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“He was playing with language, form, and the familiar. But distorting these things.” American artist Alex Da Corte shares his admiration and love for the iconic artist Claes Oldenburg (1929-2022).
Claes Oldenburg was known for his larger-than-life sculptures of familiar objects such as a clothespin, cigarettes, and French fries with ketchup. When Alex Da Corte first encountered the work of Oldenburg, it was the early 2000s. Their shared fascination with ketchup initially inspired and enchanted Da Corte, whose first sculpture and replica were of one of Oldenburg’s ketchup bottles. The sculpture of a familiar-looking bottle made of fabric is shown in Da Corte’s video “Carry That Weight” from 2003.
Before he met Claes Oldenburg’s work, Da Corte had not thought to make sculptures. He associated sculptures with woodshops that “didn’t feel like a safe space.” But that changed when Oldenburg’s sewn sculptures appeared in Da Corte’s life: “That’s a powerful way to make sculpture. It’s just that we don’t talk about it in regard to sculpture,” he says and continues: “When I saw that Oldenburg and his wife were sewing these works it appealed to me. That language appealed to me. And this idea that softness could be powerful.”
“Seeing Oldenburg tackle things as seemingly unmovable as Micky Mouse, for instance, appealed to me because, of course, I loved animation, and I loved cartoons. And he was kind of undoing and unraveling this familiar icon in ways that were not about love per se. They were unrelated to the mouse. It took the icon and then completely divorced the meaning and the message from this figure.”
Claes Oldenburg (b. 1929-2022) was a Swedish-born American sculptor best known for his sculptures, drawings, and colossal monuments, transforming familiar objects into states that imply animation and sometimes revolt. Oldenburg was a leading voice of the Pop Art movement. With his wife and collaborator Coosje van Bruggen, Oldenburg realized over 40 large-scale public projects worldwide. Recent awards of the team include Distinction in Sculpture, Sculpture Center, New York (1994); Nathaniel S. Saltonstall Award, ICA, Boston (1996); Partners in Education Award, Solomon R. Guggenheim Museum, New York (2002); and Medal Award, School of the Museum of Fine Arts, Boston (2004). Oldenburg has exhibited in many institutions and museums such as Whitney Museum, New York; Tate Modern, London; Museum of Modern Art, New York; Louisiana Museum of Modern Art, Denmark, and many more.
Alex Da Corte (b. 1980) was raised in Venezuela and the United States and now lives and works in Philadelphia. He has mounted solo exhibitions at Secession, Vienna; the Institute of Contemporary Art, Philadelphia; Museum Boijmans van Beuningen, Rotterdam; Kölnischer Kunstverein, Cologne; and MASS MoCA, North Adams, Massachusetts, among many others. Group show and festival appearances include the Louisiana Museum of Modern Art, Humlebæk, Denmark; MoMA PS1, The Metropolitan Museum of Art, Whitney Museum of American Art and the Museum of Modern Art, New York; and the Venice and Lyon Biennales. In 2022 Alex Da Corte will present a large-scale 20-year survey exhibition at the Louisiana Museum of Modern Art. For more, see http://alexdacorte.com/
Alex Da Corte was interviewed by Kasper Bech Dyg at the Louisiana Museum of Modern Art in Denmark in September 2021.
Camera: Jarl Kaldan Therkelsen
Produced and edited by: Roxanne Bagheshirin Lærkesen
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2022
Louisiana Channel is supported by Den A.P. Møllerske Støttefond, Ny Carlsbergfondet, C.L. Davids Fond og Samling and Fritz Hansen.
