당신은 주제를 찾고 있습니까 “cha seung won cooking – [#스페인하숙] 차승원의 요리교실! 👍 비주얼 최고 달걀 장조림 190412 EP5 #04“? 다음 카테고리의 웹사이트 https://ro.taphoamini.com 에서 귀하의 모든 질문에 답변해 드립니다: https://ro.taphoamini.com/wiki/. 바로 아래에서 답을 찾을 수 있습니다. 작성자 tvN 이(가) 작성한 기사에는 조회수 91,016회 및 좋아요 449개 개의 좋아요가 있습니다.
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차승원의 요리교실! 👍 비주얼 최고 달걀 장조림
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Cha Seung Won Worries That “Three Meals a Day” Members …
Cha Seung Won left Yoo Hae Jin and Son Ho Joon behind on the island to celebrate his daughter’s birthday. In order to keep his promise with …
Source: www.soompi.com
Date Published: 5/2/2022
View: 63
NEWS – YG ENTERTAINMENT
20), CHA SEUNG WON has been creating sensation for his outstanding cooking skills. Such excellence of CHA has given him a great popularity and …
Source: www.ygfamily.com
Date Published: 11/22/2022
View: 5107
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Interview: Cha Seung-Won
Culture / Celebrities
Feb 10, 2016 | By null
Showbiz is a young man’s game. And for Cha Seung-Won, it is haughtily accurate. “Well, there’s nothing wrong with age sneaking up on you. It happens to us all and isn’t necessarily a bad thing,” he explains. “I’m an actor and I need to be in ‘good condition’ even as I get older.” To be fair, it’s not his fault that he comes from a country that shoves out pretty young boys and girls in droves. “But who knows, if I wasn’t in this industry, I probably look kind of like an ‘uncle’ in certain ways,” he adds with a laugh when he spoke with our friends from Men’s Folio.
For a man who has been in the scene for over three decades, Cha continues to surprise many with his boundless energy and enthusiasm, outlasting his peers with a jam-packed career, while his talent and versatility as an actor made him endlessly colorful. As strange as it sounds, this is fundamentally a good thing, the occasional crow’s feet notwithstanding. “It’s a double-edged sword,” he says. He’s still fit as a fiddle and even if he decides to ride into the sunset, his legion of fans will still care, but a saggy double chin and love handles will understandably lead to endorsement income receding steadily into the future. “I try to exercise every day even if it’s simply a light jog that takes a few minutes of my time.”
The 45-year-old actor, who doesn’t look his age at all, has had a rollicking career. He still looks the part of a preening metrosexual who will never protest against the odd combination of ripped jeans, dinner jacket, and kohl eyeliner. His dressing leans heavily towards that of a bohemian rock star as unbuttoned shirts, accessorised with jewellery and a devil-may-care disposition is still the order of the day. So what if each indecisive side-swept hairstyle somehow looks effortless? “It’s obviously different,” he says, when discussing his approach when fulfilling endorsement obligations during fashion shoots versus preparing for an acting role. “I’ve got to get into the mood and get into the flow of things to inhabit a role, but for a pictorial work like the one I did for Alfred Dunhill recently, I try to put all my energy and emotions into that one shoot. It’s a less rigorous process.”
Yet, he’s disciplined, intelligent, and articulate in the way he commits to a script and his expressiveness onscreen relies more on finesse than the sheer magnetism of an ageing heartthrob. “I try to keep authenticity in mind at all times,” he lets on. “I believe the audience can feel my heartfelt sincerity in each role even as public perceptions, tastes, and trends change and evolve over time.”
After a series of minor roles early on, he scored a surprising hit as an arsonist in Libera Me in 1997. The movie became a bona fide smash, and exhibited his rare ability to draw the audiences in and connect with him despite being the film’s antagonist. They yearn to understand what’s going on inside his mind, even though he’s not giving a lot of his character’s motivation away.
