pandemic statistics in my country, which had been improving throughout the spring, have now rocketed up with frightening intensity in June and July. There’s a lot to worry about. But I’m healthy, and more importantly, so is my family. Many others haven’t made it this far, those of us who have are lucky, and we need to work together to get through this.
Ian Fleming once wrote about the trials of life, “…there’s no top limit to disaster – that, so long as breath remains in your body, you’ve got to accept the miseries of life. They will often seem infinite, insupportable. They are part of the human condition.” In the novel from which this quotation is lifted, the character suffering miseries eventually does overcome, changed, but alive. We all have to muster up and keep going. I have it easier than a lot of people. Mustering up for me means putting my two tiny daughters into their bathing suits and making sure they have a fun day in and around the pool, that I teach them some spelling, and maybe some numbers (what I call “the devil’s letters”).
There’s also the pressing concern of keeping articles flowing on this website during a time when it’s virtually impossible for me or my writers to get out and shoot interesting photos. To this end, mustering up involves somehow turning this normal day into a day which might produce an article for you, dear readers. I grab my Leica R5 and swap the relatively boring 50mm Summicron for my favorite lens, the far more interesting ultra-wide 21mm Super Angulon, and contemplate my stash of dead stock film.
Within my collection of ancient emulsion-coated acetate are rolls of sixty-year-old black-and-white 35mm films from Kodak. But I’ve written about those before. Portra VC and UC, but Drew covered those. There’s a pack of color Agfa 110 film from the 1980s, but 110 cameras generate within me an involuntary convulsion not unlike those experienced after eating baked stuffed shrimp that has been warming in the sun for eight hours. There’s a roll of Konica VX, but I’ve done that too.
But what’s this; a type of film that I’ve never shot. Kodak Supra 100. That’ll do.
What is (was?) Kodak Supra 100
Kodak Supra first released early in the year 2000. It was available in ISOs of 100, 400, and 800, each offering extremely fine grain (virtually non-existent in the 100 ISO version), high color saturation, and accurate reproduction of light skin tones. The film was immediately popular with professional photographers shooting events, landscapes, fashion, and more, a real all-around performer. Interestingly, it was among the least expensive of Kodak’s film range at the time, which likely added to its popularity.
In June of 2003, after just three years of popularity, Kodak announced that Supra was being discontinued. On June 18th of the same year Kodak’s stock fell ten percent. Now, I’m not saying these two events are directly rela- wait, yeah I am. I am saying they’re related. Kodak slashed one of their most popular films and the company’s value tanked. Don’t do it again, Big K.
The color profile of Supra film (when new) was one of richness, with greens, reds, and blues receiving equal vibrancy. Color temperature trended toward the warmer end of the spectrum. Contrast was high. Grain was super fine. It was a film of gorgeous imaging characteristics. But these are now somewhat moot. Today, even the most recently produced roll of Kodak Supra will be more than seventeen years old. Instead of the wonderful imaging keyword sizzle with which Kodak sold their Supra steak, a marketer marketing Supra today would use words like “color shift,” “increased grain,” and “under-exposure.” This film is past its prime.
Shooting Kodak Supra 100 Today
Ah, expired film. My most hated of all films. An utter waste of time and energy, not to mention money. Why do I shoot expired film? If not for this site, I wouldn’t do it. And neither should you. But if you ignore my wisdom and decide that you’ve an excess of time and energy and money, and you’ve just got to scratch that expired film itch, well then, here’s what you’ll get with Kodak Supra 100.
In a previous The Expired Film Chronicles I’ve written hilariously about the “expose an extra stop for every decade” rule. What a wild ass rule. Man, film photography in 2020 is a real laugh. Anyway, I rated my roll of Kodak Supra 100 at ISO 50, which is simply an extra stop of exposure, if that helps.
Image results from my day outside are surprisingly pleasant. I enjoy the photos, anyway. I’m not sure how much value they’ll have to those outside of my familial circle, since they’re just snapshots of my kids. But hey, this is my website. If you don’t like it, start your own. It’s easy. Anyone can do it. All you need to do is completely sacrifice your social life, write and edit articles every night from 8:00 PM to midnight instead of hanging out with your spouse or sleeping, and spend upward of $20,000 a year to keep it going. It’s easy!
I shot my roll of film by the pool, trying to really stretch the scene with my 21mm lens. Portraits of the kids, shots made into the sun. Knowing the lineage of Kodak Supra 100, with its ultra-fine grain and incredible color rendition, I sought to emphasize the brightness of the day and the vibrancy of the colors to be found around a glistening swimming pool. I expected little, as always with expired film, and when the roll was finished I sent it off to Richard Photo Lab for processing. They always do exceptional work. And they returned 38 shots from a 36 exposure roll of film, which instantly made me think of Ken Rockwell’s weird flex where he’s always bragging that he can get more than the indicated number of exposures on a roll of film. Chill out, Ken. That’s not even a thing.