Credits:
Claes Oldenburg
French Fries with Ketchup (1963)
© Claes Oldenburg
Whitney Museum of American Art, New York; 50th Anniversary Gift of Mr. and Mrs. Robert M. Meltzer
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Alex Da Corte at Karma Gallery – Mary Lynn Buchanan
Alex Da Corte’s exhibit, Marigolds, was on view at Karma Gallery in the Fall of 2019. … For this exhibit, Karma took a page out of The Hole’s …
Source: www.marylynnbuchanan.com
Date Published: 4/2/2021
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Alex Da Corte | KARMA – Pinterest
Jul 18, 2019 – Karma is a gallery located in the East Village, New York. The gallery represents Gertrude Abercrombie, Henni Alftan, Alvaro Barrington, …
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Date Published: 12/21/2022
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Art World Insider: Alex Da Corte at Karma Gallery
Karma gallery, 188 East 2nd Street. Contemporaries Patrons. Join for an exclusive walk-through with artist Alex Da Corte’s latest exhibition of new work at …
Source: whitney.org
Date Published: 3/20/2022
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Karma, New York / Alex Da Corte. – Marigolds – Getty
Published on the occasion of the exhibition Alex Da Corte Marigolds, September 20-November 3, 2019, Karma, New York, NY.
Source: primo.getty.edu
Date Published: 5/23/2021
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주제에 대한 기사 평가 alex da corte karma
- Author: Louisiana Channel
- Views: 조회수 5,574회
- Likes: 좋아요 131개
- Date Published: 2022. 7. 19.
- Video Url link: https://www.youtube.com/watch?v=3hm4y1exGxo
Marigolds, Karma, New York – Artland Magazine
Da Corte’s current outing at Karma Gallery—which he has titled “Marigolds” in honor of Collier’s yarn—gives bright outlandish shape to far-out scientific theory, while poetically linking together physical objects as seemingly disparate as redacted comic book pages, bas-relief sculpture, neon signs, flat acrylic paintings, acid-colored wall treatments, modular furniture and a giant stuffed toy. As with many of Da Corte’s installations, his discrete pieces nudge viewers toward what the Surrealists termed the unfettered play of thought. For an idea of the exhibition’s overall effect, think André Breton and The Cat in the Hat sipping ayahuasca from furry teacups.
Spread out over two galleries on the same block, Da Corte’s display arrays ten Blue Pencil Drawings and twelve supersized objects that illustrate one of his fundamental dicta, via materials like aluminum, steel, plywood, inkjet printing, polyester fabric, neoprene and upholstery foam: “sculpture is the unveiling of a familiar object.” The drawings’ series title alludes to the preferred pencil color used by illustrators, but also to Robert Rauschenberg’s Erased DeKooning (1953). An experiment in composition by effacement, Da Corte’s works on paper consist of comic book printouts—Donald Duck, Casper, Peanuts and more—to which he has applied store-bought White-Out.
Blue Pencil Drawing (Food Not Bombs), 2019, Inkjet and White Out on paper, cast polyester resin frame, plexiglass, mat-board, coroplast, wooden strainer, hardware, 17 3/16 × 14 13/16 inches. Image courtesy Karma.
The drawings, encased in candy-colored matte frames, occupy gallery one. Gallery two is devoted to a pair of romper rooms featuring XL versions of Da Corte’s works on paper. Among the artist’s wall-hanging sculptures are a seven-foot high green candle and a twenty-three foot wide jack-o-lantern; their respective titles The Night Watch and Non Stop Fright (Bump in the Night) clue viewers into the images’ shift from cute to creep. A second room contains a blood-red acrylic, ink and flashe painting of a moonscape as reflected in a pool of water, and an engulfing “boyfriend pillow.” The kind of cushion with arms that wrap around the unsuspecting user, Da Corte’s version takes the shape of a blue python that appears, like a tapeworm, to have gobbled up its host.
Yet Da Corte’s latest show harbors more than a plushy take on the uncanny. Like Collier’s short story, Da Corte’s two-gallery installation establishes spooky relationships between childhood and adulthood, the strange and the familiar, the innocent and the perverted. Collier reminds us that we have all planted marigolds. Da Corte, for his part, insists on revealing the flip side of that virtuous moment. His flowers’ radiance can gladden or appall us, depending on the day.