Blending action with absurd comedy with drama is always dicey. In the case of Kick the Moon, filmmaker Kim Sang-jin saw in Cha a versatile actor who could be a star. There was something compulsively watchable about him as a PE teacher and feared brawler who competes for the affection of a leggy lass played by Kim Hye-soo. To an extent, he outshone co-star Lee Sung-jae with a certain brutish charm. “I’d like to think that I’m a serious but humorous person,” he adds. “To be an actor, you have to able to be versatile and display a wider spectrum of emotions. I have to know and understand myself well. That way, my portrayal stays grounded in reality and isn’t prone to being extreme or outlandish. Walking that fine line is my goal as an actor.”
His roles since have a darker undertone, and simmer with violence under the surface – indeed, his role as an imperial detective investigating grisly murders in period drama Blood Rain is stoic and restrained. In one key scene, where his character learns about a gruesome family secret without blinking his eyes, it sends a chill down your spine. You don’t want this guy complaining about soggy kimchi. He engages the camera, and therefore the audience, with a certain kind of minimalist and unrelenting charisma – a quality few have.
His film career flourished as he took the lead role of a North Korean defector in Over the Border, pining for his sweetheart in a new land. Not one to just take on leading roles, he also found the time to star in commemorative war drama 71: Into the Fire. Cha also took on one of his most memorable roles by returning to the small screen as narcissistic Dokko Jin in The Greatest Love.
He went down the rabbit hole in this satire of the local entertainment industry and emerged as a self-absorbed prima donna, spouting oft-quoted one-liners such as “What the…”, “Ding! Dong!” and displaying a general obnoxiousness and disregard for basic human civilities. Possibly playing an exaggerated version of himself, Dokko Jin’s life is a string of faux pas and petty feuds – invariably culminating in shouting and humiliation. “I memorized every line so it isn’t improvised in any way,” he says. “I’m a creature of habit and it also makes it easier for my co-stars [like Gong Hyo-jin] to play off.”
His character was a product of its times and, one who is a little too assured of his place in the hierarchy. More than anything else, it became a pop culture phenomenon and scooped up loads of awards in its deliriously humorous aftermath. And that’s down to his preposterous lines and his pinpoint accurate delivery.
Soon after, Cha avoided clean-cut good guy roles. In 2014, he went over to the dark side and played an ace homicide investigator in Man on High Heels, who toed the line between rogue tactics and yearning to undergo a sex change operation to become a woman. He certainly wasn’t interested in revisiting familiar ground. Even when he wasn’t playing gender-bending characters, Cha took on more complex roles.
He’ll next inhabit the role of Kim Jeong-ho, the geographer and cartographer who was believed to have walked the entire length and breadth of the Korean peninsula in an adaptation of Park Bum-shin’s The Map Maker. “I always had a desire to communicate with a wider audience,” he asserts. “The medium is just an opportunity to broaden my appeal naturally, so I’m decidedly happy whatever the process may be.”
Many would consider his career choices to be haphazard, but a close look reveals that, like his on-screen personas, he often straddles duality and waddles in a pool of grey that keeps fans guessing. For every leading-man role, there’s a seemingly mind-boggling effort like 2009’s Secret on his resume. It’s one of those things that Korean artiste like him don’t get enough credit for because there are not a lot of actors who can do it.
It may seem full of unacknowledged contradictions, and the centrepiece of the puzzle – a self-deprecating, hardworking celebrity blessed with career longevity – is simply far-fetched. It’s an asphyxiating thought to think he has the time to look like a million bucks by himself. His memoir, when one is written, will furnish accounts dramatically at odds with the flamboyant actor who was once crowned Model of the Year by the Korean Fashion Association in 1995.
What has changed is the context, not his tendencies. He’ll be playing Prince Gwanghae next in period drama series Splendid Politics and he’s relishing another meaty role that will require him pacing himself. “The character eventually becomes king and he becomes a lonely person,” he says. “I feel a sense of sympathy towards the character even as I look forward to portraying him. I do not want to be emotionally drained too early during the long filming schedule.”