Shots came back with lowered contrast than would be found with fresh film and some extra grain in the shadows, which I expect when shooting dead stock. Likewise I see heavy color shifts that are again most noticeable in the shadows. However there’s a generally muted, almost pastel feeling to the color of the images that I actually love. This has replaced Supra’s trademark high saturation, and it serendipitously overlays with the theme of sunny summer days by the pool. I’m not sure I’d be as happy with the look if I were shooting product photography, or portraits where color accuracy is critical, but why would I do that? I mean, I don’t necessarily like myself, but I’m not quite ready to torture myself either.
As an off-topic aside, the Leitz 21mm did a great job. What an amazing lens. every time I shoot it I’m reminded that it’s one of the best lenses I’ve ever used, and one that I’ve never seen anybody appreciate outside of this site. Maybe I’m wrong. It’s happened before. Let me know.
Final Thoughts
I end a lot of my articles with a “Final Thoughts” segment. Therein I attempt to condense the sometimes-2,000-or-so preceding words into a single paragraph or two. I’d love for this “Final Thoughts” segment to be sponsored by a large corporation. Perhaps, and I’m just noodling here, but follow along. Thoughts come from the brain. The human brain is contained within the cranium. Boardgame maker and multinational conglomerate Hasbro, Inc. makes a game called “Cranium.” This would work. Tell Hasbro on Twitter, or something. We need some money.
Final Thoughts (not yet) sponsored by Cranium™, a Hasbro Game
Color negative films tend to perform horribly once expired, but my roll of Kodak Supra 100 surprised me with its vibrancy and punch, even after almost two decades of languishing in unknown storage conditions. I enjoyed the day shooting it, and I enjoy the resulting images. I don’t seek expired film. The risk/reward just isn’t logical to me. But if I run across another roll or two of Kodak Supra, I’ll be happy to give it a shot. Preferably on a nice, summer day.
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Kodak SUPRA 400 Film Print Film user reviews : 4.7 out of 5
[Mar 15, 2003] 357Sig Intermediate Strength: Very sharp. Very low grain. Accurate colors even with people. Price in bulk is less than average consumer film. Weakness: Not many. Too contrasty for mid-day sun, but you shouldn’t expect great pictures under these conditoins anyway, and then you shouldn’t be using a 400 speed film. This review is of the ‘domestic for export’ version of the film. Beautiful colors. Well saturated. Pictures were very sharp and had very low grain for a 400 speed film. Even for some consumer 100s. I haven’t tried blowing any up yet, but even in heavily underexposed areas there is almost no visible grain on a 4 x 6. Had no problems with reds, or any color for that matter. Fair skin was not quite exact, but accurate. Only a few shots had slightly reddish skin, that was easily corrected. But, if you’re looking for dead on skin tones, you should be using a portrait film anyway. This film is more than good enough for all around pictures, including people. Way better with fair skin, than Fuji Superia 400 or 800. I’m curious if the people that had problems with color, used the foreign imported version, and/or had their’s devoloped on a Fuji machine or fuji paper. I hear this film doesn’t do so well with Fuji processing. Also, Kodak is making alot of changes with their film lately. Royal Gold 400 film was changed while keeping the same name. Then the film was unchanged while the name changed to High Definition 400, which also happens to be the same film as Royal Supra 400 which is sold on the foreign market. Maybe Supra 400 also went through some changes. That’s all complete speculation on my part though. If you go through alot of film, you can get 720 exposures for about $65 shipped from B&H, which comes out to $2.13 per 24 exposures. Very cheap. Even cheaper if you go with the imported stuff, but I won’t chance it when buying that much. Customer Service N/A Similar Products Used: Used to use Royal Gold 400 for everyday. I’ve switched to this film for less than half the price. Portra 160 NC Fuji Superia 400/800 Kodak Gold 400OVERALL
RATING 5 ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ VALUE
RATING 5 ★ ★ ★ ★ ★ ★ ★ ★ ★ ★
Everything covering Kodak Supra 400 on EMULSIVE
Much to the joy of us Northern California film shooters, Beer & Cameras Sacramento recently reawakened after its long Covid slumber. To mark the occasion, I brought my Leica M3, the awesome 50mm f/2 Dual-Range Summicron, and an expired roll of Kodak Supra 400 to their meetup at a local brewery. Of course, the meetup […]
Kodak – Supra 400
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키워드에 대한 정보 kodak supra 400
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수프라 #400과 #롤라이 #35s
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