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HOMETOWN CHA-CHA-CHA: Sức HẤP DẪN từ những điều BÌNH DỊ
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sundays are indeed romantic ~ hometown cha cha cha…
The protagonist of Hometown Cha Cha Cha is Dr. Yoon Hye Jin. She’s a young dentist living in Seoul. She goes on morning runs, lives in a skyscraper-like …
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Hometown Cha Cha – Masterclass in Love Triangle…
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주제와 관련된 더 많은 사진을 참조하십시오 HOMETOWN CHA-CHA-CHA: Sức HẤP DẪN từ những điều BÌNH DỊ. 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
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- Author: Phê Phim
- Views: 조회수 82,910회
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- Date Published: 2021. 10. 21.
- Video Url link: https://www.youtube.com/watch?v=3MKb7fcPHfs
k-drama reviews — sundays are indeed romantic ~ hometown cha cha cha…
I posted 26 times in 2021
23 posts created (88%)
3 posts reblogged (12%)
For every post I created, I reblogged 0.1 posts.
I added 65 tags in 2021
Longest Tag: 33 characters
#sunbae don’t put on that lipstick
My Top Posts in 2021
#5
Kim Soo Hyun’s Most Iconic Moments
In honor of Kim Soo Hyun’s birthday, I have compiled a list of my favorite KSH’s on screen and off screen moments! Happy Birthday Soo Hyun!
1. During the Jenga Interview on The Swoon, when Kim Soo Hyun was asked to say “Wanna watch Netlfix with me?” in a concept decided by his co-stars, KSH freaked out and was super flustered and was like how could you ask me to say that because he thought they wanted him to say Netflix and Chill, and the staff had to clarify that they meant it literally.
2. KSH having the time of his life singing “Wind” on the show “Kiss The Radio” and let’s not forget the moment that he randomly starts growling cause the pitch of the song was too high for his voice
3. Kim Soo Hyun spilling facts when he said “It’s not bubble tea without the pearls […] that’s just tea”.
4. Seo Yea Ji answering that she’s okay with a friend who tells bad jokes because Soo Hyun did that all the time, so she’s okay with bad jokes now.
5. KSH’s jaw-dropping cameo in Hotel del Luna that left all of us wanting more
6. KSH’s goofy cameo in Crash Landing on You, where he plays his character in Secretly, Greatly
7. KHS yodeling during an awards show
8.KSH singing in an opera voice in It’s Okay to Not Be Okay BTS
9. KSH unashamedly admitting that he is attracted to Seo Yea Ji’s voice and then being all cute and flustered when she says that the worst thing about working with him is that he’s handsome.
10. KSH chewing gum throughout all of Real
91 notes • Posted 2021-02-15 23:41:42 GMT
#4
What The Heck Is Going On Between Kim Soo Hyun and Seo Yea Ji? – A Story About Respecting Autonomy
Hyunji ( Kim Soo Hyun + Seo Yea Ji) is perhaps the most tumultuous ride I’ve ever embarked on….
If you were ever obsessed with It’s Okay To Not Be Okay as much as I was and still am, perhaps one of the biggest reasons why is that you enjoyed the chemistry between the two leads, so much so that you write an entire tumblr essay on it. If you were also like me, you also spent a whole day binge-watching the bloopers, behind the scenes, and cast interviews and were treated to a glorious amount of flirting between Kim Soo Hyun and Seo Yea Ji. We witnessed Kim Soo Hyun placing her coat over her when she was cold, unwrapping her Subway sandwich, carrying her across the room, and struggling to not blush every single time they just happened to slightly touch. We saw interviews where they unashamedly flirted with each other and were not afraid to even show skinship (insert gasp) during such interviews. They even left easter eggs for us (did anyone notice during the radio interview that they both did, Kim Soo Hyun was wearing Seo Yea Ji’s bracelet ahh). The content was so unbelievable that many fans wondered if all of this was a marketing ploy. Chances are that at some point you became a hardcore hyunji stan.