He also worked on reinventing himself and simplified his life. “Being simple is difficult for me,” he admits, but boy, did he find his niche. He has also been casting his sardonic brand of mischievous wit in reality series Three Meals a Day: Fishing Village. Improbable as it sounds, perfectly drawn moments of farce, slapstick, and general silliness takes place as the simple premises of surviving by cooking the catch of the day. “I don’t have a specific standard in selecting the type of projects that suits me,” he explains. “I see a synopsis or a summary of what the undertaking will entail, and from there my gut feeling will determine if it’s a good match.”
While fellow actor Yu Hae-jin bumbles his daily fishing expeditions and tries to be funny – all rapid-fire quips or self-conscious kookiness – the originator of the ‘stache ploughs his furrowed brows and became the show’s funniest draw as he cooks up a storm in more ways than one. He earned the nickname Chajumma (Auntie Cha) by proving to be a deft hand in the kitchen. “I’m truly appreciative of all the positive feedback. But rest assured, it wasn’t a strategic decision to ‘showcase’ my cooking aptitude. I’m sure there are many other talented chefs out there. I’m just thankful that the audience naturally gravitated to us.”
Looks like some men can indeed have their cake (or fish) and eat it too. Clearly, he’s living the life we all secretly want to live.
Story Credits
Text by Jason Kwong
Photography by Park Jung Min
Styling by Kim Hea Joung
Hair assistant Lim Jung Eun
Make up by Kang Yoon Jin
Outfits by Alfred Dunhill
This article was originally published in the November 2015 issue of Men’s Folio.
Korean Street Toast by Korean Actor Cha Seung Won
A rendition of Korean Street Toast with a special twist. Enjoy this sweet and salty simple egg omelette, creamy cabbage, and jam sandwiched between two fluffy buttered toasts.
Cha Seung Won is a popular Korean actor who’s also been on various TV reality shows and gained popularity due to his humor but mostly because of his cooking skills! It’s been awhile since his latest rendition of “Three Meals a Days” but he’s back with a new TV show called “the Korean Hostel in Spain”. In celebration of this, I’m throwing back to one of his older recipes on “Three Meals a Day”. A simple toast sandwich similar to a Korean Street Toast but with an added touch from Cha Seung Won!
This past weekend, DrJuh was on call which means he was running around. I usually like to bake some scones or at least pack a PB&J for when he’s running out in the morning unexpectedly because if not, he’ll probably skip a meal and devour McDonalds. I am not always this caring but it was 9pm on Saturday night and he was still at the hospital and I knew he’d be rushing out Sunday morning so I made him this toast. It was really good! Koreans really love their sweetness in these egg toasts, but it works!
No wonder they call him “cha-jumma” – a nickname that comes from the original word “ahjumma” meaning “aunt” or “lady”. I’ll be excited to try out more of his recipes that I’m sure will start airing in his new show! Until then, try this out and enjoy!
Ingredients
4 slices of bread, I prefer fluffy milk bread for this sandwich
1 Tbsp butter
1 Tbsp strawberry jam (½ Tbsp per sandwich)
Cabbage Salad
2 cups cabbage, sliced thinly
3 Tbsp ketchup
2 Tbsp Japanese mayonnaise
Egg Mixture
3 eggs
¼ onion, chopped
2 Tbsp chopped carrots
1 scallion, chopped
Salt and pepper to taste
Instructions
1. Cabbage Salad: In a small bowl, mix the thinly sliced cabbage, ketchup and mayonnaise. Make sure the sauce is well incorporated. Set aside.
2. Butter a non-stick frypan and toast the 4 slices of bread until golden brown. Set side.
3. In a medium sized bowl, whisk the 3 eggs. Add in the chopped onion, carrots and scallion. Add in a pinch of salt and pepper. Mix well.