Relevant sources to learn more
Alex Da Corte Website
Karma Gallery Website
Kulchur Vulture – Sarah Sze, Tanya Bonakdar Gallery
Alex Da Corte at Karma Gallery
About the Exhibit – Marigolds
Alex Da Corte’s exhibit, Marigolds, was on view at Karma Gallery in the Fall of 2019.
Alex Da Corte at Karma Gallery
For this exhibit, Karma took a page out of The Hole’s book and completely transformed the gallery space to accommodate Da Corte’s over-the-top works.
Alex Da Corte at Karma Gallery
The exhibit title, Marigolds, is a flower that symbolizes both fortune and grief. These are two themes that arise often in Da Corte’s work as he puts a magnifying glass to American culture.
Alex Da Corte at Karma Gallery
Alex Da Corte at Karma Gallery
“Known for captivating films and installations that probe popular American culture, Da Corte is acutely sensitive to the myriad signifying effects of both color and cultural imagery and uses them to penetrate our individual experiences and collective associations.” – Brooklyn Rail (source)
Alex Da Corte at Karma Gallery
Alex Da Corte at Karma Gallery
The exhibit spans both gallery spaces, the front consists of larger-than-life sculptures that were inspired by vintage cartoons and magazine covers.
Alex Da Corte at Karma Gallery
“In Da Corte’s world, Camp is exerted to its utmost. Color performs, making full use of its duplicitous nature. Like marigolds, the color yellow signifies both good and evil. It is auspicious and joyful but can also evoke deceit and dishonesty. The room itself is both beguiling and off-putting, and the saturated colors of the neoprene mutate as one bathes in the neon light.” – Brooklyn Rail (source)
Alex Da Corte at Karma Gallery
“Marigolds goes beyond hinting at the darker truths that children come to understand as they grow into adulthood to suggest they are embedded in the experiences and expressions of innocence. Like art, cartoons are a lie that tells the truth.” – Brooklyn Rail (source)
Alex Da Corte at Karma Gallery
“I think the work is like a large sandwich of experience and thoughts, layered and stacked and stitched together. If my recent travels have taught me anything, it is that we are very small in this great big world.” – Alex Da Corte (source)
Alex Da Corte at Karma Gallery
The back gallery is devoted to a work titled ‘Husband Pillow,’ which is based on Antoine de Saint-Exupery’s The Little Prince, where a boa constrictor swallows an elephant but the adults see it as a hat.
Alex Da Corte at Karma Gallery
About the Artist – Alex Da Corte
Da Corte, 38, is from a family of house painters. He was born in Camden, N.J., and raised in Pittsburgh and Caracas, Venezuela.
He studied Film/Animation and Fine Arts at the School of Visual Arts in New York City and then went on to receive his BFA in Printmaking/Fine Arts, from The University of the Arts in Philadelphia. He got his MFA from Yale University in 2010.
“His videos, sculptures and installations come in deep, bright, saturated colors, often neon. They freely riff on pop culture, including children’s television, reality TV and cartoons.” – Washington Post (source)
Da Corte had two exhibits at the 2019 Venice Biennale this year. He lives and works in Philadelphia.
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Art World Insider: Alex Da Corte at Karma Gallery
Karma gallery, 188 East 2nd Street
Contemporaries Patrons
Join for an exclusive walk-through with artist Alex Da Corte’s latest exhibition of new work at Karma gallery in the East Village. The artist will lead Contemporaries Patrons through an immersive installation featuring neon window sculptures and an 11-minute Hitchcockian horror film starring the musician St. Vincent. This solo show, C-A-T Spells Murder, explores the pop-psychology acronym that fear is “False Evidence Appearing Real,” the exhibition title taken from R.L. Stine’s Fear Street books.
The artist’s immersive work with Jayson Musson, Easternsports, 2014, was in the Museum’s 2016 exhibition Dreamlands: Immersive Cinema and Art, 1905–2016.
Contemporaries Patron members are invited to this event: The invitation is for two individuals per membership household. To RSVP, email [email protected] with your name and membership ID.
To join or upgrade, call (212) 570-7746.
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