You may have thought that hyunji would be a smooth sailing ship, when considering their behavior during interviews and the fact that both belong to the same agency that happens to be very small because it was only recently formed. However, you soon realize that you were sorely mistaken because hyunji is a ship that in many ways feels like its stranded at sea. Since the show’s airing, there has been very little to no hyunji content. Between the months of September 2020 to January 2021, we have only seen one combined appearance of Kim Soo Hyun and Seo Yea Ji, where they briefly shared less than a minute on stage when they both won the same award at Asia Artist Awards. Since then, Kim Soo Hyun did not attend APAN, while Seo Yea Ji briefly mentioned him in the speeches for both of her awards. Considering the widespread positive reception that their pairing has received , it is surprising to see them not capitalize on this popularity, especially if you are American. In the United States, celebrity couples are a lot more transparent about their relationships and the line between personal and private is blurred. For instance, singers like John Legend and Zayn Malik have both featured their respective partners in their music videos and celebrities like Lady Gaga and Bradley Cooper used their chemistry in A Star is Born to create an iconic Oscars performance. However, the Korean entertainment industry is markedly different and could be the reason why it almost seems like Kim Soo Hyun and Seo Yea Ji are trying to avoid each other.
What perhaps is the most interesting facet of the Korean entertainment industry is the fact that dating announcements are considered “scandals”. They are not moments to be cherished, but ones that spark concern. When Korean celebrities choose to embark on public relationships, they risk breaking agency contracts and losing millions of dollars in advertising because fans can disapprove of the relationship and resort to rigorous trolling and cyberbullying on social media. This anti-fan culture has become so normalized that many celebrities preemptively apologize or ask for their fans’ blessings. For instance, Son Ye Jin, whose relationship with co-star Hyun Bin was exposed by Dispatch, admitted to fans that she felt embarrassed and hoped that the fans could be happy for her. Therefore, it’s not a shock, that Seo Yea Ji, who has previously filed a sexual harrassment claim against internet trolls would not want any of her romantic relationships made public. A relationship with Kim Soo Hyun, the highest paid actor in South Korea, could warrant unnecessary attention and hate that could potentially disproportionately fall on Seo Yea Ji because of her status as an underrated actress. In fact Kim Soo Hyun and Seo Yea Ji avoiding each other in public regardless of whether they are actually in a relationship or not, could be a strategic move by their agency to secure both actors’ wellbeing.
Perhaps what needs to be discussed more among kdrama fans is the role that they can play in making internet spaces safer for both celebrities and netizens. Considering South Korea’s disproportionately high suicide rate, mental health issues, and the tragic deaths of kpop stars that have been witnessed in the recent years, it is important that this narrative of anti-fan culture changes. The lessons taught in Its Okay to Not Be Okay about the perils of being judgmental and closeminded needs to be one that is applied in the real world.
110 notes • Posted 2021-01-27 07:50:05 GMT
#3
Love Alarm Season 2: In Defense of Hye Yeong (written by a Sun Oh stan)
Warning: This analysis contains spoilers. Read at your own risk!
I binge-watched two seasons of Love Alarm in two days and I have some thoughts on the Kim Jojo- Hye Yeong ship. I genuinely hate watching k-dramas that involve the audience having to do deal with not only the relationship between the female and male lead, but also the relationship between her and an equally if not more swoon-worthy second male lead. I had a brief encounter with Love Alarm Season 1 two years ago before I decided against finishing the season because I discovered that it ends on a cliffhanger. Like many fans of the show, from the first three episodes, I strongly believed that Sun-Oh and Jojo would end up together. They both had difficult childhoods and parents and with Jojo enabling the shield, their breakup seemed temporary and that they would get back together once Jojo figures out how to disable the shield and realizes the she was never happy without Sun Oh. Therefore, I found it surprising to find the creators of the show positing a Jojo-Hye Yeong pairing. By doing so, they not only broke Sun Oh’s heart but also millions of fans worldwide. However, upon deeper reflection, I think I can understand why a Hye-Yeong-Jojo pairing was the most probable all along and is necessary for the premise of the show to succeed.