4. Preheat a non-stick fry pan on medium heat (same from step 1). Add in about 1 Tbsp cooking oil, and pour in the egg mixture. Cook the first side until the egg is about 70% cooked through and flip over. Cut the egg omelette into 4 equal pieces.
5. Assemble: Lay a toast down on a plate. Top with one egg. Top with half of the cabbage salad. Top with another egg. Spread the strawberry jam on the other toast. Lay it on top of the egg. Repeat for the other sandwich! Enjoy with a friend, partner, or have both yourself!
Cha Seung Won Worries That “Three Meals a Day” Members Would Starve with Him Gone for 20 Hours
Cha Seung Won left Yoo Hae Jin and Son Ho Joon behind on the island to celebrate his daughter’s birthday.
In order to keep his promise with his daughter, Cha Seung Won leaves the island and the set of tvN‘s “Three Meals a Day” for 20 hours.
After making lunch for the rest of the cast, Cha Seung Won, who has been doing all of the cooking since the beginning of the show, starts making food for the other cast members to eat while he is away.
He also worriedly relays simple recipes to Son Ho Joon, then says, “I’m making a lot of cabbage salad, so eat that if you can’t find anything to eat while I’m gone.”
Even as he leaves, he is looking after the members, saying, “I’ll bring meat. You like stir-fried pork, right? Don’t save up and eat the salad in the meanwhile.”
He yells instructions to the cast members even as he sails out on the boat, inciting laughter and letting the viewers get a glimpse of his genuinely caring personality.
Meanwhile, “Three Meals a Day” is an outdoor variety program where the cast struggle to catch, grow and make meals on a rural island.
Cha Seung-won
South Korean actor
Cha. In this Korean name , the family name is
Cha Seung-won (born June 7, 1970) is a South Korean actor, who began his career as an in-demand fashion model in the 1990s. Cha achieved stardom through the hit comedy films Kick the Moon (2001), Jail Breakers (2002), My Teacher, Mr. Kim (2003), and Ghost House (2004). After proving his versatility in other genres, notably in the period thriller Blood Rain (2005) and the melodrama My Son (2007), Cha’s popularity continued with the television series Bodyguard (2003), City Hall (2009), The Greatest Love (2011), Hwayugi (2017), One Ordinary Day (2021), and Our Blues (2022).
Career [ edit ]
Cha dropped out of Sungkyunkwan University,[1] and began a successful career as a fashion model in 1988.[2] He was cast in the TV sitcom New York Story, which would eventually pave the way for his debut in film.[3]
In June 2010
Although his debut film Holiday In Seoul (1997) and many of his subsequent roles did not establish him as a major star, he attracted attention in 2000 for his performance as an arsonist in the firefighting film Libera Me. The following summer, the runaway success of Kim Sang-jin’s comedy Kick the Moon (over 4.3 million tickets sold) secured his place in the industry as a leading actor with strong star appeal.[3] Since then, Cha has become one of the few surefire box office draws in the country. In a 2005 survey of influential movie producers, he was ranked among the top ten most bankable stars.[4]
In early 2003, Cha took on a slightly more serious role as a corrupt schoolteacher who is transferred to a country school in the film My Teacher, Mr. Kim. The film grossed over 2.4 million admissions and drew Cha additional praise for his acting abilities (he would later team up again with director Jang Gyu-seong for 2007 comedy Small Town Rivals[5]). His next role, in Ghost House, reunited him with director Kim Sang-jin in a successful comedy about a man who buys a dream home, only to discover it is haunted by a young female ghost.[3]
In 2005 Cha put aside the comic roles he had become known for and appeared in the grisly period thriller Blood Rain.[6][7] The film’s unexpectedly robust commercial success confirmed Cha’s popularity among Korean audiences.[3] He further proved his versatility in Jang Jin’s Murder, Take One (also known as The Big Scene).[8][9][10]