Love Alarm is more than a rom-com about a bunch of teenagers overcoming adversity through love. Love Alarm offers its audience a nuanced critique of our dependency on technology and how such dependency makes us less intuitive about our feelings and needs. The best way to explain this in our current society is by quite literally focusing on the invention of the alarm. Before the alarm was invented, humans slept and rose based on our circadian rhythms and we instinctively woke up every day to carry out our various responsibilities. However, with the invention of the alarm clock, many of us are not able to wake up on time for anything without it. Try to sleep one day without setting your alarm and you’ll find yourself waking up four hours later ( been there done that!). Similarly, in the world of Love Alarm, we see individuals overly reliant on the app to the point that it has dominated every single discourse being had in 2023. For instance, in the first scene of Season 2 Episode 1, we see a marriage ceremony that only concludes after the bride and groom ring each other’s alarms and with the release of Love Alarm 2.0, people aren’t even giving a chance to individuals, who don’t show up on the list. The notion of blind trust in our relationships is completely thrown with Love Alarm when there is an app that is constantly verifying whether a person has feelings for you. This is detrimental because the success of true passionate love rests on the fact that we come to care for someone so deeply that we ultimately trust them to feel the same way about us, so we let them into the most intimate aspects of our lives.
This statement mentioned above is precisely why Sun Oh and Jojo were never endgame. Sun Oh and Jojo’s relationship was only initiated because they rang each other’s alarms and while they shared moments of happiness, their relationship was not founded on trust because both Sun Oh and Jojo lacked the intuition to see their relationship as something that transcends an app. Throughout Season 2, we see Sun Oh consistently warped in the technicalities of the app with his obsessive questioning of Jojo over the shield. While we see him question Jojo about why she can’t ring his alarm, he can’t seem to comprehend this idea that you don’t need the alarm to be in a successful relationship even though he seems to be doing that quite wonderfully with Yok Joo. Yok Joo because someone that truly makes Sun Oh happy and remains a constant source of support that he can rely on. Likewise, we see Sun Oh prioritizing and caring for Yok Joo, signs that he is growing to love someone, but cannot accept it because he excepts the Alarm to tell him that he is in love.
Love rarely is an instantaneous experience, but rather something that develops over time, and Love Alarm completely strips this experience. In his decision to woo Jojo without the alarm, Hye Yeong embraces this idea successfully. He remains undeterred about the fact that Jojo can’t ring his alarm and continues to spend meaningful time with her because being around her simply makes him feel happy and a part of him trusts the fact that Jojo feels the same way. Hye Yeong trusts his intuition more than he trusts an app. In doing so, he makes Jojo realize that she has to listen to herself rather than an app. Throughout her storyline, a common thread is the supposed lack of control that Jojo feels from her parents’ death to her being left with no choice but to rely on her unkind aunt and cousin for support. In Jojo being able to finally make a choice in her life in choosing to love Hye Yong, she is arguably able to express autonomy over her life for the first time and she is not bound by her status as an economically struggling orphan in doing so.
Additionally, another reason why Jojo and Sun-Oh’s relationship failed is that while the two may truly be in love, they were not in love with each other at the right time. When Jojo and Sun Oh were both dating each other, they were arguably at the lowest points in their life. Sun Oh was dealing with extremely abusive and negligent parents, while Jojo was still traumatized by the death of her parents and the bullying that she faced at the hands of her cousin and classmates. Throughout their relationship, Jojo was terrified at the prospect of Sun-Oh finding out about her background and was embarrassed by her socioeconomic status, which was what prompted her to download the shield in the first place. Jojo’s period of However, by the time Hye Yeong pursues a relationship with Jojo, she is in a much better place. Not only does she feel more comfortable with Hye-Yeong because they had already seen each other at their all-time lows, but she’s become more assertive, confident, and found some fame in her work as the artist of The Ringing World. She also has a best friend that understands and respects her boundaries. Loving someone but having to let them go because it simply wasn’t the right time and place is all too common of an occurrence and the creators of the show challenge us to question the idea that we are only destined for one person our entire life. We can love many people throughout our life, but the ones who we grow to love when we love ourselves is where the key to long term commitment lies.
I know that many fans of the show are upset and I also have many issues with the writing and development of Sun Oh’s character. Regardless, I also feel that Love Alarm challenges many of the expectations that arise from cliché k-drama tropes. There are so many things that I would change about the show, but I have grown to accept the fact that Sun Oh deserves better. But, I’m not sure if Jojo would have been the source of his happiness and I only wish that his ending didn’t feel so incomplete and heartbreaking.
124 notes • Posted 2021-03-15 06:17:20 GMT
#2
K-Dramas Are Singlehandedly Saving Romance- Here’s Why
l consider myself an expert on romance (despite never being in a relationship or falling in love with someone) . Since the tender age of five, I have been forced to watch romance movies and rom-coms with my mother because she kept hogging the t.v. and wouldn’t let me watch Spongebob Squarepants. If there’s ever been a movie made with either Hugh Grant or Julia Roberts or both of them in it ( Notting Hill I’m looking at you), chances are I’ve probably watched it. I was sitting right alongside my mother as she cried through The Notebook and A Walk to Remember. As an Indian, romance is practically in my DNA. I’ve watched Jab We Met way too many times and Alaipayuthey ( Saathiya in Hindi for those who don’t know) will always have a special place in my heart. I’m not lying though when I say that romance is practically dying in both mainstream Indian cinema and Hollywood.
Faced with no place for me to third wheel a fictional relationship ( I’m hopelessly but also happily single), I have resorted to spending most of 2020 watching k-dramas.I was first introduces to k-dramas five years ago, when I decided to see what was so great about the dramas that my friend was watching. I experimented with watching a couple k-dramas like Doctors and W-Two Worlds, but the one that got me truly hooked was Legend of the Blue Sea. After LOTBS, I took a break from watching them and recently got back into watching them full time. In the past six months, I’ve watched Its Okay To Not Be Okay, Crash Landing on You, Do You Like Brahms, My Love From The Star, What’s Wrong with Secretary Kim, Something in The Rain, When The Weather is Fine, Extraordinary You, Tune in For Love ( movie), and I’m currently watching Run On, Lovestruck in The City, and True Beauty. In all of these dramas, the true beauty and joy of watching romance has been retained and in many instances, elevated. In this post, I’ll be going over why k-dramas are more successful than their counterparts in depicting romance.
16 Episode Format v.s. Multiple Seasons : Fo those who have watched many k-dramas, you probably have noticed that k-dramas operate more like mini series with 16 episodes rather than the multi-season t.v. shows that we have in the United States. The problem with multi-season shows are that the primary goal of these shows are to last more than one season and extend the show as long as possible. The most extreme example of this in the United States is the medical drama, Grey’s Anatomy, which is currently on its 17th season and has been on air since 2005. This format can often result in convoluted relationship arcs between different characters. For example, in Grey’s Anatomy, Meredith Grey, the titular character, is in a long term on and off relationship with Derek Shepherd that finally results in their marriage. However, this is short-lived because of Derek’s death and Meredith has a string of boyfriends in subsequent seasons. Even in shows like New Girl, which fall under the rom-com genre can be exhausting to watch because we know that Jess and Nick are going to get together but it takes us many seasons before we reach that destination. On the other hand, while k-dramas also tease fans with the question of will they or will they not, the intrigue is much appropriately paced and resolved.
Chemistry v.s. PDA : Let’s take the example of Grey’s Anatomy again and compare it with Do You Like Brahms. The first time Meredith and Derek encounter each other is when Meredith meets Derek at a bar and things escalate into a one night stand. On the other hand, in Do You Like Brahms, Song Ah and Joon Young meet each other at a concert, where Song Ah is kicked out from the orchestra that Joon Young is playing the piano accompaniment for. Even though Joon Young and Song Ah aren’t making out, chemistry is immediately established in this scene, when Joon Young drops his sheet music to stop the orchestra conductor from yelling at Song Ah. The chemistry in this scene is just as effective as the Grey’s Anatomy scene. However, a sense of connection between these two individuals is immediately created without any physical intimacy. In kdramas, we see love that comes from feelings of warmth and belonging that we share with an individual rather than superficial desires of lust that are often displayed in American television. Perhaps this is why so many k-drama fans say that they ship kdrama couples harder than Hollywood ones even if it takes ten episodes for the k-couple to share their first kiss. In short, its all about the fluff not the smut y’all! An example of an American tv show that truly highlights this philosophy is the relationship between Jim and Pam in The Office. Jim and Pam have a fairly tame relationship on the show, but the chemistry between the leads has been lauded by the fans because they complement each other through their banter and moments of slightly saccharine lightheartedness.