Cha starred in his first melodrama Over the Border (2006), about a North Korean defector.[11][12][13] He then reunited with Jang Jin in My Son (2007), and he said his experience as a father helped a lot in learning the character.[14] Stylish crime thrillers Eye for an Eye (2008),[15] and Secret (2009) followed.[16][17][18][19]
Cha returned to television in 2009, in the political fairytale City Hall penned by writer Kim Eun-sook.[20][21][22] 2010 was a busy year for him,[23][24] with Cha appearing in two films, the Lee Joon-ik-helmed period actioner Blades of Blood,[25] and Korean War film 71: Into the Fire,[26][27][28] followed by spy series Athena: Goddess of War.[29][30][31][32]
In 2011 his character in the hit romantic comedy series The Greatest Love, arrogant top star “Dokko Jin,” became a mini pop culture phenomenon, giving rise to numerous commercial deals and parodies, as well as awards for Cha.[33][34][35]
Cha made his theater debut in 2012 in the stage play Bring Me My Chariot Fire alongside Japanese actors Tsuyoshi Kusanagi, Ryōko Hirosue, Teruyuki Kagawa, and Korean veteran actor Kim Eung-soo. Set in the historically turbulent early 1900s, the plot focuses on the friendship of artists from Korea and Japan who work together to preserve traditional Korean arts.[36][37][38]
In 2014, Cha signed with the talent agency YG Entertainment,[39][40] then starred in the police series You’re All Surrounded.[41] This was followed by his third team-up with director Jang Jin in the comedy noir film Man on High Heels, which subverted Cha’s “macho” image by having him play a transgender homicide detective.[42][43]
In 2015, Cha appeared in Three Meals a Day: Gochang Village, a cable reality show set on the remote Manjae Island for which he earned the nickname “Chajumma” (from the word ajumma) because of his versatile cooking skills despite the minimal amount of ingredients and implements.[44][45] He was then cast as Prince Gwanghae in the period drama Splendid Politics, which focused on power struggles for the throne amid the backdrop of the Joseon Dynasty.[46][47] Cha next plays cartographer and geologist Kim Jeong-ho in Kang Woo-suk’s period epic Gosanja, Daedongyeojido, adapted from Park Bum-shin’s novel The Map Maker.[48]
In 2017, Cha was cast in tvN’s fantasy romantic comedy drama A Korean Odyssey by the Hong sisters.[49] Cha the starred in the family comedy-drama film Cheer Up, Mr. Lee in 2019[50] and the disaster film Sinkhole in 2021.[51]
Later in 2021, he starred alongside Kim Soo-hyun in the Coupang Play’s television series One Ordinary Day, based on the British television series Criminal Justice.[52] In 2022, he appeared in the tvN drama Our Blues.[53]
Personal life [ edit ]
Cha and his wife Lee Soo-jin are biological parents to daughter Cha Ye-ni (born 2003, christened as Rachel). In July 2014, a man claiming to be the birth father of Cha and Lee’s son Cha No-ah (born 1989, christened as Noah)[54] filed (and quickly dropped) a ₩100 million defamation lawsuit against Cha, which led to the actor admitting that No-ah is Lee’s son from her previous marriage, and that when he and Lee got married, Cha legally adopted No-ah, who was then three years old. Cha had previously falsified his marriage date as 1989 to match No-ah’s age, apologizing for the white lie since their son did not know his paternity.[55][56]
Filmography [ edit ]
Film [ edit ]
Television series [ edit ]
Variety shows [ edit ]
Music video appearances [ edit ]
Theater [ edit ]
Year Title Role 2012 Bring Me My Chariot of Fire Lee Soon-woo
Awards and nominations [ edit ]
Listicles [ edit ]
Name of publisher, year listed, name of listicle, and placement Publisher Year Listicle Placement Ref. Forbes 2012 Korea Power Celebrity 25th [79] 2016 11th [80]
Growing appetite for ‘Cook TV’
Seen above are the actors appearing in tvN’s “Three Meals a Day.” From left are Yoo Hae-jin, Jung Woo, Son Ho-joon and Cha Seung-won.