Working Around The Pitfalls of Romance: One of the biggest things that romantic comedies get critiqued for is being repetitive and unoriginal. Many of the Indian romantic comedies fell into this pit hole quite literally when they made modernized versions of classics ( Love Aaj Kal 2, Student of the Year 2, Coolie No.1, etc.), or Indian serials that constantly overuse the forced arranged marriage trope between the two leads. Many American tv shows and movies actually manage to successfully avoid this trap by creating eccentric larger than life characters. For instance, in New Girl, Jess is extremely chirpy, bubbly, and naive optimist, while Nick is the pessimist with a penchant for dark humor. In The Office, Kelly Kapoor is this crazy vain and obsessive girlfriend, while Ryan Howard is this extremely narcissistic dude that’s trying too hard to be hip. K-dramas resort to such characterizations as well to set apart their characters as well. In Its Okay To Not Be Okay, Ko Moon Young is a woman, with a painful history of trauma that makes her prone to impulsivity and harshness, while Cheon Song Yi in My Love From The Star is a sassy ditzy and self-absorbed actress that has been deeply misunderstood by the public.
However, another way that k-dramas set themselves apart in the romantic comedy genre is through the way they construct the environments and themes that revolve around the characters. K-drama characters have some of the most interesting professions and this greatly adds to the uniqueness of each drama. For example, in Its Okay to Not Be Okay, we see childhood fairy tales been interwoven with the plot and are given a unique perspective on psychiatric care. In Do You Like Brahms, Western classical music greatly adds another dimension to Song Ah and Joon Young’s relationship as they grapple with Schuman and Beethoven. Finally, what perhaps are the most interesting career choices are Oh Mi Joo’s job as an English translator for movies, which interweaves itself quite nicely with the larger themes that are conveyed within Run On. American dramas fail to exploit this opportunity in their dramas and we are often handed characters with some of the most basic careers. However, seeing the wide diversity of careers and environments that characters exist in a k-drama make them more enjoyable for me to watch! So, if you haven’t gotten into kdramas, y’all are missing out big time.
136 notes • Posted 2021-01-13 01:53:38 GMT
#1
Why Ko Moon Young Didn’t Become the Pretty Witch of the West : It’s Okay To Not Be Okay and Cancel Culture
After I finished watching Its Okay to Not Be Okay, I grappled with many questions, one of which, is why did I end up wanting to root for Ko Moon Young’s happiness at the end. While for many, it might appear straightforward as to why Ko Moon Young is the protagonist, if you dove right into the first episode of the show and you didn’t look at any of the promotional material, you could have easily believed that she was the antagonist. In fact, Ko Moon Young could have become one of the most detestable characters of 2020 rather than one of the most endearing ones. Within the first episode, we see Ko Moon Young make a little girl cry, refuse to care for her ill father, and manage to stab Gang Tae’s hand. By episode three, we see Moon Young chase after Gang Tae in Seojin City even though Gang Tae makes it explicitly clear that he doesn’t want to see her again and despite such warnings, she continues to make unwanted advances towards him.
While many fans would be quick to point out that she is “badass”, everything she does in the previous paragraph is definitely not badass because they are unhealthy and intrusive. Other fans of the show may attempt to justify her behavior by claiming that she has antisocial personality disorder and her history of trauma, but I don’t think that Moon Young is a character, whose behavior need to be justified. Moon Young is a flawed character and was never intended to be a role model of what ideal and healthy behavior should look like. However, Moon Young challenges us to reevaluate the idea that people are one-dimensional and stagnant. While this may seem like common sense, as we now live in a world of “cancel culture” and first impressions, it is a necessary reminder. Through Moon Young’s character, the audience can reach two conclusions. Firstly, all of us can have flaws that co-exist with our redeeming qualities. Secondly, it is important to understand what is the source (e.g. trauma, upbringing, etc)of our flaws and choose to embark on a journey to resolve what is holding us back from achieving warmth in our lives. In this post, I will be analyzing Moon Young’s redeeming qualities and how she grows as a person throughout the course of the plot.
For a woman that struggles to treat others with respect, Moon Young in many ways possesses almost a clairvoyant-like property into addressing universal human emotional needs. We see this immediately through her art, the children books that she writes. One of the reasons that Moon Young becomes such a popular children’s book author is because her work is able to comfort and soothe each person’s deepest vulnerabilities and fears regardless of their age. Before Moon Young even embarks on her own healing journey, she becomes a guiding light for others and this is perhaps her most admirable quality.