/ Courtesy of CJ E&M
By Kwon Ji-youn
There isn’t much Cha Seung-won says or does on tvN’s “Three Meals a Day,” but he’s attracting viewers like moths to a flame.
All the same, it seems there isn’t much the 44-year-old actor can’t do ― he broils the eels and seasons the vegetables while fellow actor Yoo Hae-jin hooks the fish and gets the fire going. In episode five, which aired on Feb. 20, Cha took some flour and eggs, kneaded it into dough and threw it into the kiln. With some mandarins and oranges, he whipped up some jam to go with the bread.
This very “Three Meals” episode reaped record viewership with 14.2 percent, the broadcaster’s best thus far. In episode seven, which aired on March 6, Cha fricasseed some stir-fried spicy pork, after which he was given the task of serving fresh sushi on a circulating conveyer-belt or train. This episode recorded 13.9 percent viewership.
Cha has been enchanting audiences with a maternal charm hidden behind a 188-centimeter lithe, muscular body and rugged mask, on top of skills in the kitchen that even he found surprising. The look on Cha’s face when he pulled the loaf of browned bread from the kiln was priceless.
Other cable channels are seeing similar results with their own cooking programs.
Olive TV’s “What Shall We Eat Today?” features comedian Shin Dong-yup and singer Sung Si-kyung, who both learn how to cook dishes and compete against each other with meals of their own. Shin and Sung aren’t crackerjack cooks and their kitchens resemble that of any average household, but with the help of experts, they provide viewers with stacks of all-purpose recipes.
The verdict is in _ if last year’s trend featured quests to discover piquant but hidden restaurants across the country, cooking is without a doubt the newest wrinkle on television.
It is a combination of young men, easy-to-follow recipes and some laughs that pleases viewers so. And it helps that these men seem to know what they’re doing in front of the stove.
“We casted Cha because he seemed to know a lot about cooking, and about food in general,” Na Young-seok, producer of “Three Meals,” said.
Likewise, Shin and Sung experienced little difficulty preparing challenging dishes like braised short ribs and sticky rice.
JTBC’s new show “Please Take Care of My Refrigerator” brings together “cooking” and “reality.” Notable chefs like Sam Kim, Choi Hyun-seok and Michael, joined by celebrities like Hong Seok-cheon, take easy-to-find ingredients, like over-fermented kimchi, from a fridge to brew up new dishes. But these aren’t the overdone, outrageous dishes that are found on menus at the finest restaurants.
“The idea began with the fridge,” said Sung Hee-sung, producer of “Refrigerator Please.” “I wanted to give viewers a peek into one of the most personal spaces of a celebrity’s home, and this became ‘Refrigerator Please.'”
She stressed that while Korea is home to millions of enticing restaurants and audiences still seek vicarious pleasure in watching others eat, they, in truth, find it difficult to find time to sit down for a decent meal.
“These cooking programs are giving the food we eat at the kitchen table meaning and value,” she said. “And by ‘we’ I mean the ‘sampo’ generation that has put courtship, marriage and childbirth on the backburner.”
Culture critic Ha Jae-keun says the “cook TV” trend is not new, but as the desire for food is the greatest human weakness, audiences still find such programs vitalizing.
“Further, cooking is no longer considered women’s turf,” Ha said. “Clumsy men cooking on television brings out homely sides, which viewers find engaging.”
Another culture critic Kim Hern-sik agrees it is men in the kitchen that viewers find eye-catching.
“And in the past, dishes and meals needed to be remarkable to attract attention,” Kim added. “But now it’s about cooking food that anyone can stir up in their own kitchen.”
But as “cook TV” climbs charts, so will the potential for damage by produce placement advertisements (PPL), Kim said.
“And it’ll only get worse as demand increases,” he said. “Producers need to be mindful not to let PPL push viewers away.”
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