We see this quality in many of her unconventional tactics that provide the necessary catharsis for many of the OK Psychiatric patients to acknowledge and move on from their trauma. In Episode 3, when Ko Moon Young, effectively aids in the escape of a VIP patient and takes him to his politician father’s rally, he is finally able to vent his own frustrations of being considered inadequate and unworthy by his father and in doing so, finds much-needed contentment. Additionally, she is the first person to truly offer friendship to Sang Tae and provides him with the opportunity to become an illustrator for her books, and she does this because she truly values his talent and follows through with the promise. She doesn’t use Sang Tae simply as a cover to bring Gang Tae closer even though one may assume that at first glance. For Moon Young, Sang Tae really is her friend and “older brother”. For Gang Tae, Moon Young helps him prioritize his own self care and realize his own self worth beyond his relationship with his older brother. These examples suggest that Moon Young’s greatest strength is her ability to truly see individuals beyond their predicament in a world that reduces people to their mental illnesses. Unlike many who simply pity, Moon Young empowers these characters by supporting them in their journey to take back control of their own stories. Maybe this is because Moon Young, herself suffered years of abuse and trauma by her parents, and thus she is able to empathize with these characters in a way unparalleled to those who we may define as conventionally nice like Gang Tae or Ju Ri.
For Ko Moon Young, her trauma stems from the abuse that she faced at the hands of both of her parents. Ko Moon Young’s mother, a murderer, who probably has some sort of personality disorder, controls Ko Moon Young because she is her “greatest creation”. It can be argued that her mother’s controlling behavior is what may have reinforced any antisocial like personality traits that Moon Young exhibits. On the other hand, her father, who despises what his wife represents, tried to kill Ko Moon Young as a child, so that she wouldn’t end up becoming a monster like her mother. The lasting scar from both of her parents is what effectively makes Moon Young build a wall over herself and causes her to come off as cruel and difficult to others.
However, after having to re confront her trauma when her father tries to choke her again during a routine visit to the hospital ( and with the entrance of Gang Tae and Sang Tae in her life), Moon Young demonstrates an unwavering determination to not become what others expect her to be. She proves time and time again that she is more than an empty can. She breaks the chain that her mother had over her life by symbolically cutting her hair in Episode 7 and also tells her father off when he tells her that she will turn out to be like her mother. She makes amends with Juri despite their distasteful past and upon realizing that the brothers are left alone in the castle with her mother, she risks going back to the castle and confronting her biggest fear to save them. Perhaps, the greatest indicator of Ko Moon Young’s growth is her admission to her mother that she feels sorry for her because she hasn’t found the warmth that Moon Young found. In Its Okay To Not Be Okay, Moon Young’s character arc is much like ice that melts. She may be stubbornly stiff and cold but through the warmth and support from those who care about her, she ultimately melts into the very water that nourishes the magnolias of her garden.
142 notes • Posted 2021-01-08 09:33:51 GMT
Get your Tumblr 2021 Year in Review →
— smittenskitten: Hometown Cha Cha Cha (2021)…
I think a new emotion needs to be added to the human emotions poster. I’m not exactly sure what the emotion I’m feeling this morning is. It’s not satisfaction or enjoyment. Or joy either.
A sense of fulfillment! The emotion I’m feeling this morning is a sense of fulfillment!
KdramaRamblings — Hometown Cha Cha – Masterclass in Love Triangle…
Hometown Cha Cha – Masterclass in Love Triangle and Bromance
I detest love triangles – I don’t like seeing people heartbroken over unrequited love. I have rarely seen love triangles resolved amicably with no bad blood between the rivals. Most times they will fight , hate on each other or be competitors pulling each other down and the other times one of them will die, or one of them won’t confess, or if they confess, the person in question won’t have the decency to respectfully decline the confession (Do not get me started on StartUp and Dalmi – it will result in a long post on how terrible she was to Han Ji Pyeong – DoDal fans stay away, I have no time for you). So given my past experience with a crappy love triangle in Startup and the fact that I was witnessing Hometown Cha Cha Cha setting all the wrongs done in Startup right, I was slightly upset to see another love triangle creep in.
One because I was really beginning to like Ji PD’s character and Lee Sang Yi is a good actor. So I would not have been able to bear DuSik pull a DoSan on Ji PD.
Two, DuSik despite being surrounded by people who loved and cared for him, was a loner at heart. HyeJin was steadily making her way into his heart bringing his walls down. Sure DuSik needed to find the love of his life, but he had also lost a brother and a friend and he would appreciate if he found one again a lot more. Speaking from my own experience, it’s always better to find the love of your life and best friend in two different people rather than in a single person.
I loved how DuSik and Seong-Hyun ended up saving each other from falling into the sea.
Gif credit @iamacolor
Gif credit @junghaesin
Shared a common love for vintage cameras, photography and food. It was good to see the know-it-all DuSik get handed a lesson in modesty by a guy who was no villain, but an insanely likeable, good natured fellow just like DuSik was. Both had a natural chemistry going from the moment they met – yes pretty much like DuSik and HyeJin did from the word go and I loved their crazy, comic timing together.
Gif credit @idakosukes
How can you even get over their comical scene appreciating the exquisite rare fish meal at Hwa Jeong’s restaurant. Ji-Won was right to warn Doha to not tread on their paths.
The surfing lessons and all the banter, the jealousy surfacing and the need to outdo each other , but while maintaining respect for each other.
Gif credit @forursmiles @iamacolor
But there was the elephant in the room and each needed to address it sooner than later.
Seong-Hyun was in love with HyeJin for 14 years. She was his first love in college and he hesitated to confess to her. He had clearly not watched Reply 1988 because he would’ve got some valuable lessons from Jung Hwan – the one who hesitates always loses. So this time after meeting her again, he decided not to hesitate, though he had already sensed the atmosphere and knew he didn’t stand a chance against DuSik. But he confessed nevertheless, for himself, to have no regrets and that was a lovely message – that we need to open our true feelings and our heart for our own growth , so we can move on with zero regrets.
How beautiful was HyeJin in her response to his confession. She was so mature and measured in her response. So truthful and honest. What a realistic character Shin Ha Eun has given us. She was so respectful to him, his feelings and her own feelings. She did not hide from him that she indeed had feelings for him during their college days, but she did not think it would work out. We all go through these insecurities at that age, because we are battling so much while growing up that we are afraid to hurt ourselves. I got a bit emotional because it reminded me of my college days and how I never opened up about my first crush – for the fear that I would lose a friend (we have sadly lost touch over the years – no fall out) and I knew we would have never made it work, because we wanted such different things in life. But then who knows, maybe being honest would have made me have less regrets and the what ifs would have gone forever. It’s why I admire and love HyeJin even more – she was honest to her first love because she owed him that and bold enough to confess to the love of her life without fear of rejection. And the natural next step is that the second lead goes away from the couple and everyone moves on with their lives. But not this drama, because Hometown Cha Cha Cha was tropey for sure, but the writer was also a master at subverting these tropes. Seong-Hyun is a wonderful guy and so is DuSik and both are mature enough to not let go of their new found friendship.
Seong-Hyun delivers the best line of Episode 11 – it’s why I love his character, it’s why he will be a forever favourite second lead (Again don’t remind me Han Ji Pyeong was the second lead, if you watched StartUp, you know that’s a lie that we were fed)
I have watched 70 odd KDramas and none comes to mind which had such a beautiful, mature resolution to a love triangle. Hats off to Shin Ha Eun for delivering the best lesson in how to handle love triangles.
Ji Seong-Hyun may have lost his first love, but he was not going to lose a friend. DuSik knows he had found one too.
It is wonderful that when both are at their lowest and their hearts are hurting , they are there for each other to give the nudge they needed to move ahead in their respective relationships.
DuSik is at his lowest and scared to reach out to HyeJin, it’s Seong-Hyun who comes and tells him to lay all the cards in front of her honestly and that he trusts her enough to accept DuSik with all his faults. How right he is!
Seong-Hyun loses his appetite and is hurting at the thought of Ji-Won leaving him. DuSik makes him realise that his pain this time is greater than it was when HyeJin rejected him; and that he should not be hesitating again to lose Ji-Won in his life.
There is no need to have elaborate talks – because these two guys just get each other. Ji PD gets Hong DuSik just like HyeJin does. Ji PD is the one who tells DoHa: ‘It mustn’t have been easy for DuSik either – what a stroke of bad luck to hit everyone’. He pretty much won me over with that line, because like everyone else without hearing Dusik’s side, he could have so easily hated on DuSik too. But he didn’t, because he knows – he knows DuSik, even though DuSik hasn’t opened up to him. And that’s the kind of friend you need for life!
There are many wonderful bromances in KDramas and if I see the next list that comes out without Hong DuSik and Ji Seong-Hyun on it, I will be revolting!
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